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| | French culture performing arts: Ballet Biarritz in Miami Sept. 2001 |
 | | This ballet for one dancer is inspired by the poem by Stéphane Mallarmé and was first danced by the legendary Vaslav Nijinski in 1912. | | | Diaghilev based his 1920 ballet Pulcinella on a story he found in Naples: "I quattro Pulcinelli". | | | This ballet for two dancers was originally created in 1911, by Michel Fokine aftera poem by Théophile Gautier. |
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http://www.frenchculture.org/perfo/events/02balletbiarritzsept.html
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| | [No title] |
| | Pulcinella was composed by Igor Stravinsky in 1920. | | | According to the history of Pulcinella, Stravinsky was approached by Serge Diaghilev to compose the score for this ballet. | | | Stravinsky was completely taken by the music and agreed to compose the score for the ballet. |
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http://www.artzone.co.za/template_level2.asp?parentseq=59
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| | Pro Arte May 2001 |
| | The Ballets Russes had recently produced a piece based on old works by Scarlatti dressed up in new orchestrations, and Diaghilev thought Stravinsky might enjoy a similar undertaking. | | | But Diaghilev, who was an experienced musician as well as an impresario, had already gathered pieces that he thought might be suitable in a ballet, and he finally persuaded Stravinsky at least to look at what he had collected--much of it, he said, completely unknown. | | | After the end of World War I, Serge Diaghilev was eager to bring his prize composer, Igor Stravinsky, back into the fold of his Ballets Russes, where he had achieved such epochal pre-war successes as Firebird, Petrushka, and The Rite of Spring. |
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http://www.proarte.org/notes/Oct03.htm
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| | Notes on Pulcinella Suite (Igor Stravinsky) |
| | In 1919 Sergei Diaghilev, the impressario of the Ballets Russes whose collaborations with Stravinsky, including The Firebird, Petrushka, and The Rite of Spring, had brought the composer to international prominence, approached him with a new project: a ballet based on music by the eighteenth-century composer Giovanni Battista Pergolesi, with set designs by Pablo Picasso. | | | The ballet would be based on the characters of the sixteenth-century commedia dell'arte, then enjoying a considerable vogue (Richard Strauss's Ariadne auf Naxos and Arnold Schoenberg's Pierrot lunaire also date from this period). | | | In his monumental study of the early Stravinsky, Richard Taruskin attributes these winking gestures to what he calls the composer's "Turanian" style, a style reflecting "the land of Stravinsky's musical imagining," where a self-consciously Russian, or at least eastern aesthetic works to undermine the certainties of the Western musical tradition. |
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http://www.loudounsymphony.org/notes/stravinsky-pulcinella.html
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| | Stravinsky: ``Pulcinella'' Suite |
| | Pulcinella was an important turning point in Stravinsky's career, for it led him into the so-called ``neo-classical'' style which was to dominate his output for the next several decades. | | | Unlike his earlier ballets, which were characterized by huge orchestras, and innovative rhythms, Pulcinella is relatively simple and sparse, scored for 33 chamber players and 3 vocal soloists, and sticking mostly to time signatures that had been used two centuries earlier. | | | In the ballet, Pulcinella, a traditional hero of Neapolitan commedia dell'arte, has captured the hearts of all the local girls. |
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http://fmg-www.cs.ucla.edu/geoff/prognotes/stravinsky/pulcinella.html
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| | Centre Chorégraphique National / Ballet Biarritz |
| | Ballet Biarritz gave an appetizing glance at a historical period in Ballet. | | | Press cuttings from the ballet Un Hommage aux Ballets Russes (Homage to Ballets Russes) | | | […] Boléro was the pinnacle, a great ballet alone, can endure Ravel’s strenuous rhythm. |
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http://www.balletbiarritz.com/gb/1002b.html
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| | Ballet Performances Videos and DVDS 10 |
| | Martins – a former member of the Royal Danish Ballet who is one of the City Ballet’s male principals – to explain his feelings about himself, his work and the City Ballet. | | | Between 1917 and 1962, Picasso was involved in creating the designs for nine ballets. | | | The ballet captures Janacek’s great happiness as well as the unbearable anguish of earlier tragedies in his life. |
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http://www.iefit.com/ballet/ballet-performances-10.htm
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| | Danville Ballet Company |
| | She is currently teaching and choreographing ballet, modern, and jazz in local schools and studios. | | | Ballet and Theatre Arts of Danville is involved in a number of activities in the community which give the students the opportunity to perform. | | | She began her training locally at Ballet Arts and then went on to study with the San Francisco Ballet School, Berkeley Ballet Theater, Joffrey Ballet, Boston Ballet, and the Richmond Ballet. |
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http://www.danvilleballet.org/Pages/school
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| | A radiant glimpse of talent to come - The Boston Globe |
| | This abstract neo-classical ballet for 15 is set to the first movement of Beethoven's heroic ''Emperor" Concerto (given a sparkling performance by pianist Steven Kim, who graduated from the conservatory last year). | | | At the other end of the spectrum was ''Les Sylphides." One of the world's most popular ballets, Fokine's 1909 abstract work is the epitome of Romantic grace and refinement, and the young dancers had a real feel for the classical line, elegant demeanor, and timing that are critical to pulling it off. | | | Leaps and turns full of balletic lyricism are subverted by a little street jive here, a little kick-stomping, torso-pumping African dance there. |
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http://www.boston.com/ae/theater_arts/articles/2006/02/18/a_radiant_glimpse_of_talent_to_come
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| | 100130 Igor Stravinsky |
| | His neo-classical period between the years of 1920 and 1939 is indicated among other things by the dance comedy Pulcinella, which was written in 1919/20, a commedia dell'arte adaptation for mime artists and singers which was first performed by the Ballets russes at the Paris Opera House in 1920. | | | Stravinsky had already composed his other major ballet success for Serge Diaghilev in 1909/10, L'Oiseau de feu (The Firebird), the work with which the composer's world renown was to begin. | | | This production of the ballet The Firebird was performed by the famous Royal Danish Ballet in 1982, with choreography by the American ballet master Glen Tetley. |
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http://www.naxos.com/cat/dvd/100130.htm
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| | MUSICMATCH Guide: Igor Stravinsky |
| | Stravinsky's triad of early ballets -- The Firebird (1909-10), Petrushka (1910-11), and most importantly, The Rite of Spring (1911-13) -- did more to establish his reputation than any of his other works; indeed, the riot which followed the premiere of The Rite is one of the most notorious events in music history. | | | The neoclassical tautness of works as diverse as the ballet Pulcinella (1919-20), the Symphony of Psalms (1930) and, decades later, the opera The Rake's Progress (1948-51) made a widespread impact and had an especial influence upon the fledgling school of American composers that looked to Stravinsky as its primary model. | | | L'oiseau de feu (The Firebird), ballet in 2 scenes for piano (reduction) |
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http://www.mmguide.musicmatch.com/artist/artist.cgi?ARTISTID=1089116&TMPL=LONG
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| | December 98 |
| | The first one was born there in 1818, danced in Bordeaux and Madrid, and became later the ballet master in chief of the ballet of Saint-Petersburg until 1903. | | | In 1950 ABT acquired a ballet Ross had done for a choreography workshop, which evoked the Spanish Inquisition filtered through the art of the painter Francisco Goya. | | | Robert Joffrey was very proud of his "Diaghilev collection," a repertoire of works revived from that of the Diaghilev Ballet Russe. |
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http://www.balletalert.com/specials/Quiz/1998/december98.htm
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| | New York City Ballet About NYCB George Balanchine |
| | Often working with modern music, and the simplest of themes, he has created ballets that are celebrated for their imagination and originality. | | | The important thing in ballet is that movement itself, as it is sound which is important in a symphony. | | | Under the direction of Ballet Master in Chief Peter Martins, the New York City Ballet and the School of American Ballet remain dedicated to the preservation of Balanchine's ideals. |
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http://www.nycballet.com/about/nycbgbbio.html
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| | Ballet Pacifica opens season with premiere and three revivals 09/26/02 |
| | Finding love in today's society is at the core of the intriguingly titled "Love Intr-Fear," an abstract, contemporary ballet by Dominic Walsh receiving its world premiere with Ballet Pacifica Oct. 4 and 5 at the Irvine Barclay. | | | Ballet Pacifica opens its season with the world premiere of Dominic Walsh's "Love Intr-Fear" and three company revivals. | | | Literally meaning "Clowns," "Saltimbanques" by Paul Vasterling was premiered by Ballet Pacifica in 1998. |
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http://www.irvineworldnews.com/Bstories/sept26/ballet.html
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| | Ballets Russes |
| | Here's the list of the ballets danced by Diaghilev's Ballets Russes in their seasons in Paris. | | | Serge Diaghilev (1872-1929) was an impresario, the manager of the Ballets Russes that created a sensation in Western Europe in the early years of the 20th century. | | | The impact of Ballets Russes on the West stemmed from a number of causes. |
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http://www.cmi.univ-mrs.fr/~esouche/dance/dance1.html
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| | Classical Music Navigator: Notable Works |
| | Pulcinella [ballet after Pergolesi for 3 solo vv and chamber orch.] (1919-20). | | | BARTÓK: The Miraculous Mandarin [pantomime ballet] S73 (1918-9, 1923, r1924-31). | | | The Soldier's Tale [ballet for narr., spoken vv and instrumental ensemble] (1918). |
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http://www.wku.edu/~smithch/music/basic5.htm
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| | russian ballet - Books, journals, articles @ The Questia Online Library |
| | Ballet companies--Forecasts and trends, Ballet companies--History, Ballet companies--Works | | | BALLET the Nutcracker/ Russian State Ballet of Siberia, Philharmonic Hall...only, the annual visit of the Russian State Ballet of Siberia. | | | Kolpakova...Petersburg; the Kiev Ballet School, where Dvorovenko...there are a fabulous Russian ballerina and a...Woods, a former ballet dancer, is the dance... |
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http://www.questia.com/search/russian-ballet
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| | UI Chamber Orchestra Programs Works By Stravinsky Oct. 13 |
| | “Pulcinella” was the last of a series of ballets that Stravinsky wrote for the great ballet impresario Serge Diaghilev. | | | The ballet, with decor and costumes by Picasso, was performed very successfully at the Paris Opera in 1920. | | | In a dramatic change of direction from the exotic Russian subjects of the earlier ballets, Diaghilev suggested in 1919 that Stravinsky adapt a group of keyboard pieces by (or attributed to) the Baroque composer Pergolesi for a ballet with a commedia dell& theme. |
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http://itsnt166.iowa.uiowa.edu/uns-archives/2002/september/0927chamber-orchestra.html
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| | Australia Dancing - West Australian Ballet (1952 - ) |
| | West Australian Ballet was founded by former Ballets Russes dancer Kira Bousloff in 1952. | | | She also discusses her early career in musical and variety shows and with Australian Theatre Ballet, her work with the Royal Ballet and the Australian Ballet and her career in the United States as a lecturer in dance. | | | This interview was recorded at the end of Heathcote's twentieth year as a dancer with the Australian Ballet and the contents of the interview reflect the breadth and depth of Heathcote's experience and knowledge about the Australian Ballet. |
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http://www.australiadancing.org/apps/ad?action=ViewSubject&id=72&resourceType=All
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| | DanceWorks SideSteps - Ballets Russes, the Massine years |
| | Massine's departure ended the the third period in the history of Diaghilev's ballet and Diaghilev was obliged to find a new choreographer for the new ballets expected in the next Paris season. | | | The young Slavinsky was appointed, under the guidance of Larionov, and he began to compose Chout (The Buffoon) to music by Prokofiev, a Russian composer of the new generation. | | | He held that this, if any, ballet required thorough rehearsal, for the very reason it was so simple, and he took over much of the direction himself. |
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http://www.danceworksonline.co.uk/sidesteps/companies/balletrusses_massine4.htm
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| | BalletMet Trivia Quiz |
| | Which ballet was not choreographed by Marius Petipa? | | | Which ballet was not on the first season of the Ballets Russes in Paris? | | | Which was the first ballet with peasants as heroes? |
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http://www.balletmet.org/Quizzes/BMetQuiz3.html
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| | November 23 Program notes |
| | Before the project was over, the Pulcinella ballet had become the witty and satirical masterpiece that opened the door to Stravinsky’s “neo-Classic” style period, which lasted more than 30 years. | | | The 18th-century music in question was a group of manuscripts that Serge Diaghilev (Ballets Russes impresario) had brought to Stravinsky from Italy shortly after World War I. At the time, they were thought to be the work of Giovanni Battista Pergolesi, a gifted rococo composer. | | | Copland arranged the ballet as a continuous suite for full orchestra, which the New York Philharmonic premiered in October 1945. |
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http://www.ri-philharmonic.org/classical/0203/program/classical2_notes.htm
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| | South Bend Symphony - Program Notes |
| | Stravinsky fashioned three suites of excerpts from the ballet: one in 1911 which uses the original huge orchestration (we don't hear that version much any more); one in 1919 for a more conventional ensemble, which is most played; and one in 1945, which uses basically the 1919 orchestra but with more selections from the ballet. | | | For his part, Stravinsky was a tad worried about producing a 45-minute ballet score in a very short period of time, but finished a skeleton score by March, a full orchestration by mid-April, and the final re-touches were dated May 18, 1910. | | | The premiere was on June 25, 1910 at the Paris Opera, conducted by Gabriel Pierne, choreography by Michel Fokine, Karsavina was the Firebird, Fokine himself danced Ivan while his wife was the 13 th princess. |
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http://www.southbendsymphony.org/pages/masterworks_2.htm
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| | Neo-classical style |
| | This ballet was followed by three other neo-classical ballets: Apollo, The Fairy’s Kiss, and The Card Party, and by many other works that used musical ideas from western art music of past centuries, especially from the baroque period. | | | That is way Stravinsky composed Pulcinella, ballet that he based on themes and pieces by Pergolesi. | | | Stravinsky composed his first neo-classical work in 1919, thanks to suggestion of Sergei Diaghilev, who wanted to use in his next ballet Neapolitan story from 18 |
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http://tiger.towson.edu/users/aotreb1/neo.htm
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| | Milestones of the Millennium: Igor Stravinsky |
| | The beautiful "Pulcinella" ballet suite was one of his early neoclassical works. | | | After World War I, Stravinsky moved to Paris and was persuaded to score a new ballet based on an Italian baroque piece. | | | Stravinsky said this work was influenced by American jazz sheet music, though at the time he had never actually heard jazz. |
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http://www.npr.org/programs/specials/milestones/990416.motm.stravinsky.html
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| | Program Notes - Printer-Friendly |
| | This consists of most of the music of the ballet’s first two scenes, followed by the pas de deux for the boy and his bride. | | | In 1919 Diaghilev presented the two most famous of Massine’s early ballets, the two of which the dancer-choreographer would be proudest all his life: La Boutique fantasque, with a Rossini-Respighi score, followed three weeks later by The Three-Cornered Hat, to the superb music of Falla. | | | Now, for Pulcinella, Diaghilev decided to approach Stravinsky, who with The Firebird, Petrushka, and Le Sacre du printemps had been the musical sensation of his pre-war seasons in Paris. |
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http://www.sfsymphony.org/templates/pgmNotePrint.asp?nodeid=3021
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| | Contra Costa Ballet |
| | The Ballet Centre has become one of the prominent training centers of classical ballet in California. | | | In 1969 he contracted with the American Ballet Theatre and during his five years with the Company danced an extensive repertoire with many soloist roles such as "Pillar of Fire" (Anthony Tudor), "Pulcinella"(Michael Smuin), and "Les Patineurs" (Fredrick Ashton). | | | Contra Costa Ballet School is the School of the Contra Costa Ballet |
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http://www.contracostaballet.org/about/cammack.html
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| | Roehampton University - Stravinsky |
| | The ballet was performed once by New York City Ballet, on the last evening of the Stravinsky Festival, but joined the Royal Ballet repertory (1972-73). | | | The ballet continued in the NYCB repertory until Winter 1973-74. | | | For ensemble, with figures reminiscent of Orpheus and Eurydice, but there is an oblique relationship to the original legend and ballet scenario: 'Orpheus is the symbol of the artist longing for something he cannot possibly attain.' Mixed modern/classical style. |
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http://www.roehampton.ac.uk/stravinsky/full_dances.asp?start=501
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| | Center for Movement Arts |
| | Ryan has studied ballet under noted teachers and artists, including: John O’Brian (RAD), Susan Zadoff (Ballet Russe de Monte Carlo), Oleg Briansky (Bolshoi Ballet), Melissa Hayden (Royal Ballet), Robert Irwin (American Ballet Theater), Toni Pimble (RAD/Artistic Director of Eugene Ballet), Pamela Hayes (RAD/Sacramento Ballet), Edna Odum (North Carolina School for the Arts). | | | Ryan have gone on to study in the dance departments of the University of Utah and the University of Oregon, Interlochen Arts Academy, San Francisco School of Ballet, Joffrey II, and the Boston Ballet. | | | Ryan has danced with the Eugene Ballet and Ballet Oregon, appearing in featured soloist roles in The Nutcracker, Bolero, Pulcinella, Cinderella, Coppelia and Seven Deadly Sins. |
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http://www.cmadance.com/directors/tim.html
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| | Paris Opera Ballet |
| | He may have been born in Russia, and given his first ballets in Paris with the Ballets Russes, but by 1972 Balanchine had become our all-American dancemaker, like those tall buildings reaching for the sky. | | | The POB dancers interpreting this ballet Friday seemed to be going for the "happy-go-lucky, carefree" American sensibility, particularly in their constant grins. | | | If you've seen this ballet on NYCB, or for that matter San Francisco Ballet or Pacific Northwest Ballet, what you probably remember most is the shapes and angles relished by the dancers. |
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http://www.danceinsider.com/f2002/f0521_1.html
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| | [No title] |
| | Toni Pimble was born in England and studied at Elmhurst School of Ballet and Dramatic Arts and at the Royal Academy of Dancing in London. | | | Her ballets have been presented all over the US including Common Ground, a collaboration with Emmy award-winning composer, James Oliverio for Atlanta Ballet. | | | As a professional dancer she performed with three ballet companies in Germany (Staatstheater Kiel, Bonn Stadtheater and the National Theater Mannheim) while performing leading roles in classical and contemporary ballets. |
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http://www.ofam.net/events/ACS2002/ACS2002.asp?section=artists&artist=pimble&series=ACS2002&storyid=1
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| | OTJ Forum Newsletter -- August 17, 2003 |
| | Le Boeuf sur le toit (Ballet), 1919, orig. | | | Pulcinella (Ballet), 1920, the original Ballet score has 3 vocal soloists, the Suite has none | | | Stravinsky: Pulcinella (complete ballet); Concerto in E-flat, "Dumbarton Oaks;" Works by Gallo and Pergolesi |
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http://www.trombone.org/newsletters/forum/8-03/ashworth.asp
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| | Ballet.co April 2006 Magazine |
| | Jonathan talks about his life in ballet and the motor-cycle accident that sadly robbed us of seeing him dance at his final performance... | | | Each year we follow some final-year Central School of Ballet students through their final training, UK tour and hunt for jobs. | | | Madame Galina (aka Iestyn Edwards) is a ballerina in the great Russian tradition trying to make sense of ballet and life in an ever changing world. |
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http://www.ballet.co.uk/magazine
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| | Classical Music Navigator: Notable Works |
| | Adagio of Spartacus and Phrygia [from the ballet Spartacus] (1943). | | | RAVEL: Suite #2 from Daphnis et Chloé [ballet] (1913). | | | KHACHATURIAN: Sabre Dance [from the ballet Gayane] (1942, r1957). |
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http://www.wku.edu/~smithch/music/basic1.htm
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| | The Alabama Ballet Press Releases |
| | Sean Stewart comes to Alabama Ballet from New York where he was a member of the American Ballet Theater. | | | In 2002, Melissa became a member of the American Ballet Theater Studio Company where she performed Le Corsaire Pas de Deux and William Tucket’s Pulcinella. | | | Birmingham’s own Melissa Thomas, a dancer with American Ballet Theater, and Sean Stewart, former member of American Ballet Theater, join Alabama Ballet company members in this fiery Latin ballet. |
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http://www.alabamaballet.org/cgi/viewnews.cgi?newsid1097254436,23129,
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| | Repertoire |
| | L. Minkus ⌠La Bayadere■ ballet in 3 acts | | | A. Melikov ⌠Solomon's song■ ballet in 1 act | | | A. Adam ⌠Le Corsaire■ ballet in 1 act |
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http://www.dopera.org/repertoire.htm
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| | artsworld |
| | The idea was certainly unusual: a ballet based on music by the 18th-century composer Giovanni Battista Pergolesi, with set designs by Pablo Picasso. | | | He approached the material with a light hand, scoring the ballet for a scaled-down orchestra that nicely mimics the clarity of the pre-Classical style: 20th-century effects emerge from the musical texture largely in the form of witty incongruities, here a slightly overripe instrumental combination, there an unlikely dissonance or a strangely distended harmony. | | | Stravinsky's delightful neoclassical piece danced by Basle Ballet |
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http://www.artsworld.com/genre/features.asp?id=1090&genreID=3
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| | WNYC - Evening Music with Margaret Juntwait: Pulcinella (November 01, 2005) |
| | Pulcinella, a wacky character if ever there was one—straight out of commedia dell’arte — is the Neapolitan ne’er-do-well hero of a Diaghilev ballet for which Stravinsky wrote the music. | | | The complete ballet, "Pulcinella," featured three singers as well as dancers and orchestra, but Stravinsky later wrote a shorter orchestral suite, which is what Yuri Temirkanov and the Royal Philharmonic regale us with this evening. | | | WNYC - Evening Music with Margaret Juntwait: Pulcinella (November 01, 2005) |
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http://www.wnyc.org/shows/eveningmusic_s/episodes/2005/11/01
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| | ballet.co Home Page |
| | We cover choreographers, ballets and the history / legends that have made ballet such an important form of dance. | | | In the Links section we collect together a lot of information of interest to ballet fans: ballet companies, dancers, thousands of Reviews and for the future how to get involved with dance courses and classes. | | | Welcome to Ballet.co, the site about all things ballet and dance in the world & the UK in great depth. |
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http://ballet.co.uk
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| | Theatre & Dance |
| | He was formerly a Principal Dancer with Birmingham Royal Ballet (BRB), a Soloist with San Francisco Ballet (SFB) and began his professional career with Boston Ballet. | | | These have included Boston Ballet, Atlanta Ballet, Cincinnati Ballet, Royal Ballet School of London, and Salzburg International Ballet Academy. | | | David has been a choreographer and a teacher for the past 15 years and toured the globe extensively to guest with companies and schools creating work on some of the worlds' most talented dancers from BRB SFB, Royal Swedish Ballet, Ballet de Monte Carlo, Alberta Ballet, Dance Theatre of Harlem, Atlanta Ballet and others. |
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http://www.utexas.edu/cofa/theatre/people/justin.html
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| | THE CHAMELEON COMES HOME TO CALIFORNIA TO ROOST |
| | The Divertimento from "The Fairy's Kiss" is a 25-minute excerpt of a ballet based on themes by both Tchaikovsky and Stravinsky. | | | It offers a juicy, romantic cello solo, yet dominated by Stravinsky's fascinating rhythms, the very element so perfect for modern ballet. | | | Who else ran the gamut from Tchaikovsky ballets to "The Rite of Spring" to decades' collaboration with N.Y. choreographer George Balanchine, each of them a stylistic world apart? |
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http://www.artssf.com/sfs0643.html
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| | Pulcinella |
| | In this ballet by Stravinsky, the town rogue plays an elaborate trick on three flirtatious girls and their boyfriends. | | | Features the Scapino Ballet and the London Symphony Orchestra. | | | Genre: Musical & Performing Arts, Dance, Ballet, Classical Music, Dance |
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http://www.rottentomatoes.com/m/pulcinella
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| | WNYC - Evening Music with Margaret Juntwait: Pulcinella (May 13, 2005) |
| | The Ballet Russe premiered “Pulcinella” on this day in 1920. | | | Riccardo Muti leads the Vienna Philharmonic in more dance music, this time Franz Schubert’s score for the “Rosamunde”’s ballet. | | | WNYC - Evening Music with Margaret Juntwait: Pulcinella (May 13, 2005) |
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http://www.wnyc.org/shows/eveningmusic_s/episodes/2005/05/13
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| | Pulcinella - Wikipedia, the free encyclopedia |
| | Pulcinella features in an eponymous ballet by Igor Stravinsky; see Pulcinella (ballet). | | | Pulcinella, often called Punch or Punchinello in English, is a classical character that originated in the Commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. | | | This page was last modified 04:21, 12 May 2006. |
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http://en.wikipedia.org/wiki/Pulcinella
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| | Ballet of Zurich |
| | By Patricia Boccadoro PARIS, 24 November 2001 - The Ballet of Zurich opened the new season of dance at the Théatre de Saint-Quentin-en-Yvelines with a Stravinsky programme. | | | Review of Ballet of Zurich at the Paris Dance Festival | | | The curtain rose on Pulcinella, a 1980 work by Heinz Spoerli who was... |
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http://www.culturekiosque.com/dance/reviews/zurichballet.html
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Topic: Pulcinella (ballet)