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| | Symbolist painters - Wikipedia, the free encyclopedia |
 | | Symbolist painters were part of a 19th century movement in which art became infused with mysticism, and by the closely allied Symbolist movement in literature. | | | More a philosophy than an actual style of art, the Symbolist painters influenced the contemporary Art Nouveau movement and Les Nabis. | | | The Symbolist painters mined mythology and dream imagery for a visual language of the soul, seeking evocative paintings that brought to mind a static world of silence. |
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http://en.wikipedia.org/wiki/Symbolist_painters
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| | Symbolism (arts) biography .ms |
| | The Symbolist painters were an important influence on expressionism and surrealism in painting, two movements which descend directly from Symbolism proper. | | | The Symbolist manifesto was published in 1886 by Jean Moréas. | | | Many Symbolist writers and critics were early enthusiasts for the music of Richard Wagner, a fellow student of Schopenhauer. |
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http://symbolists.biography.ms
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| | NCAW Autumn 02 Sébastien Clerbois on Theosophy and Belgian Art |
| | These painters were indifferent to one trend or the other; if Jean Delville is a purely Symbolist painter, Mikolajus Ciurlionis is a modernist artist, close to abstraction. | | | The origins of this influence are to be sought in the dynamism of Josephin Péladan (1858–1918), a charismatic figure, son of a family of occultists from Lyons, a writer, art critic, and esoterist. | | | This synthesis is totally foreign to the Symbolist aesthetic, which remains attached to the individual characteristics of each artistic expression in viewing the rapport between the arts. |
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http://www.19thc-artworldwide.org/autumn_02/articles/cler_print.html
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| | legh mulhall kilpin :: artwork |
| | Symbolist painters were interested in looking beyond the “real” world to depict the fantastic, the visionary and the imaginary. | | | Kilpin’s interest in Symbolist painting reveals an awareness of art movements beyond Canada, and the works are striking for their unique subject matter in the Canadian context of the time. | | | The inspirations for these painters included dreams, literature, and spiritual movements that used séances and crystals to communicate with the world beyond. |
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http://www.langleymuseum.org/kilpin/artwork_symbolist.html
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| | ArtMagick Galleries - Lucien Levy-Dhurmer: A Selection of Pictures |
| | Excerpts from Lévy-Dhurmer: A Symbolist painter of the Belle Epoque by Philippe Jullian. | | | It was written by Philippe Jullian, a French painter and writer, who wrote extensively about the Symbolist art movement and the fin-de-siècle period (e.g. | | | Over 60 examples of his work were exhibited, alongside works by Lévy-Dhurmer's fellow Symbolist painters (e.g. |
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http://www.artmagick.com/galleries/dhurmer
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| | Connaught Brown |
| | Symbolism was first identified as a literary movement by the critic Jean Moréas in 1886 and as a visual arts movement by the young Symbolist poet Albert Aurier in his 1891 article on Paul Gauguin. | | | Symbolist painting was concerned to convey spiritual truths (the "Idea") through painted forms (which thereby acted as symbols). | | | Symbolism was geographically widespread across Europe, though it was dominant in France and centred on Paris, and it was also inter-disciplinary –Symbolist culture embraced literature, poetry and music as well as the visual arts. |
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http://www.connaughtbrown.co.uk/pages/art_m_symb.shtml
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| | Pattern Lesson 8 Art Part |
| | The painter, Jackson Pollock exemplified the style of Action painting in his famous drip paintings where the painting process became a "counterpart to life itself." Pollock's paintings developed into a record of the artist's psychic and physical journey with the medium. | | | The flat shapes of Symbolist painting freed him to use pattern as a formal element in his work, and Vuillard was part of an artists group called the Nabis, the Hebrew word for "prophet." The Nabis believed painting should be recognized as a great decorative art. | | | Symbolist painters stopped working from observation and painted from memory. |
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http://www.dartmouth.edu/~matc/math5.pattern/lesson8art.html
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| | Symbolism |
| | Symbolist painters are: Moreau, Puvis de Chavannes and Odilon Redon, who share vital and ideological attitudes inhereted from romantic tradition. | | | Symbolists see themselves like poets who succeeded in approaching to literature and music liberating words from their trivial meaning. | | | He made the assert that painting should be idealist, symbolist, synthetic, subjective and ornamental. |
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http://www.spanisharts.com/history/del_impres_s.XX/neoimpresionismo/i_simbolismo.html
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| | Biography for: Gustave Moreau |
| | Gustave Moreau was a Symbolist painter of mythical and religious scenes, and a teacher. | | | Despite his similar interests in mysticism, Moreau did not align himself with the younger Symbolist painters and refused to exhibit at the Salon de la Rose+Croix, an exhibition body to which JW was also invited to contribute. | | | Moreau also exhibited with the International Society of Sculptors, Painters and Gravers, a society that formed in 1898 with JW as its President. |
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http://www.whistler.arts.gla.ac.uk/biog/Morea_G.htm
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| | Movements in Late Nineteenth-Century Art |
| | Barbizon School painters fled the hectic pace of Paris for the countryside. | | | The group's aims were best represented by painters, though some sculptors (Rodin, Degas, Renoir) did manage to employ their concerns with light and reflection onto media other than paint and canvas. | | | Some Symbolist artists drew their subject matter from Symbolist poetry; thus, the femme fatale became a common theme, as did works dealing with death and sin. |
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http://daphne.palomar.edu/mhudelson/StudyGuides/19thCent_WA.html
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| | Greenwood Publishing Group I1 |
| | The writings of Charles Baudelaire on the arts powerfully influenced the aesthetic theories of Symbolist artists and critics from 1860-1900, much as Baudelaire's poetics were the root of Symbolist literature. | | | The Symbolist work, be it painting or poem, is above all personal and revelatory, precious not commonplace, reflecting and evoking a journey of the imagination. | | | French Symbolist artists explored this style, attitude, and atmosphere from the 1880s to the early twentieth century. |
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http://info.greenwood.com/books/0313297/0313297525.html
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| | Claude Debussy - The Painterly Composer [Index] |
| | His original system of harmony and musical structure expressed in many respects the ideals to which the Impressionist and Symbolist painters and writers of his time aspired. |
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http://www.humanitiesweb.org/human.php?s=c&p=c&a=i&ID=62
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| | Puvis de Chavannes: 1824-1898..., Berthe Morisot, the correspond..., Berthe Morisot, the Correspond..., De Pagnest à ... |
| | French symbolist painters: Moreau, Puvis de Chavannes, Redon and their followers: [catalogue of an exhibition held at the] Hayward Gallery, London, 7 June... | | | Puvis de Chavannes: 1824-1898..., Berthe Morisot, the correspond..., Berthe Morisot, the Correspond..., De Pagnest à Puvis de Chavann..., Puvis de Chavannes, 1824-1898:..., Puvis de Chavannes,: Illustrat..., Pierre Puvis de Chavannes, Puvis de Chavannes and the mod..., Historizität und Autonomie: St..., French symbolist painters: Mor.... |
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http://books-great-painters.umkabooks.com/1374_Puvis-de-Chavannes,-Pierre/1.html
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| | GEORGE BRAQUE |
| | Braque was the most consistent of the original Cubist painters and within the strict limitations which he imposed upon himself was one of the greatest painters of the century. | | | The Spanish painter had started to paint “Les Demoiselles d’Avignon”, a work which arose his interest in quite a new form of painting, and both started to work together with the ultimate aim of launching Cubism. | | | Both immediately adopted the new style imposed by Fauvist painters and exhibited with some of them at the Paris Salon d'Automne and the Salon des Indépendants. |
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http://www.artcult.com/bra.htm
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| | MoserArt : Style |
| | Symbolist painting was a movement that began in the latter part of the nineteenth century as a reaction to Realism and Impressionism. | | | Mannerist painters of importance were Pontormo (1494-1556), Bronzino (1503-1572), Rosso Fiorentino (1494-1540) and Benvenuto Cellini (1500-1571.) | | | Symbolism was above all, an aesthetic movement in which writers and painters focused on the suggestive journey of the imagination. |
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http://www.moserart.com/style.html
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| | MSN Encarta - Picasso, Pablo Ruiz y |
| | His father José Ruiz Blasco was a mediocre painter who earned his living as a teacher of drawing. | | | He found the bohemian street-life of Paris fascinating, and his pictures of people in dance halls and cafés show how he assimilated the Post-Impressionism of Paul Gauguin and of the Symbolist painters called the Nabis. | | | He was the most famous and prolific artist of the 20th century and exercised enormous influence on his contemporaries. |
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http://uk.encarta.msn.com/encyclopedia_761569324/Picasso_Pablo_Ruiz_y.html
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| | Search Results for ceramicist picasso cubism - Encyclopædia Britannica |
| | Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most influential artists of the 20th century and the creator (with Georges Braque) of Cubism. | | | Biographical sketch of Pablo Ruiz y Picasso, Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most influential artists of the 20th century, supplemented with a collection of his paintings. | | | French painter, one of the important revolutionaries of 20th-century art who, together with Pablo Picasso, developed Cubism. |
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http://www.britannica.com/search?query=ceramicist%20picasso%20cubism&ref=new...
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| | Study Guide 1 |
| | Psychoanalysis was very important to a number of late nineteenth century Symbolist painters, and also to early twentieth century artists such as the Surrealists. |
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http://char.txa.cornell.edu/study_g/sg1_7b.htm
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| | ArtScope.net: Dean Fisher: Paintings |
| | Both painters would agree with artist, Andre Masson: "In fact, the mistake is to believe that there is anything except the intrinsic value of the work: the personal flavor it gives out, the new emotion it displays and the pleasure it gives. | | | What brings Baudelaire and the French Symbolists to mind in viewing Dean Fisher's art is the artist's approach to painting. | | | In the Symbolist painters, frequently the products of the imagination do not cohere, or the modality is passive. |
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http://www.artscope.net/VAREVIEWS/dfisher0999.shtml
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| | ART / 4 / 2DAY |
| | She was an animal painter, largely of horses, and exhibited at the Royal Academy from 1894. | | | Shortly after his birth, his father was recorded in the service of James I of England, and his brother, the battle painter Palamedes Palamedeszoon I [1607—1638], may have been born in London. | | | In 1673 Anthonie was residing in Amsterdam, probably with his eldest son, the painter Palamedes Palamedeszoon II [1633—1705]. |
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http://www.jcanu.hpg.ig.com.br/art/art4nov/art1127.html
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| | Art Critic London |
| | The static, spellbound quality of Böcklin’s landscapes are surely Symbolist, but when he paints frolicking sea nymphs in the arms of lusty tritons, he is simply a painter of light-hearted mythological subjects. | | | Willows at Night is one of the many highlights of Kingdom of the Soul, the flawed but utterly absorbing exhibition at the Birmingham City Art Gallery that looks at Symbolist art in Germany during the period from 1870 to 1920, from the birth of the German Reich to the aftermath of the Great War. | | | For an artist to qualify as a Symbolist, his work must function on two different levels, the image the viewer can see and an inner dimension which by definition cannot be seen. |
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http://www.theartnewspaper.com/artcritic/level1/reviewarchive/2000/jun_2100_main.html
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| | The Peacock Mirror: Symbolists and Symbolism |
| | The Symbolist movement was one of the dominant forces in European art and literature from 1870 to 1900. | | | Gauguin, the forerunner of Symbolist painting, felt that Impressionism limited the strength of the imagination. | | | From the back cover: "Long forgotten or unfashionable, the Symbolist painters have for some years now been exerting an ever stronger appeal. |
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http://www.peacockmirror.com/item/1001006
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| | Symbolist Art : Books : Thames & Hudson |
| | Though the Symbolist heyday in Paris was short-lived, the movement had an influence upon painting which perhaps exceeded that of Impressionism both in duration and geographical range. | | | We find important Symbolist painters at work in places as remote from one another as Oslo (Munch), Barcelona (the young Picasso) and Vienna (Klimt). | | | Edward Lucie-Smith’s important study illuminates the origins of Modernism, and traces the development of painting and sculpture in the years of the fin de siandegrave;cle. |
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http://www.thamesandhudson.com/en/1/0500201250.mxs
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| | Moreau, Gustave -- Britannica Concise Encyclopedia - The online encyclopedia you can trust! |
| | French Symbolist painter known for his erotic paintings of mythological and religious subjects. | | | He developed a distinctive style in the Symbolist mode, becoming known for his erotic paintings of mythological and religious subjects. | | | Widely regarded as the greatest French painter of the 20th century, Henri Matisse also excelled at sculpture, illustration, graphics, and scenic design. |
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http://www.britannica.com/ebc/article-9372591?tocId=9372591
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| | [No title] |
| | Symbolist painters took their inspiration from literary circles, especially from the French poet Stéphane Mallarmé, who wrote: "...the pleasure in a poem... | | | The title refers to the combination of sounds, lines, and colors that symbolist artists drew upon to convey the inner world of their subjects. |
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http://www.mtmdferguson.homestead.com
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| | Puvis |
| | This section includes one room devoted to the Norwegian painter Edvard Munch, one to the Belgian sculptor Georges Minne - whose art had a strong impact on sculpture in Germany - and one, the last on the first floor, to Ferdinand Hodler. | | | Here, a special section is devoted to Suzanne Valadon - a famous painter in her time, who had modelled for Puvis, Marcel Duchamp and Francis Picabia - whose paintings also reveal the influence of Puvis de Chavannes. | | | Then come the different currents of symbolism, with the peculiarity of each expressed by the style of the individual artists and their countries of origin: France with Odilon Redon, Alphonse Osbert, Alexandre Séon, Henri Martin, the sculptor Albert Bartholomé, a friend of Degas. |
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http://www.palazzograssi.it/eng/mostre/puvis/intro/mostra.htm
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| | TheFreeBookShop.com - Library - George William Russell |
| | While he occasionally worked on portraits, usually of friends, he was principally a painter of landscapes with figures, and of wonderful beings who might be incorporated into the landscapes, or be the dominant features on the canvas, often with amazed mortals observing them. | | | A.E. has been included by some critics among the symbolist painters, grouping him with, and being influenced by Puvis de Chavannes, Osbert, Moreau and Redon, but they painted mythological or biblical figures and images from the unconscious. | | | When he went out to the country, these beings were entirely real to him, and as far as he was concerned he was painting their portraits, with human beings being added, probably to give an idea of scale. |
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http://russel.thefreebookshop.com
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| | Bublos.com: Compare Book Prices ›› Symbolist Art (World of Art) - Edward Lucie-Smith - Paperback |
| | Important Symbolist painters were at work in places as remote from one another as Munch in Oslo, Klimt in Vienna, and the young Picasso in Barcelona. | | | Though the Symbolist heyday in Paris was short-lived, the movement had an influence on painting in both duration and geographical range. | | | Symbolist Art (World of Art) - Edward Lucie-Smith - Paperback |
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http://www.bublos.com/isbn/0500201250.html
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| | The Many Faces of Gustave Moreau |
| | A generation of Symbolist painters and writers were also influenced by his art, as were the radical group of artists known as the Fauves. | | | A prodigious technician with an active and often fervid imagination, French artist Gustave Moreau produced thousands of works — paintings, drawings, watercolors, sketches — during the course of his 50-year career, roughly from the mid-19th century to its end. | | | Later, his strange and dramatic work caught the attention of André Breton, the high-priest theoretician of Surrealism. |
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http://www.smithsonianmag.si.edu/smithsonian/issues99/aug99/moreau.html
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| | Mark Harden's Artchive: "Symbolism" |
| | Huysmans in his novels A Rebours and La bas was significant in promoting the painters Gustave Moreau and Odilon Redon and drawing the visual arts into the movement. | | | Many Symbolists were also interested in the macabre, the mysterious and the morbid, which has been seen as a phenomenon of the fin de siecle. | | | The Pre-Raphaelite Brotherhood's return to an Early Renaissance style and mood was a more contemporary influence, The art of Symbolist painters such as Puvis de Chavannes and Eugene Carriere was thus characterized by a desire to use evocative subjects and images rather than explicit analogy or direct description. |
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http://artchive.com/artchive/symbolism.html
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| | Romanticism: Artists and their Works |
| | Obvious successors of Romanticism include the Pre-Raphaelite movement and the Symbolist painters. | | | But Impressionism, and through it almost all of 20th century art, is also firmly rooted in the individualism of the Romantic tradition. |
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http://www.artcyclopedia.com/history/romanticism.html
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| | L'amour de la lecture sans frontiere |
| | As a painter and a poet, he led a very lonely life; blue was his favourite colour. | | | He was liked by poets and painters who praised his works. | | | From London to Vienna, Khnopff was considered as the most important symbolist painters. |
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http://groups.msn.com/lamourdelalecturesansfrontiere/letstalkpainters.msnw
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| | Omniseek: /Arts & Humanities /Art History /Movements /Symbolists / |
| | Good introduction to the Symbolists who Symbolist painters sought not to represent appearances but to express "the Idea", and the imaginary therefore plays an important part in their work. | | | of the French symbolists and the literary movements of the accompany the processes of the movements of contemporary poetry. | | | Omniseek: /Arts & Humanities /Art History /Movements /Symbolists / |
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http://www.omniseek.com/srch/{10517}
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| | Cheetah |
| | ''The Caress'' (1896), by the Belgian symbolist painter Fernand Khnopff (1858-1921), is a representation of the myth of Oedipus and the Sphinx and portrays a creature with a woman's head and a cheetah's body (often misidentified as a leopard's). | | | Cheetahs sometimes turn up as exotic pets, and one is portrayed as such in a piece of art deco sculpture in "polished chrome and ebony", circa 1925, from the ''Wiener Werkstätte'' (the Vienna Workshops). |
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http://www.mycatcenter.com/cheetah.htm
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| | Debussy, Claude -- Britannica Concise Encyclopedia - Your gateway to all Britannica has to offer! |
| | Influenced by the Symbolist poets and Impressionist painters, he was early inclined toward a compositional style of great originality, shunning the strictures of traditional counterpoint and harmony to achieve new effects of great subtlety. | | | He developed a highly original system of harmony and musical structure that expressed in many respects the ideals to which the Impressionist and Symbolist painters and writers of his time aspired. | | | French composer whose works have been a seminal force in the music of the 20th century. |
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http://concise.britannica.com/ebc/article-9362387?tocId=9362387
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| | Babette's Feast: Feasting with Lutherans (Mary Podles) |
| | Painters like the Danish Anna Ancher drew ultimately on the paintings of seventeenth-century Holland and Flanders to create their own versions of the genre painting, and to pay homage to the dignity and authentic quality of the simple rustic life they portrayed. | | | The dream image, beloved of the Symbolists, takes cinematic form in Martine's dream: the beckoning woman, the monster turtle, the fire, and the spilled wine are all typical of the unnamed portents of Scandinavian Symbolist painting like Munch's. | | | Ancher's painting Lars Gaihede Carving a Stick, for instance, shows a real person known to the artist immersed in his work, oblivious to the artist for whom he sits. |
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http://cw.mariancollege.edu/dschimpf/babettesfeastfeastingwithlutheranspodles.htm
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| | The Japan Times Online |
| | The Symbolists were a loosely formed group and this has made them difficult to slot into a 20th century evolutionary art map with its demands for lineage and influence. | | | He did not identify with the younger Symbolist painters and refused to exhibit at their Salons de la Rose Croix. | | | The 19th-century French painter Gustave Moreau was working at roughly the same time as van Gogh, but in Barr's diagram, he doesn't feature at all. |
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http://www.japantimes.co.jp/cgi-bin/getarticle.pl5?fa20050629a1.htm
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| | Dreamers Of Decadence: Symbolist Painters Of The 1890s - JULLIAN, PHILIPPE. |
| | Dreamers Of Decadence: Symbolist Painters Of The 1890s - JULLIAN, PHILIPPE. | | | Dreamers Of Decadence: Symbolist Painters Of The 1890s | | | ISBN: 0275742806 ¶ There have been few movements in the history of Western art as strange as that of the Decadents of the last quarter of the nineteenth century. |
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http://www.antiqbook.com/boox/adi/16986X1.shtml
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| | The Durango Telegraph |
| | Chad Colby, painter and FLC professor, carries on the storytelling tradition in his paintings but has added a contemporary perspective. | | | By layering images in his paintings, he creates "open-ended narratives" in which the storyline is left up to the viewer's interpretation, a kind of "collaboration" between the viewer and the artist. | | | JM: You seem to have a rich interior life as a painter. |
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http://www.durangotelegraph.com/05-01-27/arting.htm
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| | Gotic Art |
| | Alaya Roza), which included the work of the two major Symbolist painters Mikhail Vrubel’ and their teacher Viktor Borisov-Musatov. | | | Later that year, at the Moscow School of Painting, Sculpture and Architecture, they attracted artists of a similar persuasion such as Anatoly Arapov (1876–1949), Nikolay Krymov, Nikolay Milioti, Vasily Milioti, Nikolay Sapunov, Martiros Saryan and Sergey Sudeykin. | | | Group of second-generation Russian Symbolist artists active in Moscow between 1904 and 1908. |
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http://www.nelepets.com/art/styles/1904blue_rose.htm
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| | Fin de Siècle - Symbolist Art of the late 19th Century |
| | Much neglected by contemporary scholarship and art connoiseurship, symbolist art artists of the late 19th century pioneered modernism, probed the newly acknowledged Freudian subconscious, and chased elusive and forbidden pleasures - all the while struggling to catch the dying gasp of Beauty. | | | Fin de Siècle - Symbolist Art and Poetry from the Age of Decadence | | | A brilliant illustrator and caricaturist, an early Expressionist greatly admired by André Gide, Witold Wojtkiewicz (1879 - 1909) was also a poet and a highly original painter. |
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http://beautyandruin.com/findesiecle
(410 words)
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| | Jorge Sicre |
| | Sicre, like the Symbolist painters of a century ago, uses reflection to reference the psyche. | | | Chief among this varied collection of work is Passage, a large 1984 mixed media painting that uses a unique type of three-dimensional imaging that the artist calls “matrix perspective.” Over a red grid-like background made from air-conditioning filters, a massed array of sinuous human figures form a living canyon. | | | Salamander, a large 1999 mixed media painting on a panel, similarly uses holographic paper, art paper and metallic impressions of leaves combined with oil painting to give a vibrancy to the image of a large figure in flames. |
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http://artscenecal.com/ArticlesFile/Archive/Articles2000/Articles1100/JSicreA.html
(648 words)
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| | Robert Henri |
| | The American painters Winslow Homer and Thomas Eakins joined Velazquez and Manet in the pantheon of artists whom Henri credited with "something great and serious to say the full daring to express their ideas." "Art and Life" became a rallying cry. | | | His ideas on the making of art were formed in part during his years in France, where he had studied with the academic painter William Adolphe Bouguereau while preparing to enter the École des Beaux-Arts. | | | Like the novelists Henri admired, but unlike the academic painters he disdained, these artists depicted an observed world, whether of the Spanish court or the Parisian street. |
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http://www.artchive.com/artchive/H/henri.html
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| | More About Redon |
| | A forerunner of surrealism (a term he never heard, since Appllinaire first used surreal about a Chagall painting a year after Redon's death), Redon, in his own writings, proclaimed himself a Symbolist, almost as if complying with the ideas of the famous "Manifesto" of September 18, 1886. | | | Few painters have written about themselves more clearly than the creator of dreamlike visions, Odilon Redon. | | | His own personal manifesto was almost twenty years older; it says in part: "Some wish to limit the art of painting to reproducing just what they see. |
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http://www.laskerfoundation.org/about/art/a46t.html
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| | Symbolist Art (The World of Art series) - Lucie-Smith, Edward |
| | Keywords: Symbolism, Symbolist, painters, painting, Bourne-Jones, Moreau, Rossetti, Munch, Klim, Ensor, Redon, Khnopff, Bocklin. | | | Symbolist Art (The World of Art series) - Lucie-Smith, Edward | | | Title: Symbolist Art (The World of Art series) |
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http://www.brainiacbooks.com/si/0511B902800.html
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| | Grynch Graffiti |
| | Lucien Levy-Dhurmer - a gallery & biography page dedicated to one of my favorite symbolist painters. |
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http://www.angelfire.com/sd/grynch/graffiti.html
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| | Matricism |
| | If the artists of the future are going to challenge Castelli's words, they must discover new styles of painting, new languages of expression, and to give the art world new perspectives on the past and the present. | | | Painted in a style or technique that no other painter had used before them, or brought a new perspective or style to past subjects. | | | In modern times it need not be beautiful, pleasant, or polite, just "unique." Even today, some say Pollock's drips are not art, but all forms have found their audience and eventual acceptance by the establishment. |
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http://www.matricism.com/history.htm
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| | ART / 4 / 2DAY |
| | He was one of eight painters commissioned by the National Art Committee to paint the history of World War I. He also did a portrait of William Jennings Bryan. | | | The themes of the French painters Edgar Degas and Henri de Toulouse-Lautrec, as well as the style of the latter, exerted the strongest influence. | | | He formed a new liaison with the painter Françoise Gilot [1921~], whom he met and seduced in May 1943. |
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http://www.safran-arts.com/42day/art/art4apr/art0408.html
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| | Henri Fantin-Latour. Biography. - Olga's Gallery |
| | Fantin-Latour was born in Grenoble on the I4th January 1836, into the family of Théodore Fantin-Latour, portrait painter and teacher of drawing, and a Russian mother. | | | These works strongly influenced later symbolist painters, such as Odilon Redon. | | | Fantin’s many lithographs and paintings inspired by imaginative themes, reveal his romantic passion for Wagner, Berlioz and Schumann. |
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http://www.abcgallery.com/F/fantin-latour/fantin-latourbio.html
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Topic: Symbolist painters