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| | Impressionistic and Post |
 | | Post Impressionism was not one of those smear-words such as Impressionism or Fauvism, invented by witty French journalists on first seeing the works of the artists concerned, words which caught the public imagination and were subsequently accepted and used by the artists themselves. | | | The Impressionists admired the new city for its modern appearance, and felt that it was an atmosphere ideal for painting. | | | Certainly many of the freedoms the Impressionists had fought for in the 1806 and 1870s in terms of paint application, colour, choice of subject and working procedure became part of the artist's stock in trade in the 1880. |
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http://www.angelfire.com/mn/vat99/imp.html
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| | Post Impressionism |
| | He exhibited with the impressionists in the 1870s, and in 1883 gave up his job to pursue painting full-time (this decision left his wife and 5 children with little money, so his wife left him to live with her mother). | | | Unlike the Impressionists, he chose his colors almost arbitrarily, painting not what he sees but what he feels. | | | Though the impressionists differed in personal styles and favorite subjects, one thing which was consistent between the artists was their interest in the transitory effects of light and spontaneous compositions. |
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http://www.eyeconart.net/history/postimpressionism.htm
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| | art is dead - modern art - post-impressionism |
| | In 1886, with the final decline of the Impressionists, the Post-Impressionists surfaced as the primary art movement in Paris. | | | Although the movement lasted less than a decade, the Impressionist school had indirectly challenged and inspired their successors (the Post-Impressionists) to venture into new artistic expression similar to the way they had. | | | When they emerged however, they did not support the Impressionists naturalistic form as the Impressionists may have wanted, but the Post-Impressionists ironically rejected their teachings in the same way that the Impressionists had done. |
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http://freespace.virgin.net/paul.adams6/artisdead/modernart/postimpressionism/artisdead_modernart_postimpressionism.html
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| | Search Tuna Report for post impressionist |
| | The term Post Impressionist itself was first coined only in 1910 when English critic Roger Fry named his exhibition at the Grafton Galleries, which presented French art of the previous three decades - featuring works by C zanne, Van Gogh and Gauguin - Manet and the Post Impressionists.... | | | Description: A British fine art gallery specialising in paintings and drawings by artists from the French Impressionist, Post Impressionist and Modern Master periods. | | | Description: Impressionist and Post Impressionist master artists from 1800 to 1900. |
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http://searchtuna.com/ftlive2/729.html
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| | post-impressionism |
| | There is no question about impressionistic art anymore, because the artist did not paint the quick impression anymore. | | | He got inspired by the methods of the impressionist (specially the use of colors) and soon after he decided to move to the south of France, to Arles. | | | Because of the style of painting he used during the last period of his life and the energetically expression of his work, van Gogh is called the father of the expressionism. |
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http://www.the-artfile.com/uk/styles/impressionism/postimpressionism.htm
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| | Impressionists and Post-Impressionists |
| | The term "Impressionist" was introduced by the critic Louis Leroy after viewing paintings in the first Impressionist exhibition in April of 1874. | | | Their work was a reaction to paintings of the Impressionists. | | | The Impressionists exhibited their works in independent shows from 1874 to 1886. |
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http://www.mc.edu/campus/users/busbea/students/yourpage.html
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| | MSN Encarta - Search View - Monet |
| | The painters who became known as impressionists began exhibiting together in 1874. | | | In 1880 Monet decided, to the great annoyance of his fellow impressionists, to exhibit once again at the official Salon. | | | Another future leader of the impressionists, Camille Pissarro, was a fellow student there, and the two soon became close friends. |
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http://encarta.msn.com/text_761569820__1/Monet.html
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| | Post -- WWW |
| | Although the Impressionists were respected as serious artists by the mid-1880s, a group of their followers believed that too many traditional aspects of painting were being ignored. | | | The advent of photography gave realistic painting an insurmountable obstacle, but, fortunately, the Impressionists and their successors succeeded in changing the ideas in painting to impressions rather than pictures. | | | These artists, many of whom began their careers exhibiting with the Impressionists, conducted a more systematic exploration of three-dimensional space and lines. |
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http://www.byu.edu/~hurlbut/ukhonors/romanticism/demarr00/post.html
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| | Wäinö Aaltonen Museum - Current Exhibitions |
| | Like impressionists, contemporary artists are interested in the relationship between photographs and paintings. | | | The works were selected from the collection on the basis of the Miracle of Colour exhibition of impressionistic paintings currently in the museum's main hall. | | | Impressionists never formed a school with a unified common manifest. |
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http://www.wam.fi/eng/nayttelyt.htm
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| | POSTIMPRESSIONISM |
| | After exhibiting with the Impressionists in 1886, Gauguin renounced “the abominable error of naturalism.” With the young painter Émile Bernard, Gauguin sought a simpler truth and purer aesthetic in art; turning away from the sophisticated, urban art world of Paris, he instead looked for inspiration in rural communities with more traditional values. | | | All of these painters except van Gogh were French, and most of them began as Impressionists; each of them abandoned the style, however, to form his own highly personal art. | | | Cézanne painted in isolation at Aix-en-Provence in southern France; his solitude was matched by that of Paul Gauguin, who in 1891 took up residence in Tahiti, and of van Gogh, who painted in the countryside at Arles. |
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http://www.artmovements.co.uk/postimpressionism.htm
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| | ArtLex on Post-Impressionist Paul Cézanne |
| | Exposed to the work of the Impressionists, his palette lightened, but he reacted to the lack of structure in the Impressionists' paintings by developing a way of using color to render his |
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http://www.artlex.com/ArtLex/p/postimp.cezanne.html
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| | Art Periods: POSTIMPRESSIONISM in France |
| | It would be a mistake to view the postimpressionists as simply rejecting their impressionist heritage; rather, they accepted the revolutionary impact of impressionism and went on to explore new aesthetic ideas, many of which grew out of concepts implicit in impressionism. | | | Finally, the other-worldliness of the postimpressionist symbolists (see symbolism, art), such as Redon, together with the distorted lines of Art Nouveau in the works of Toulouse-Lautrec and other contemporaries, fostered a growing tendency toward abstract art that was to prove essential to nonfigurative developments in painting after 1910. | | | ézanne had belonged to the impressionist movement, but he withdrew (1878) from it because he wanted to create a style that he described as more "solid and durable." Working in isolation in Aix-en-Provence during the 1880s and '90s, he evolved a new concept of space that was of fundamental importance to 20th-century painting. |
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http://www.discoverfrance.net/France/Art/postimpressionism.shtml
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| | Global Gallery - Knowledge Center - Post-Impressionism |
| | Roger Fry coined "Post-Impressionism" as the title of an exhibition at the Grafton Galleries, London, in 1910-1911: Manet and the Post-Impressionists. | | | The limitations that the Post-Impressionists saw were basically founded in the Impressionists concern and devotion to naturalism and the momentary effects of lighting. | | | Post-Impressionists, while also preoccupied with the uses of color, were seeking both a more expressive use of color and like Georges Seurat, a somewhat scientific analysis of color. |
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http://www.globalgallery.com/knowledgecenter/know.postimpressionism.asp
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| | The Post-Impressionist Posters Page |
| | By the late 1880's the Impressionists were seen as serious artists and their paintings were no longer regarded as crude and unfinished works as they once were. | | | All of these artists had accepted the Impressionist methods and never rejected the new and brighter palette, they didn't seek to undo the effects of Impressionism, rather they sought to carry it further, thus making this period of art history a later stage of Impressionism. | | | Many of the painters and their young followers were becoming dissatisfied with the limitations of the style and felt that too many traditional elements of picture making were being neglected. |
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http://www.imagemakers.mb.ca/posters/allposters/post-impress/post-impress1.html
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| | The Post-Impressionists |
| | The work, shown in the last Impressionist exhibit in 1886, is also considered to foreshadow abstract art. | | | According to Helen Gardner, "It is a difficult procedure, as disciplined and painstaking as the Impressionist method had been spontaneous and exuberant." | | | A classic example of his painting during this period is The House of the Hanged Man, (1873-4). |
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http://www.go-star.com/framer/impressionists0505.htm
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| | Art/Auctions: Impressionist & Post Impressionists Christies Nov. 8, 1999 |
| | No Impressionist sale would be complete, of course, without some works by Pierre-Auguste Renoir (1841-1919) and this sale has several of high quality. | | | The nicest is an 11 3/8-by-5 1/8-inch oil of canvas, entitled "Baigneuse debout, s'essuyant les cheveux." This small female nude, which was possibly painted as early as 1869, is quite lovely and presages much of his later famous brushwork and it is estimated a bit conservatively at $700,000 to $900,000. | | | This exceeding vibrant and colorful work is one of the artist's series of depictions of actors and is appropriately estimated at $2,500,000 to $3,500,000. |
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http://www.thecityreview.com/f99cimp.html
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| | Fauvism: Learn about art and the Fauvism art movement |
| | Fauvism was partly undertaken to explore new elements of art that had not been embraced by the Impressionists or Post-Impressionists. | | | Fauvism was a brief but important art movement that followed the Post-Impressionist era. |
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http://www.respree.com/scstore/learn/fauvism.html
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| | AETV.com Classroom Study Guides |
| | The Post Impressionists can be used in classes on art, art history, European history, and health science. | | | The Post Impressionists: Van Gogh and Gauguin profiles the careers of the two men and details the deep impression left by the brief period they lived and worked together in the South of France. | | | In the wake of the Impressionist painters intense focus on light and color, Vincent Van Gogh and Paul Gauguin developed a painting style that expressed a more personal, more spiritual artistic vision. |
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http://www.aetv.com/class/admin/study_guide/archives/aetv_guide.1594.html
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| | Post-Impressionists - Modern Art |
| | [Courbet, Whistler, And Manet] [Leonardo, Raphael, And Michelangelo] [Renaissance In Venice] [The French Tradition] [El Greco And Rubens] [The Impressionists] [Fauves And Cubists] [The Post-Impressionists] [Renaissance In Florence] [The Expressionists] [Art Before Giotto] [Giotto And Fra Angelico] [The Eclectics] | | | He was a genius in the art of imbuing his figures, particularly his nudes, with a lifelike vitality absent in Seurat as well as in the Impressionists. | | | In spirit, then, he is completely removed from Gauguin and Van Gogh; and in spite of his quest for the most desirable of all painting qualities, form, he is temperamentally close to the first Impressionists, the scientists with paint. |
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http://www.oldandsold.com/articles02/article1118.shtml
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| | Post-Impressionism Special Topics Page Timeline of Art History The Metropolitan Museum of Art |
| | The Annenberg Collection of Impressionist and Postimpressionist Masterpieces | | | The art of Paul Gauguin developed out of similar Impressionist foundations, but he too dispensed with Impressionistic handling of pigment and imagery in exchange for an approach characterized by solid patches of color and clearly defined forms, which he used to depict exotic themes and images of private and religious symbolism. | | | This painting, the last sketch for the final picture that debuted in 1886 at the eighth and final Impressionist exhibition (today in the Art Institute of Chicago), depicts a landscape scene peopled with figures at leisure, a familiar subject of the Impressionists. |
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http://www.metmuseum.org/toah/hd/poim/hd_poim.htm
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| | Columbia Museum of Art: General Info (2003 News Releases) |
| | Today, Impressionist and Post Impressionist art draws record-breaking crowds at museums and prices at the auction houses. | | | They are some of the most beautiful and universally loved paintings ever committed to canvas, but in their day, were often criticized by the art community as ridiculous and unappealing. | | | Despite the harsh criticism, the works of Van Gogh and Gauguin today are among the most revered of their era, with unmistakable styles, and works that bring us on fascinating journeys to the South Pacific, the French countryside and beyond. |
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http://www.colmusart.org/html/news2003/0501.shtml
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| | Post-Impressionism |
| | Inspirations: Delacroix’s works and use of color, primitivism, Japanese prints, pre-classical, art of children, African art, non-western art and culture(Gauguin), some inspiration of the Impressionists only in the beginning of the post-impressionists period then later they found their own styles. | | | Keep in mind that the Post-Impressionists consisted of more than these four artists, but these were the “fathers”. | | | Most of the Impressionists and Post-Impressionists are from France. |
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http://webclass.lakeland.cc.il.us/jbowen/week9,2.htm
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| | Cezanne, Paul : 1839 - 1906 - Post Impressionism, painting, sculpture, drawing, Absolutearts.com |
| | As a Post-Impressionist, he passed through an Impressionist phase but became dissatisfied with the limitations of the style and went beyond it in various directions. | | | Cezanne, the oldest of the Post-Impressionists, was born in Aix-en-Provence, near the French Mediterranean coast. | | | He painted bright outdoor scenes, but never shared his fellow Impressionists' interest in "slice-of-life" subjects, in movement and change. |
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http://www.absolutearts.org/masters/names/Cezanne_Paul.html
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| | Roland Collection - Impressionists and Post-Impressionists |
| | The familiarity of Impressionist and Post-Impressionist paintings today (reproduced on greetings cards, calendars and note pads) makes it hard for us to appreciate how radical the work of Manet, Pissarro, Degas, Monet, Renoir, Lautrec and their colleagues first appeared. | | | The term Post-Impressionism, however, is an extremely loose label applied primarily to Cézanne, Van Gogh, Gauguin, Lautrec and Seurat, but often used to describe other progressive artists after the great decade of Impressionism (1870-80), such as Matisse or Bonnard. | | | The Impressionist's major preoccupations were with the perception and recording of light and color. |
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http://www.roland-collection.com/rolandcollection/section/12.htm
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| | The Paintings of the Post Impressionists |
| | Out of the impressionist movement was born shortly before the World War the still more revolutionary "post-impressionism", which represented a violent reaction against all the older theories and practices of painting. | | | Introduction Cave Art Ancient Egyptian Art Babylonian and Greek Realism and Mysticism Early Christian Painters Perspective and Oil paints The Florence Painters The Renaissance Giants Flemish and German Artists The Italianizer Period 18th Century English Painters Pre-Raphaellite Movement Impressionism Post Impressionism Great American Painters Whistler, Sergant and Inness | | | Check out the Bargain Poster Store: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z |
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http://www.fineartguide.net/painting-history/post-impressionism.php
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| | postimpressionism on Encyclopedia.com |
| | Hawaii hosts first major impressionist exhibit.(Honolulu)(Japan and Paris: Impressionism, Postimpressionism and the Modern Era)(Brief Article) | | | East meets West at French impressionism exhibit in Hawaii |
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http://www.encyclopedia.com/html/p1/postimpr.asp
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| | Davis Publications - /artslides/slidesets/slideset.asp |
| | The result of post-impressionism was a stripping away of conventions even the impressionists had used, such as linear perspective, in favor of emphasis on simplified structure of forms, and use of pure color. | | | By the 1890s, the impressionists were accepted by critics and public alike as serious artists. | | | Many artists who had started in impressionism in the 1870s, and many younger followers of the impressionists began to feel that the rigid insistence in impressionism on depicting a fleeting moment in time in terms of light and color neglected traditional aspects of painting such as psychological depth and formal structure. |
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http://www.davis-art.com/artslides/slidesets/slideset.asp?action=select&pk=1813
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| | Amherst College News Releases: |
| | Mead Art Museum To Present Post Impressionists at Amherst College May 30 | | | "Biography Special: Post Impressionists: Van Gogh and Gauguin" is a two-hour special premiering on AandE Network on Sunday, June 1, at 8 p.m. | | | The special will follow the lives of Vincent Van Gogh and Paul Gauguin, whose tense friendship and unspoken rivalry, beginning in the Provencal town of Arles and continuing even beyond Van Gogh's death, produced paintings that helped set the stage for much of what we know today as modern art. |
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http://www.amherst.edu/~pubaff/news/news_releases/02/a&e02.html
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Topic: Post-Impressionist