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| | Impressionistic and Post |
 | | Post Impressionism was not one of those smear-words such as Impressionism or Fauvism, invented by witty French journalists on first seeing the works of the artists concerned, words which caught the public imagination and were subsequently accepted and used by the artists themselves. | | | The Impressionists admired the new city for its modern appearance, and felt that it was an atmosphere ideal for painting. | | | Certainly many of the freedoms the Impressionists had fought for in the 1806 and 1870s in terms of paint application, colour, choice of subject and working procedure became part of the artist's stock in trade in the 1880. |
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http://www.angelfire.com/mn/vat99/imp.html
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| | Post Impressionism |
| | He exhibited with the impressionists in the 1870s, and in 1883 gave up his job to pursue painting full-time (this decision left his wife and 5 children with little money, so his wife left him to live with her mother). | | | Instead of focusing on these aspects of his new world, he decides to paint the natives in a paradisal climate, enjoying the traditions of their native culture and bathed in a hyper-colored atmosphere. | | | Unlike the Impressionists, he chose his colors almost arbitrarily, painting not what he sees but what he feels. |
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http://www.eyeconart.net/history/postimpressionism.htm
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| | art is dead - modern art - post-impressionism |
| | In 1886, with the final decline of the Impressionists, the Post-Impressionists surfaced as the primary art movement in Paris. | | | Post-Impressionism was a diverse art movement that engulfed the European art community in the latter part of the 19th century. | | | Although the movement lasted less than a decade, the Impressionist school had indirectly challenged and inspired their successors (the Post-Impressionists) to venture into new artistic expression similar to the way they had. |
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http://freespace.virgin.net/paul.adams6/artisdead/modernart/postimpressionism/artisdead_modernart_postimpressionism.html
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| | Search Tuna Report for post impressionist |
| | The term Post Impressionist itself was first coined only in 1910 when English critic Roger Fry named his exhibition at the Grafton Galleries, which presented French art of the previous three decades - featuring works by C zanne, Van Gogh and Gauguin - Manet and the Post Impressionists.... | | | Description: A British fine art gallery specialising in paintings and drawings by artists from the French Impressionist, Post Impressionist and Modern Master periods. | | | Description: Impressionist and Post Impressionist master artists from 1800 to 1900. |
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http://searchtuna.com/ftlive2/729.html
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| | post-impressionism |
| | Because of the style of painting he used during the last period of his life and the energetically expression of his work, van Gogh is called the father of the expressionism. | | | There is no question about impressionistic art anymore, because the artist did not paint the quick impression anymore. | | | Many drawings were made and it sometimes took the artist about a year to finish his painting. |
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http://www.the-artfile.com/uk/styles/impressionism/postimpressionism.htm
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| | Impressionists and Post-Impressionists |
| | The term "Impressionist" was introduced by the critic Louis Leroy after viewing paintings in the first Impressionist exhibition in April of 1874. | | | Their work was a reaction to paintings of the Impressionists. | | | The Impressionists exhibited their works in independent shows from 1874 to 1886. |
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http://www.mc.edu/campus/users/busbea/students/yourpage.html
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| | MSN Encarta - Search View - Monet |
| | The painters who became known as impressionists began exhibiting together in 1874. | | | In 1880 Monet decided, to the great annoyance of his fellow impressionists, to exhibit once again at the official Salon. | | | His comments criticized the artists for painting so loosely and neglecting to blend their brushstrokes carefully in order to achieve the polished effect that was then expected. |
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http://encarta.msn.com/text_761569820__1/Monet.html
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| | Post -- WWW |
| | Although the Impressionists were respected as serious artists by the mid-1880s, a group of their followers believed that too many traditional aspects of painting were being ignored. | | | The advent of photography gave realistic painting an insurmountable obstacle, but, fortunately, the Impressionists and their successors succeeded in changing the ideas in painting to impressions rather than pictures. | | | These artists, many of whom began their careers exhibiting with the Impressionists, conducted a more systematic exploration of three-dimensional space and lines. |
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http://www.byu.edu/~hurlbut/ukhonors/romanticism/demarr00/post.html
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| | Wäinö Aaltonen Museum - Current Exhibitions |
| | Like impressionists, contemporary artists are interested in the relationship between photographs and paintings. | | | The works were selected from the collection on the basis of the Miracle of Colour exhibition of impressionistic paintings currently in the museum's main hall. | | | Nevertheless, the artists shared a similar conception of art and utilised same kinds of painting techniques. |
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http://www.wam.fi/eng/nayttelyt.htm
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| | POSTIMPRESSIONISM |
| | After exhibiting with the Impressionists in 1886, Gauguin renounced “the abominable error of naturalism.” With the young painter Émile Bernard, Gauguin sought a simpler truth and purer aesthetic in art; turning away from the sophisticated, urban art world of Paris, he instead looked for inspiration in rural communities with more traditional values. | | | Cézanne painted in isolation at Aix-en-Provence in southern France; his solitude was matched by that of Paul Gauguin, who in 1891 took up residence in Tahiti, and of van Gogh, who painted in the countryside at Arles. | | | All of these painters except van Gogh were French, and most of them began as Impressionists; each of them abandoned the style, however, to form his own highly personal art. |
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http://www.artmovements.co.uk/postimpressionism.htm
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| | ArtLex on Post-Impressionist Paul Cézanne |
| | Exposed to the work of the Impressionists, his palette lightened, but he reacted to the lack of structure in the Impressionists' paintings by developing a way of using color to render his |
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http://www.artlex.com/ArtLex/p/postimp.cezanne.html
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| | Art Periods: POSTIMPRESSIONISM in France |
| | This highly individual art, which was to be greatly admired by the next generation of painters, laid the groundwork for the creation of cubism by Pablo Picasso and Georges Braque. | | | It would be a mistake to view the postimpressionists as simply rejecting their impressionist heritage; rather, they accepted the revolutionary impact of impressionism and went on to explore new aesthetic ideas, many of which grew out of concepts implicit in impressionism. | | | Finally, the other-worldliness of the postimpressionist symbolists (see symbolism, art), such as Redon, together with the distorted lines of Art Nouveau in the works of Toulouse-Lautrec and other contemporaries, fostered a growing tendency toward abstract art that was to prove essential to nonfigurative developments in painting after 1910. |
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http://www.discoverfrance.net/France/Art/postimpressionism.shtml
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| | Global Gallery - Knowledge Center - Post-Impressionism |
| | This movement, made up entirely by French artists, other than the exception of Vincent Van Gogh, was a reaction by the artists to the inherent limitations of the Impressionist style. | | | Roger Fry coined "Post-Impressionism" as the title of an exhibition at the Grafton Galleries, London, in 1910-1911: Manet and the Post-Impressionists. | | | Post-Impressionism, as implied by the name, came after the creation of the Impressionism. |
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http://www.globalgallery.com/knowledgecenter/know.postimpressionism.asp
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| | The Post-Impressionist Posters Page |
| | By the late 1880's the Impressionists were seen as serious artists and their paintings were no longer regarded as crude and unfinished works as they once were. | | | All of these artists had accepted the Impressionist methods and never rejected the new and brighter palette, they didn't seek to undo the effects of Impressionism, rather they sought to carry it further, thus making this period of art history a later stage of Impressionism. | | | Many of the painters and their young followers were becoming dissatisfied with the limitations of the style and felt that too many traditional elements of picture making were being neglected. |
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http://www.imagemakers.mb.ca/posters/allposters/post-impress/post-impress1.html
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| | The Post-Impressionists |
| | The work, shown in the last Impressionist exhibit in 1886, is also considered to foreshadow abstract art. | | | A classic example of his painting during this period is The House of the Hanged Man, (1873-4). | | | In Mainstreams of Modern Art (Holt and Co., N.Y. 1959), John Canaday calls Cezanne "the most revolutionary painter since the dawn of the Renaissance." He writes that the artist's career was dedicated to making Impressionism "something solid and durable, like the art of the museums." |
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http://www.go-star.com/framer/impressionists0505.htm
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| | Art/Auctions: Impressionist & Post Impressionists Christies Nov. 8, 1999 |
| | The nicest is an 11 3/8-by-5 1/8-inch oil of canvas, entitled "Baigneuse debout, s'essuyant les cheveux." This small female nude, which was possibly painted as early as 1869, is quite lovely and presages much of his later famous brushwork and it is estimated a bit conservatively at $700,000 to $900,000. | | | This exceeding vibrant and colorful work is one of the artist's series of depictions of actors and is appropriately estimated at $2,500,000 to $3,500,000. | | | Entitled "le pont de Sèvres," this river landscape with a bridge is a 15-by-18 1 /8-inch oil on canvas that was also painted in 1877. |
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http://www.thecityreview.com/f99cimp.html
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| | AETV.com Classroom Study Guides |
| | The Post Impressionists can be used in classes on art, art history, European history, and health science. | | | The Post Impressionists: Van Gogh and Gauguin profiles the careers of the two men and details the deep impression left by the brief period they lived and worked together in the South of France. | | | In the wake of the Impressionist painters’ intense focus on light and color, Vincent Van Gogh and Paul Gauguin developed a painting style that expressed a more personal, more spiritual artistic vision. |
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http://www.aetv.com/class/admin/study_guide/archives/aetv_guide.1594.html
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| | Fauvism: Learn about art and the Fauvism art movement |
| | Fauvism was partly undertaken to explore new elements of art that had not been embraced by the Impressionists or Post-Impressionists. | | | Fauvism was a brief but important art movement that followed the Post-Impressionist era. |
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http://www.respree.com/scstore/learn/fauvism.html
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| | Post-Impressionists - Modern Art |
| | He was a genius in the art of imbuing his figures, particularly his nudes, with a lifelike vitality absent in Seurat as well as in the Impressionists. | | | In spirit, then, he is completely removed from Gauguin and Van Gogh; and in spite of his quest for the most desirable of all painting qualities, form, he is temperamentally close to the first Impressionists, the scientists with paint. | | | [Courbet, Whistler, And Manet] [Leonardo, Raphael, And Michelangelo] [Renaissance In Venice] [The French Tradition] [El Greco And Rubens] [The Impressionists] [Fauves And Cubists] [The Post-Impressionists] [Renaissance In Florence] [The Expressionists] [Art Before Giotto] [Giotto And Fra Angelico] [The Eclectics] |
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http://www.oldandsold.com/articles02/article1118.shtml
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| | Post-Impressionism Special Topics Page Timeline of Art History The Metropolitan Museum of Art |
| | The art of Paul Gauguin developed out of similar Impressionist foundations, but he too dispensed with Impressionistic handling of pigment and imagery in exchange for an approach characterized by solid patches of color and clearly defined forms, which he used to depict exotic themes and images of private and religious symbolism. | | | This painting, the last sketch for the final picture that debuted in 1886 at the eighth and final Impressionist exhibition (today in the Art Institute of Chicago), depicts a landscape scene peopled with figures at leisure, a familiar subject of the Impressionists. | | | The Annenberg Collection of Impressionist and Postimpressionist Masterpieces |
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http://www.metmuseum.org/toah/hd/poim/hd_poim.htm
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| | Columbia Museum of Art: General Info (2003 News Releases) |
| | They are some of the most beautiful and universally loved paintings ever committed to canvas, but in their day, were often criticized by the art community as ridiculous and unappealing. | | | Today, Impressionist and Post Impressionist art draws record-breaking crowds at museums and prices at the auction houses. | | | Despite the harsh criticism, the works of Van Gogh and Gauguin today are among the most revered of their era, with unmistakable styles, and works that bring us on fascinating journeys to the South Pacific, the French countryside and beyond. |
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http://www.colmusart.org/html/news2003/0501.shtml
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| | Post-Impressionism |
| | Inspirations: Delacroix’s works and use of color, primitivism, Japanese prints, pre-classical, art of children, African art, non-western art and culture(Gauguin), some inspiration of the Impressionists only in the beginning of the post-impressionists period then later they found their own styles. | | | Keep in mind that the Post-Impressionists consisted of more than these four artists, but these were the “fathers”. | | | Cezanne painted this mountain where he lived in France. |
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http://webclass.lakeland.cc.il.us/jbowen/week9,2.htm
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| | Cezanne, Paul : 1839 - 1906 - Post Impressionism, painting, sculpture, drawing, Absolutearts.com |
| | Less concerned than Monet or Pissarro with the scintillation of light of the haze of atmosphere, he stressed the tangible substance of objects and gave a more definite compositional structure to his paintings. | | | As a Post-Impressionist, he passed through an Impressionist phase but became dissatisfied with the limitations of the style and went beyond it in various directions. | | | He painted bright outdoor scenes, but never shared his fellow Impressionists' interest in "slice-of-life" subjects, in movement and change. |
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http://www.absolutearts.org/masters/names/Cezanne_Paul.html
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| | Roland Collection - Impressionists and Post-Impressionists |
| | The development of tube paints facilitated the artists' outdoor (plein-air) approach to painting the subject directly before them (sur le motif) as opposed to 'reconstructing' it in the studio. | | | Experiments with color became schematized in the neo-Impressionism (or Pointillism or divisionism) of Seurat and his followers, who painted with myriad dots of pure color. | | | The term Post-Impressionism, however, is an extremely loose label applied primarily to Cézanne, Van Gogh, Gauguin, Lautrec and Seurat, but often used to describe other progressive artists after the great decade of Impressionism (1870-80), such as Matisse or Bonnard. |
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http://www.roland-collection.com/rolandcollection/section/12.htm
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| | The Paintings of the Post Impressionists |
| | Out of the impressionist movement was born shortly before the World War the still more revolutionary "post-impressionism", which represented a violent reaction against all the older theories and practices of painting. | | | The followers of this school no longer attempted to paint nature, but sought to express feeling through form and colour. | | | Introduction Cave Art Ancient Egyptian Art Babylonian and Greek Realism and Mysticism Early Christian Painters Perspective and Oil paints The Florence Painters The Renaissance Giants Flemish and German Artists The Italianizer Period 18th Century English Painters Pre-Raphaellite Movement Impressionism Post Impressionism Great American Painters Whistler, Sergant and Inness |
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http://www.fineartguide.net/painting-history/post-impressionism.php
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| | postimpressionism on Encyclopedia.com |
| | Hawaii hosts first major impressionist exhibit.(Honolulu)(Japan and Paris: Impressionism, Postimpressionism and the Modern Era)(Brief Article) | | | East meets West at French impressionism exhibit in Hawaii |
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http://www.encyclopedia.com/html/p1/postimpr.asp
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| | Davis Publications - /artslides/slidesets/slideset.asp |
| | By the 1890s, the impressionists were accepted by critics and public alike as serious artists. | | | Forms were redefined in terms of planes composed of geometric shapes, color was used to express the emotion of the artist or a new reality, and perspective and viewpoint were manipulated to make balanced compositions. | | | Many artists who had started in impressionism in the 1870s, and many younger followers of the impressionists began to feel that the rigid insistence in impressionism on depicting a fleeting moment in time in terms of light and color neglected traditional aspects of painting such as psychological depth and formal structure. |
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http://www.davis-art.com/artslides/slidesets/slideset.asp?action=select&pk=1813
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| | Amherst College News Releases: |
| | The special will follow the lives of Vincent Van Gogh and Paul Gauguin, whose tense friendship and unspoken rivalry, beginning in the Provencal town of Arles and continuing even beyond Van Gogh's death, produced paintings that helped set the stage for much of what we know today as modern art. | | | Mead Art Museum To Present Post Impressionists at Amherst College May 30 | | | Carol Solomon Kiefer, curator of European art, will introduce the film. |
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http://www.amherst.edu/~pubaff/news/news_releases/02/a&e02.html
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| | Art of the Western World |
| | Part I: Courbet and his followers rejected the standard academic themes and techniques, Manet shocked Paris, and Impressionists represented the world bathed in color and changing light. | | | Part II: Post-lmpressionists Seurat, Van Gogh, Gauguin, and Cézanne broke new ground with daring and imaginative use of color and approaches to form. | | | 759.4 WHIT Barbara Ehrlich White Impressionists side by side : their friendships, rivalries, and artistic exchanges. |
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http://www.gocollegetoyou.org/syl/roots.htm
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| | POST IMPRESSIONISTS GAUGUIN |
| | The Salon of 1876 accepted one of his pictures, and he started a collection of works by impressionist painters. | | | As time went on, his desire to paint became ever stronger, and in 1883, Gauguin, now 35, decided to give up business and devote himself entirely to painting. | | | He married a Danish girl, Mette Sophia Gad, and seemed destined for a comfortable middle-class existence. |
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http://www.biography.com/features/postimpressionists/gauguin.html
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| | HERMITAGE MUSEUM ONLINE SHOP: Impressionists and Post-Impressionists |
| | A collection of 15 postcards presents the renowned collection of the 19th- and 20th-century French art from the Hermitage Museum, including works by Monet, Pissarro, Renoir, Cezanne, Van Gogh, Gauguin, Picasso and other Impressionists and Post-impressionists. | | | This product is eligible for a Friends of the Hermitage discount. |
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http://www.hermitagemuseum.org/shop/html_En/products/00634_Impressionists_and_Post_Impressionists.html
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| | The Belgian Post |
| | This group consisted of painters who opposite against the realisme in the art of painting. | | | Paerels demonstrated the new fauve elements as addition to his impressionistic work of the harbor. | | | The impressionistic movement started in 1884 with the erection of "Les XX" in Bruxelles under the leadership of Octave Maus. |
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http://homepages.diva.nl/~cortex/blg-post.htm
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| | Post-Impressionism -- Encyclopædia Britannica |
| | Their work was strongly influenced by the forceful expression and use of colour in the art of Post-Impressionist Vincent van Gogh, whose work had been featured in a... | | | He was also a member of the group of anticonventional composers known as Les... | | | With the publication of her book Etiquette in Society, in Business, in Politics, and at Home, Emily Post became the leading authority on social behavior in the United States. |
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http://www.britannica.com/eb/article-9061041?tocId=9061041
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| | Shop A&E and The History Channel : Impressionists / Post-Impressionists DVD set |
| | Venturing from the garrets and cafes of 19th-century Paris to the galleries where their priceless works are displayed today, THE IMPRESSIONISTS tells the story of the first truly modern artistic movement, focusing on five of its most important practitioners: Renoir, Monet, Degas, Pissarro and Morisot. | | | Bundled together on DVD are the stories of two revolutionary movements in the art world, and the practioners who endured great personal sacrifice while seeing them to fruition. | | | Their determination to remain true to their convictions--and the price they paid as a result--is vividly captured in their own words, taken from letters and diaries, while the world's foremost authorities offer fascinating insights into their lives and work. |
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http://store.aetv.com/html/product/index.jhtml?id=71809
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| | b1 |
| | The fin de siècle (end of the century) saw an explosion of important styles. | | | Monet's Impression: Sunrise establishes the theme and names the Impressionist Period. | | | Impressionists often took their easels outdoors to catch the fleeting moment of light on objects. |
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http://www.vcss.k12.ca.us/tspvisarts/Impressionism.htm
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| | Impressionism |
| | Metropolitan Museum of Art - The Annenberg Collection of Impressionist and Postimpressionist Masterpieces | | | Last Updated: Wednesday, September 14, 2005 2:15:46 AM To view the most up-to-date version of this page, | | | Art Institute of Chicago - Impressionists and Post-Impressionists |
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http://www.easysurf.cc/impress.htm
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| | Post-Impressionist -- reaction |
| | 15th Nov. -- [Went] to the Grafton Gallery to look at what are called the Post Impressionists pictures sent over from Paris. | | | The exhibition is either an extremely bad joke or a swindle. | | | (The Impressionists and their Legacy, P.645, Barnes and Noble, 1995) |
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http://www.jssgallery.org/Essay/Fall_and_Rise_of_Sargent/Fall2.htm
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| | LES COLLECTIONS IMPRESSIONNISTES ET POSTIMPRESSIONNISME |
| | Impressionist and post-impressionist collections of the Musée Marmottan constitute a very complete and representative group of works of theses artistic movements. |
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http://www.marmottan.com/uk/collections/impressionnisme.htm
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| | The Art Institute of Chicago: Art Access |
| | He gave France two decades of prosperity under a stable and authoritarian government known as the Second Empire but finally led it to defeat in the Franco-German War (1870-71), which forced many Impressionists to leave Paris. | | | The artists involved, including Georges Seurat, Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Henri de Toulouse-Lautrec, pushed beyond the Impressionist emphasis on the appearance of nature, stressing instead qualities such as emotional expression and the formal structure of underlying objects. | | | The Post-Impressionists introduced a variety of bold new styles, including innovative uses of color and brushwork that sometimes bordered on abstraction. |
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http://www.artic.edu/artaccess/AA_Impressionist/pages/IMP_glossary3.shtml
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| | CGTalk - View Single Post - impressionists |
| | Man, you really need to educate yourself about impressionism. | | | You think guys like Craig Mullins would be where they are without the influence of the impressionists? | | | All the current digital masters that I know of are quite fond of the impressionists. |
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http://forums.cgsociety.org/showpost.php?p=890737&postcount=6
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| | Post-Impressionism Encyclopedia Article, Definition, History, Biography |
| | Looking For post impressionism - Find post impressionism and more at Lycos Search. | | | Look for post impressionism - Find post impressionism at one of the best sites the Internet has to offer! | | | Find post impressionism - Your relevant result is a click away! |
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http://encyclopedia.localcolorart.com/encyclopedia/Post-Impressionism
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Topic: Post-Impressionist