|
| Â Â |
| Â | Foulke Considered One of America's Greatest Painters |
 | | Stuart Davis' father, along with Robert Henri, were part of the group of eight persons who later formed the famous painters school in New York, known as the Ashcan School. | | | Davis was considered an urban man and, when he returned to New York, he took up his work of transforming the city into art. | | | In February, 1913, at the age of 20, Stuart Davis was selected by the American painter William Glackens to have five of Davis' watercolors included in the International Exhibition of Modern Art, known thereafter as the Armory Show held at the 69th Regiment Armory in New York City. |
|
http://www.foulke.org/history/essays/painter.shtml
|
|
| Â Â |
| Â | DAVIES |
| | Davis was a passionate lover of jazz and the dynamism of this music was to infuse much of his work, most famously in the vibrant 'Swing Landscape' (1938). | | | Stuart Davis is regarded as the most important American painter working in a Cubist idiom. | | | Davis' early works include street and bar-room scenes in the spirit of the Ashcan school, many of its exponents such as Gluckens, Luks and Shinn having worked on his father's newspaper. |
|
http://www.articons.co.uk/davies.htm
|
|
| Â Â |
| Â | Stuart Davis, American Modernist |
| | "Stuart Davis: American Painter" remains at the San Francisco Museum of Modern Art through June 7. | | | Davis experimented freely en route to his signature style. | | | (1) "Stuart Davis: American Painter," organized for The Metropolitan by Lowery S. Sims, Associate Curator in the Department of 20th Century Art, who selected the works with William Agee, Professor of Art History at Hunter College and editor of the forthcoming Davis catalogue raisonné. |
|
http://www.jasonkaufman.com/articles/stuart_davis_american_modernist.htm
|
|
| Â Â |
| Â | Davis, Stuart |
| | Davis, Stuart, 1894 – 1964, American painter, b. | | | Davis was an articulate spokesman for abstract art. | | | "Stuart Davis: Major Late Paintings" at Salander-O'Reilly Galleries, New York. |
|
http://www.infoplease.com/ce6/people/A0814803.html
|
|
| Â Â |
| Â | New Deal Cultural Programs |
| | Stuart Davis,"American Artists' Congress," Art for the Millions (New York: New York Graphic Society Ltd., 1973), p. |
|
http://www.wwcd.org/policy/US/newdeal.html
|
|
| Â Â |
| Â | WebMuseum: Davis, Stuart |
| | Davis is generally considered to be the outstanding American artist to work in a Cubist idiom. | | | The zest and dynamism of such works reflect his interest in jazz. | | | He made witty and original use of it and created a distinctive American style, for however abstract his works became he always claimed that every image he used had its source in observed reality: `I paint what I see in America, in other words I paint the American Scene.' |
|
http://www.ibiblio.org/wm/paint/auth/davis/
|
|
| Â Â |
| Â | Stuart Davis - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com] |
| | Stuart Davis - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com] | | | Davis moved from journalistic illustration to Social Realism, to Expressionism, to Cubism, ultimately becoming one of America's leading abstractionists. | | | Art historian Norman Geske described Davis' career as a "near classical demonstration of the process by which American painting of the twentieth century came of age." (40). |
|
http://www.askart.com/artist/D/stuart_davis.asp?ID=30027
|
|
| Â Â |
| Â | Stuart Davis |
| | Davis himself once said, “I paint what I see in | | | I think that this is an interesting fact because it shows the many and different ways people can be inspired to create art. | | | During Stuart Davis’; lifetime, art styles were changing, and |
|
http://www.endaxi.net/artlit/stuartdavis.html
|
|
| Â Â |
| Â | Layers of Meaning: Stuart Davis, painter |
| | Stuart Davis' early painting career (1910-1930) produced 'ashcan school' images: gritty realistic social commentary. | | | Stuart Davis' early painting career (1910-1930) produced 'ashcan school' images: gritty realistic social commentary. | | | It is a pivotal work, as it was the first in which he utilized his newly articulated "color-space" theory. |
|
http://layersofmeaning.org/archives/000053.html
|
|
| Â Â |
| Â | Encyclopedia: Stuart Davis (painter) |
| | Stuart Davis ( December 7, 1894 - June 24, 1964), American painter, was born in Philadelphia. | | | He studied at the New York School of Art. | | | Its military spending per capita tops the world. |
|
http://www.nationmaster.com/encyclopedia/Stuart-Davis-(painter)
|
|
| Â Â |
| Â | NOTES: Davis, Dreier, Lissitzky: New Thoughts on an Old Series |
| | Stuart Davis: The Breakthrough Years, 1922-1924, Salander-O'Reilly Galleries, 1987, p. | | | The 1924 exhibition is not being suggested to enforce Lissitzky's influence on Davis but it can be used to suggest that a painting like Super Table, although it predates the Brooklyn exhibition, does not necessarily disprove the main thesis. | | | El Lissitzky: Architect Painter Photographer Typographer Schiff, Bennett. |
|
http://www.brickhaus.com/amoore/magazine/Davisnotes.html
|
|
| Â Â |
| Â | Amazon.ca: Books: Stuart Davis, American Painter |
| | Subjects > Arts & Photography > Artists, A-Z > ( D-F) > Davis, Stuart | | | Look for books like Stuart Davis, American Painter by subject: | | | Top of Page : Stuart Davis, American Painter |
|
http://www.amazon.ca/exec/obidos/ASIN/0300086687/medfools01-20
|
|
| Â Â |
| Â | Stuart Davis Online |
| | National Portrait Gallery, Washington D.C. Stuart Davis, drawing, ca.1927 | | | Stuart Davis in Commercial Galleries and Auction Houses | | | Seeing Life in Jazz Tempo: A major show gives the neglected Stuart Davis his due as a great, brash chronicler of the urban American scene, article by Robert Hughes |
|
http://www.artcyclopedia.com/artists/davis_stuart.html
|
|
|
Topic: Stuart Davis (painter)