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| | Camille Pissarro. Biography. - Olga's Gallery |
 | | Pissarro and Pontoise: The Painter in a Landscape by Richard R. Brettell. | | | Pissarro was the leader of the original Impressionists, and the only one to exhibit at all eight of the Group exhibitions in Paris from 1874 to 1886. | | | In 1866-68, Pissarro lived and worked in Pontoise, painted landscapes in which he changed from Barbizon Realism of Corot to Impressionism; in 1869/70 he moved to Louveciennes, where many of his paintings were destroyed by German troops during the occupation of Louveciennes in the Franco-Prussian War of 1870/71. |
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http://www.abcgallery.com/P/pissaro/pissarobio.html
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| | Encyclopedia: Camille Pissarro |
| | Hay Harvest at Éragny is a 1901 painting by French Impressionist painter Camille Pissarro depicting the hay harvest in the French commune of Éragny. | | | Camille Pissarro (July 10, 1830 ⓠNovember 1903) was a French impressionist painter. | | | Probably the strenght of Pissarro's mind got rather in the way of his painting as he felt the need to try out all new forms of painting as they came along, thus he painted in the Neo-Impressionist form between 1885 and 1890, before returning to a more pure Impressionism before the end of his life. |
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http://www.nationmaster.com/encyclopedia/Camille-Pissarro
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| | Camille Pissarro |
| | "Pissarro's radicalism is commensurate with the extent to which he subverted this traditional order of things; within his art, what grants signification to a painting is not so much its "meaning" as its "praxis," the fact that before anything, it was painted as a painting, not as a literary painting. | | | Degas was, incidentally, the artist to whom Pissarro referred the most often throughout his correspondence: their intense and mutual admiration was based on a kinship of ethical as well as aesthetic concerns. | | | Pissarro's father had come from France to Saint Thomas in 1824 to serve as the executor of his late uncle's will and to help the widow sort out the affairs of the estate. |
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http://www.artchive.com/artchive/P/pissarro.html
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| | Impressionist Camille Pissarro by art historian Dr. Lori |
| | Pissarro studied art at the Atelier Suisse in Paris with fellow artists, Claude Monet, Paul Cezanne, and Armand Guillaumin. | | | Pissarro became one of the most influential members of the French Impressionist movement, not only as an artist, but also as a teacher becoming the only artist to participate in all eight Impressionist exhibitions. | | | The painters in Pissarro's circle became discouraged by their attempts to pass the critical scrutiny of the Salon juries and, in 1874, Pissarro joined Monet in the organization of the Independent Exhibitions. |
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http://www.drloriv.com/lectures/pissarro.asp
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| | artists_page.gif |
| | When Pissarro returned to his home at Louveciennes near Paris, he found that the Prussians had destroyed nearly all of his paintings. | | | During the Franco-Prussian War of 1870-7, Pissarro and Monet went to London, where they were impressed by the landscape paintings of John Constable and J.M.W. Turner. | | | Pissarro's works at this time were occasionally, though by no means consistently, accepted at the annual Salons. |
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http://www.biography.com/impressionists/artists_pissarro.html
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| | Life and work (from Camille Pissarro) -- Encyclopædia Britannica |
| | Pissarro was the only artist to show his work in all eight Impressionist group exhibitions; throughout his career he remained dedicated to the idea of such alternative forums of exhibition. | | | French painter and printmaker Camille Pissarro is regarded as one of the founding members of impressionism. | | | In addition to his talent as an artist, Pissarro was considered an important mentor and teacher to his fellow painters. |
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http://www.britannica.com/eb/article-235513
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| | Malaspina Great Books - Camille Pissarro (1830-1903) |
| | Camille Pissarro (1830-1903) was a 19th century French impressionist painter. | | | Pissarro is represented in the Caillcbotte room at the Luxembourg, and in almost every collection of impressionist paintings. | | | Indeed, in the closing years of his life he produced some of his finest paintings, in which he set down with admirable truth the peculiar atmosphere and colour and teeming life of the boulevards, streets and bridges of Paris and Rouen. |
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http://www.malaspina.org/home.asp?topic=./search/details&lastpage=./search/results&ID=557
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| | Impressionism - Biography of Camille PISSARRO |
| | The contribution of Pissarro to Impressionism is essential, by his work and his art which is one of the most representative and most brilliant Impressionist expression, as well as by the influence which he had on the other Impressionists. | | | These qualities which one also finds in the works of his pupil Cézanne make of Pissarro a painter much more considered today that he was in the past. | | | In 1855 his father ends up yielding to his will to become a painter and sends him again to Paris, where the French branch of his family was going to give him financial support, in order to have him follow a more serious training. |
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http://www.impressionniste.net/pissarro_camille.htm
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| | ARTAGRAPH® Pissarro |
| | Pissarro was born in Saint Thomas, Virgin Islands, and moved to Paris in 1855, where he studied with the French landscape painter Camille Corot. | | | Pissarro began to paint his series from the windows of his room at the Grand Hotel de Russie in February 1897. | | | For a time in the 1880s Pissarro, discouraged with his work, experimented with pointillism; the new style, however, proved unpopular with collectors and dealers, and he returned to what he found to be a freer impressionist style. |
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http://www.artagraph.com.au/Pissaro.htm
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| | Camille Pissarro (Getty Museum) |
| | Pissarro was interested mostly in landscapes and rural life and was enormously prolific in many media: painting, pastel, gouache, drawing, etching, and lithography. | | | Camille Pissarro was expected to work in his father's shop in the West Indies, not become an artist. | | | "The humble and colossal Pissarro," as Paul Cézanne called him, was the group's peacemaker, the only painter to exhibit in all eight of their shows, and the one who invited younger artists like Cézanne and Paul Gauguin into the group. |
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http://www.getty.edu/art/collections/bio/a412-1.html
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| | Pissarro exhibition to show in Sydney |
| | Drawn to the fringes of the art world and rejecting the famous Paris salon exhibitions, Pissarro was the principal organiser of the first Parisian impressionist exhibition in 1874. | | | Focused on the possibilities of pure colour and animated brushstrokes, Pissarro was the only impressionist painter who participated in all eight historic exhibitions of the genre in Paris between 1874 and 1886. | | | Pissarro worked with better-known artists such as Cezanne, Monet, and Renoir, many of whom considered him their mentor. |
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http://news.ninemsn.com.au/article.aspx?id=72791
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| | Pissarro |
| | Pissarro and Pontoise: The Painter in a Landscape | | | Romantic artists J.M.W.Turner, Delacroix and Constable, Famous Impressionist artist; Monet, Pissarro, Renoir, Cézanne, Sisley, Degas. | | | This exhibition held in 1874, included Monet's famous Impression: Sunrise, which is generally thought to have prompted the naming of the entire technique of lose painting, impressionism was born and here to stay |
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http://www.art-and-artist.co.uk/impressionist/pissarro-dates.htm
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| | WebMuseum: Pissarro, Camille: The Red Roofs |
| | Pissarro has been described as an unequal painter but if this was from one standpoint a shortcoming it had also an advantage in enabling him to attain exceptional heights from time to time. | | | This painting is certainly one of Pissarro's masterpieces and an illustration of some of the essential aims of Impressionism. | | | A look at this painting shows how Pissarro made this his own practice. |
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http://www.ibiblio.org/wm/paint/auth/pissarro/redroofs
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| | artnet Magazine - When Paul Met Camille |
| | Unfortunately, when Pissarro abandoned his home during the Franco-Prussian War, his studio was ransacked and his paintings of South America were destroyed. | | | Pissarro never again looked dull or stodgy; he emerged as a fresh, vibrant recorder of street life and waterways in turn-of-the century Rouen, Dieppe and Paris. | | | And some of Pissarro’s notions regarding landscape and light reflect the practice of Christoffer Wilhelm Eckersberg, the painter of the Danish Golden Age, as transmitted by Fritz Melbye, an artist with whom the future Impressionist spent the years 1850-52 in Caracas. |
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http://www.artnet.com/magazineus/features/tuchman/tuchman9-29-05.asp
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| | CNN.com - Review: MoMA reunites Cezanne and Pissarro - Jun 28, 2005 |
| | Camille Pissarro painted his portrait of Paul Cezanne in 1874. | | | Curator Pissarro points out in his "Cezanne and Pissarro" catalog that in the turnaround First Impressionist Exhibition of 1874, "critics and artists worked hand in hand to transmit the message" of personal truth, the artist's "sensation" as touchstone of reality. | | | By the time the two artists were in touch as side-by-side painters for the last time in the early 1880s, their styles had stabilized in clear divergence. |
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http://edition.cnn.com/2005/TRAVEL/06/28/moma.cezanne.pissarro
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| | Guggenheim Collection - Artist - Pissarro - Biography |
| | This artistic circle was dispersed by the Franco-Prussian War, which Pissarro fled by moving to London in 1870-71. | | | While Pissarro was accepted to show at the official Salon throughout the 1860s, in 1863 he participated with Edouard Manet, James Abbott McNeill Whistler, and others in the historic Salon des Refusés. | | | Jacob Camille Pissarro was born on July 10, 1830, to French Jewish parents on the West Indies island of St. Thomas. |
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http://www.guggenheimcollection.org/site/artist_bio_127.html
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| | Camille Pissarro (1830 - 1903) Artwork Images, Exhibitions, Reviews |
| | Camille Jacob Pissarro, La Charrue (The plough) published as the frontispiece in Les temps nouveaux, 1901 | | | Pissarro, Camille : 1830 - 1903 - Impressionism, painting, sculpture, drawing, Absolutearts.com | | | The Pissarro exhibition will feature 156 works including significant pieces by Camille Pissarro, known as the Father of Impressionism, and works created by his sons, grandchildren and great-granddaughter. |
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http://www.wwar.com/masters/p/pissarro-camille.html
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| | Pissarro, Camille on Encyclopedia.com |
| | Pissarro's warmth and generosity made him an endearing figure to many French painters. | | | PAINTING: PISSARRO IN LONDON National Gallery London oooo9.(Features) | | | Pissarro's paintings are in many leading American collections, including Le Fond de l'Hermitage (Cleveland Mus. |
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http://www.encyclopedia.com/html/p/pissarro.asp
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| | Orchard in Bloom, Louveciennes |
| | Pissarro drafted the group's written statement of purpose and would be the only artist to participate in all eight impressionist exhibitions. | | | This painting was one of five he showed at the first exhibition in 1874. | | | It was made shortly after Pissarro had returned to his home in Louveciennes after fleeing France during the Franco-Prussian War and Paris Commune. |
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http://www.nga.gov/collection/gallery/gg87/gg87-51912.0.html
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| | The Innovative Odd Couple of Cézanne and Pissarro - New York Times |
| | Pissarro, born on the Caribbean island of St. Thomas, was the child of an émigré Jewish businessman. | | | Those years are the focus of the exhibition - humanly scaled at 80 paintings - organized by Joachim Pissarro, a curator in the department of painting and sculpture at the Modern, and a great-grandson of Camille Pissarro. | | | But of all the early French modernist stars, Paul Cézanne and Camille Pissarro are the ones I love, which is a different emotion: sharp and personal, not public or history-bound. |
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http://www.nytimes.com/2005/06/24/arts/design/24cott.html?ex=1277265600&en=039b98c76d3e3c48&ei=5090&partner=rssuserland&emc=rss
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| | MyStudios- Camille Pissarro |
| | But Pissarro quickly settled back into his former way of life, centred around his family, his work and his friends. | | | Soon he was embroiled in discussions with his artist friends, including Monet, Manet, Renoir and Degas, on ways of providing an alternative to the Salon, which would enable them to exhibit and sell their work. | | | From the late 1860s he was a major figure of the Impressionist circle: he alone exhibited at all 8 exhibitions (1874-86) which he largely organized. |
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http://www.mystudios.com/art/impress/pissarro/pissarro.html
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| | Camille Pissarro ~ The Artist |
| | And Pissarro was especially regarded as a teacher; he became the centre of a group of painters -- Renoir, Monet, Degas, Cézanne -- who respected his art and turned to him for inspiration. | | | Finding no inspiration in the classes of academically acknowledged masters, Pissarro's attention was drawn towards the fringe (frontier?) of the craft, certain artists whose work did not conform to widely accepted styles. | | | His paintings were starting to fetch high prices at auction and a new generation of artists admired his work. |
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http://www.pissarro.vi/artist.htm
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| | Art Bulletin, The: Pissarro, landscape, vision, and tradition |
| | Pissarro painted in a variety of manners during the period under discussion; despite their diversity, the pictures examined in this essay make similar claims about perceptual experience and must be understood in terms of a sustained exploration on Pissarro's part of vision and the possibility of its representation. | | | In the 1870s, Pissarro, especially, transformed his thinking about how paintings were asked to represent and about how they demanded to be viewed, and his critics, both those who liked his painting and those who were disturbed by it, understood what he was trying to do. | | | This essay explores what it was that made Pissarro's pictures appear so forceful to someone like Cezanne and what it was that Pissarro wanted his pictures to do in the early and middle years of the 1870s, a period in the artist's career that deserves more attention than it has hitherto received. |
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http://www.findarticles.com/p/articles/mi_m0422/is_4_80/ai_54073967
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| | ARTless - The Life of Camille Pissarro |
| | Son of Camille Pissarro, Pablo Pissarro, famous painter and inventor of Cubism. | | | Pablo Pissarro's main contribution to art was the development of Cubism. | | | This intense cultural upheaval gained Pablo Pissarro international acclaim and sealed his place in the annals of art history. |
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http://www.theapesheet.com/newape1/pissarro.html
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| | WetCanvas: Virtual Museum: Individual Artists: Camille Pissarro |
| | Born in Saint Thomas in the West Indies of a fairly affluent mercantile family, Pissarro was sent to Paris to complete his education. | | | Actively involved in the creation of the Societe Anonyme des Artistes, he took part in all the Impressionist exhibitions. | | | Around 1865 Pissarro adopted a form of Pointillism, but he eventually reverted to his earlier style. |
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http://www.wetcanvas.com/Museum/Artists/p/Camille_Pissarro
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| | Haber's Art Reviews: Cezanne and Pissarro |
| | Pissarro had just passed his peak, and the younger artist had come nowhere near his. | | | Camille Pissarro found his way from the Caribbean to Paris, from Judaism to Socialism, into every Impressionist exhibition, and through pretty much every art movement of the nineteenth century. | | | Cézanne and Pissarro, Picasso and Braque, or Picasso and Matisse respected each other as professionals. |
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http://www.haberarts.com/cezannep.htm
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| | CNN.com - arts & style - Pissarro's art reflects St. Thomas roots - July 17, 2000 |
| | Frederic Pissarro was originally of Sephardic Jewish ancestry and had moved to St. Thomas from Bordeaux, France, in the first half of the 19th century. | | | CHARLOTTE AMALIE, U.S. Virgin Islands (AP) -- Camille Pissarro is considered the father of Impressionism, a painting style that won huge popularity and influence with its celebration of life, beauty and color, and a style generally associated with France. | | | Gaskell agrees that Pissarro's paintings are extraordinary in their humanism. |
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http://archives.cnn.com/2000/STYLE/arts/07/17/impressionist.isle.ap
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| | Worcester Art Museum - Press Release - Leading Expert on French Impressionist Painter Camille Pissarro |
| | Born in Normandy, Dr. Pissarro is the Seymour H. Knox, Jr., Curator of European and Contemporary Art at Yale University Art Gallery. | | | Pissarro will discuss the recently recovered Pissarro painting featured in Pissarro and Other Masters: The Stoddard Legacy, as well as the influence Gauguin had on his great grandfather. | | | The author of several scholarly publications, reviews and articles, Dr. Pissarro is working on a catalogue of Camille Pissarro's paintings, and a catalogue of Camille Pissarro's works on paper. |
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http://www.worcesterart.org/Information/PR/Past/4-4-00.html
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| | ninemsn Encarta - Impressionism |
| | During their stay in London, Monet and Pissarro became fascinated with one of the great British artists of the Romantic period. | | | Which American-born painter, active in England and influenced by the Impressionists, was accused by the critic John Ruskin of “flinging a pot of paint in the public’s face”? | | | The Impressionist movement got its name from a painting, Impression, Sunrise, exhibited in 1874. |
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http://au.encarta.msn.com/encnet/features/quiz/Quiz.aspx?QuizID=923
(238 words)
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| | MoMA.org Exhibitions 2005 Pioneering Modern Painting: Cézanne and Pissarro 1865–1885 |
| | Pioneering Modern Painting: Cézanne and Pissarro 1865–1885 is a major exhibition that presents the work of Paul Cézanne and Camille Pissarro in the context of their artistic relationship. | | | Organized by Joachim Pissarro, Curator, Department of Painting and Sculpture. | | | An insightful collection of portraits, still lifes, and landscapes is presented—including many that depict exactly the same motif and that are reunited for the first time since they were created. |
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http://www.moma.org/exhibitions/2005/cezanne_pissarro.html
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| | Camille Pissarro, French Painter |
| | Bibliography: R.R. Brettell, Pissarro and Pointoise: The Painter in a Landscape (1990); C. | | | With Edouard Manet and other avant-garde painters, Pissarro exhibited at the Salon des Refuses (1863), and his link with such impressionists as Claude Monet and Auguste Renoir grew closer in the 1860s. | | | When he went (1855) to Paris to study painting, he was first attracted to the art of the Barbizon school and to the poetic realism of Camille Corot. |
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http://www.discoverfrance.net/France/Art/Pissarro/Pissarro.shtml
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| | Peasant Girl with a Straw Hat |
| | Though some of Pissarro's early landscapes were worked quickly on the spot, he later worked more slowly, with painstaking work in the studio. | | | In Pissarro’s early landscapes, these peasants are usually small, anonymous figures, but in the 1880s they become larger and individualized, no longer at work but pensive and meditative. | | | While many impressionists painted middle-class Parisians enjoying country outings, Pissarro staffed his landscapes with peasants at work on the land. |
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http://www.nga.gov/collection/gallery/gg84/gg84-51913.0.html
(198 words)
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| | Pissarro |
| | He was the only artist to show in all eight of the Impressionist exhibitions. | | | After the Franco-Prussian War, he went to England with Monet and there discovered the art of Constable. | | | On returning to France, Pissarro played a key role in the development of Impressionism. |
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http://www.annalies.com/Gallery/Pissarro/pissarro.html
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| | Pissarro, Camille |
| | Increasing eye trouble forced Pissarro to stop painting out-of-doors, and his last scenes are views of Paris seen from a window. | | | He was born on the Island of St. Thomas in the West Indies and came to Paris as a young man. First, while associated with the Barbizon School he came under the influence of Millet and Corot. | | | Later, he met Cezanne and they painted landscapes together in Pontoise. |
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http://www.michaels.com/art/online/artistBio?artistid=1756
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| | Camille Pissarro - Jardin à Eragny |
| | In his monograph Christoph Becker wrote of the influence of Eragny on Pissarro’s work: “As a refuge for an artist with an established reputation, Eragny was for Pissarro the equivalent of Giverny for Monet. | | | Camille Pissarro bought his house in Eragny in 1884 and lived there until his death in 1903. | | | A large number of paintings were produced during this period depicting the house and its surroundings which he considered a haven of tranquility and an escape from the hustle and bustle of Paris. |
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http://www.artnet.com/artwork/424027349/_Camille_Pissarro_Jardin_a_Eragny.html
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| | Art/Books by/about Lucien PISSARRO • - McLean Arts & Books |
| | chronology and exhibition checklist: "Recollections of Lucien Pissarro in his Seventies" is written by Pissarro's nephew. | | | Published in the style of an Eragny Press edition, a fine book on the work of Lucien Pissarro as an artist and publisher. | | | A magnificent print by Pissarro, originally published by Pissarro's press (Eragny) in Choix de Sonnets de Ronsard. |
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http://www.mcleanbooks.com/gallery/artistinfo.php?artist=912&retlist=artistlist&type=Artist
(426 words)
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| | Amazon.com: Camille Pissarro: Books |
| | A fine companion to John Rewald's Camille Pissarro (1963), this is warmly recommended for art collections in all types of libraries. | | | Art historian and curator Joachim Pissarro, the artist's great-grandson, interprets the French painter's career as a quest for autonomy embracing constantly evolving techniques in an effort to capture ever-changing reality. | | | This profusely illustrated volume has some 354 illustrations (205 reproduced beautifully in color) and would be a worthwhile purchase for this reason alone; but the text by the great-grandson of the artist is equally valuable. |
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http://www.amazon.com/exec/obidos/tg/detail/-/0810937247?v=glance
(725 words)
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| | USA Today: Pissarro: Artistic father figure, literally and figuratively@ HighBeam Research |
| | French painter Camille Pissarro is famed as the ''Father of Impressionism,'' but he's also the paterfamilias of four generations of artists, the largest dynasty in Western art. | | | Impressionism to the Present: Camille Pissarro and His Descendants opens Saturday at Fort Lauderdale's Museum of Art, which expects it to be a blockbuster. | | | USA Today: Pissarro: Artistic father figure, literally and figuratively@ HighBeam Research |
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http://www.highbeam.com/library/doc0.asp?DOCID=1P1:25210894&refid=holomed_1
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| | Stern Pissarro Gallery |
| | Stern Pissarro Gallery has a unique position in the art world as the only gallery to specialise in Camille Pissarro and four generations of his descendants, covering 150 years of paintings, watercolours, drawings, pastels and numerous print techniques by this extraordinary family. | | | Besides works by the Pissarro family, we carry many 20th Century pictures including Post-Impressionist, School of Paris, East European and Modern British. | | | You will be able to access information about each artist and examples of their work, either through the Pissarro family tree or the name links |
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http://www.pissarro.net
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| | Camille Pissarro [1830-1903] - Featured Artist Lot on Artfact.com |
| | Unlike his works of the previous decade in which the background and figures shared equal emphasis, Pissarro now focused on the figure enlarging it within the composition. | | | His experiments with pointillism and divisionism did not entirely satisfy him and, in a letter to his son Lucien dated 6 September 1888 Pissarro wrote, "I think continually of some way of painting without the dot. | | | Pressed by the art critic Flix Fnon in February 1889 to elaborate on his new approach Pissarro responded, "I received your letter asking me to give you some technical information on 'passage'. |
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http://www.artfact.com/features/styleLot.cfm?iid=eL1anX21
(685 words)
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| | Camille Jacob Pissarro Fine Art Reproduction's |
| | The selection of paintings by Pissarro shown on this page are just a fraction of the works available for reproduction. | | | Pissarro's *The Artist's Garden at Eragny* Oil Reproduction | | | If there is a particular painting by this artist that you are interested in, please |
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http://www.worldartsales.net/pissarro/pissarro01.htm
(94 words)
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| | Camille Pissarro - The Impressionist Art Game - BirdCage Press |
| | Pissarro captures the feel of life in Paris at the turn of the century. | | | Perhaps Pissarro was influenced by his friend, Van Gogh, who loved to paint swirling night skies. | | | Camille Pissarro - The Impressionist Art Game - BirdCage Press |
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http://www.birdcagebooks.com/impart/pis_text.shtml
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| | Camille Pissarro Online |
| | Camille Pissarro at the National Gallery of Art, Washington D.C. 24 works by Camille Pissarro | | | National Portrait Gallery, London, UK Lucien Pissarro, etching, 1890 | | | Camille Pissarro in the Louvre Museum Database, Paris (only available in French) |
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http://www.artcyclopedia.com/artists/pissarro_camille.html
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| | Camille Pissarro |
| | Pissarro, Camille: Pissarro (Abrams, Harry N) Pissarro:Camille Pissarro, 1830-1903: [Exposition] Hayward Gallery, Londres, 30 Octobre 1980-11 Janvier 1981: Galeries Nationales Du Grand Palais, Paris, 30 Janvier-27 Avril 1981: Museum Of Fine Arts, Boston, 19 Mai-9 AocUt 1981 (Museum Of Fine Arts Boston) | | | Pissarro:Camille Pissarro, 1830-1903: Hayward Gallery, London, 30 October 1980-11 January 1981, Grand Palais, Paris, 30 January-27 April 1981, Museum Of Fine Arts, Boston, 19 May-9 August 1981. | | | Brettell Richard R: Pissarro And Pontoise:The Painter In A Landscape (Yale UnivPress) |
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http://www.scaruffi.com/art/pissarro.html
(170 words)
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| | Camille PISSARRO |
| | This painting dates from a period of experimentation and transition in which the paint surface is densely worked with small brush strokes. | | | The small village of Osny and its environs northwest of Paris provided subjects for many of Pissarro's more intimate compositions. | | | His subjects are not the more spectacular views but landscapes of low bare hills, slender saplings and village roofs. |
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http://www.ngv.vic.gov.au/european/em_bt_b_of_viosne.html
(61 words)
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| | [No title] |
| | Lucien Pissarro - Artist, Art - Lucien Pissarro | | | Log On for artist biographies and for all services. | | | Ads For Sale or Wanted can be placed for artists from any country. |
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http://askart.com/artist/P/lucien_pissarro.asp?ID=9001116
(156 words)
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| | MSN Encarta - Pissarro |
| | Pissarro, Camille Jacob (1830-1903), French impressionist painter, whose friendship and support provided encouragement for many younger painters.... | | | Become a subscriber today and gain access to: |
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http://encarta.msn.com/encyclopedia_761554501/Pissarro.html
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| | NPG 4103; Lucien Pissarro |
| | Born in Paris, the son of the Impressionist painter Camille Pissarro, Lucien studied under his father and exhibited at the last Impressionist exhibition, held in 1886. | | | National Portrait Gallery, St Martin's Place, London WC2H OHE. | | | In 1890 he settled in London and in 1916 adopted British nationality. |
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http://www.npg.org.uk/live/search/portrait.asp?search=ss&sText=Pissarro&LinkID=mp03575&rNo=0&role=sit
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| | Pissarro Prints, Pictures - The Thumbnail Images |
| | Buy unique Pissarro prints and framed pictures at Art Prints on Demand UK | | | Sorry, but you'll need scripting turned on to fully utilize our art prints and picture framing studio | | | So why are our art prints and posters unique? |
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http://www.artprints-on-demand.co.uk/noframes/pissarro/thumbs.htm
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| | ArtLex on Impressionism: Pissarro, Manet, Degas, Cezanne, Sisley |
| | Camille Pissarro (French, 1830-1903), Edouard Manet (French, 1832-1883), Edgar Degas (French, 1834-1917), Paul Cézanne (French, 1839-1906), and Alfred Sisley (French, 1839-1899) | | | xamples of artworks by Impressionists Camille Pissarro (French, 1830-1903), Edouard Manet (French, 1832-1883), Edgar Degas (French, 1834-1917), Paul Cézanne (French, 1839-1906), and Alfred Sisley (French, 1839-1899): | | | ArtLex on Impressionism: Pissarro, Manet, Degas, Cezanne, Sisley |
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http://www.artlex.com/ArtLex/ij/impressionism.Pissarro.html
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Topic: Pissarro