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| | Nicola Pisano - Wikipedia, the free encyclopedia |
 | | Pisano is sometimes considered to be the founder of modern sculpture. |  | | His son Giovanni Pisano was also a sculptor. |  | | Giorgio Vasari included a biography of Nicola Pisano in his Lives. |
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http://en.wikipedia.org/wiki/Nicola_Pisano
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| | Nicola |
 | | Nicola Sturgeon Nicola Sturgeon is a University of Glasgow. |  | | Nicola Roxon Nicola Roxon Nicola Roxon (born Australian politician. |  | | De Nicola became famous as one of the most esteemed 1926, but he never took par... |
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http://www.brainyencyclopedia.com/topics/nicola.html
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| | Nicola Pisano |
 | | Nicola Pisano died at Pisa in the year 1278, leaving his son Giovanni a worthy successor to his great talents both as an architect and sculptor. |  | | Both Nicola and his son had many pupils of great artistic power, and these carried the influence of the Pisani throughout Tuscany and northern Italy, so that the whole art of the succeeding generations may be said to have owed the greater part of its rapid development to this one family. |  | | This "Arca" was made when St. Dominic was canonized, and his bones translated; it was finished in 1267, not by Nicola himself, but by his pupils. |
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http://www.nndb.com/people/893/000084641
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| | Giovanni Pisano |
 | | Italian architect and sculptor, the son of Nicola Pisano. |  | | After he had spent the first part of his life at home as a pupil and fellow worker of Nicola, the younger Pisano was summoned between 1270 and 1274 to Naples, where he worked for Charles of Anjou on the Castel Nuovo. |  | | The influence of his father Nicola is seen strongly in all Giovanni's works, but especially in the pulpit of S. Andrea at Pistoia, executed about 1300. |
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http://www.nndb.com/people/894/000084642
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| | Pulpit by PISANO, Nicola |
 | | It is Nicola Pisano, one of the sculptors/architects, whom Vasari in his Vite (Lives) credits with initiating the first of three stages of Renaissance sculpture. |  | | Nicola's pulpit is indeed revolutionary: since it is freestanding it acts more like arehitectonic sculpture than a mere piece of liturgical furniture. |  | | Nicola's first authenticated work, a signed pulpit for the Pisa Baptistry, justifies Vasari's choice. |
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http://sunserv.kfki.hu/~arthp/html/p/pisano/nicola/1pisa.html
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| | Search Results for "Nicola Pisano" |
 | | ...the influence of the Roman school exemplified by Pietro Cavallini and of the sculptors Nicola and Giovanni Pisano. |  | | At the same time, a school of sculpture founded by Nicola Pisano flourished in Pisa and gave the city some of its great art... |  | | The sculptor Nicola Pisano evoked an interest in the forms of classical antiquity. |
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http://www.bartleby.com/cgi-bin/texis/webinator/sitesearch/+PwwFqDNoqdcwa7o5wDdxzmwwwwmFqhqdc_9nFqhqdc_9
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| | Biography |
 | | Pisano, name of two 13th- and 14th-century Italian sculptors and architects, father and son, who were the preeminent figures of the 13th-century Italian revival of the classical Roman sculptural style. |  | | In Nicola's later work, and that of his son, Giovanni, the classical style often shows an increasing integration of Gothic motifs and stylistic elements. |  | | They mark a turning point in Italian sculpture analogous to that represented in painting by the work of Giotto. |
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http://gallery.euroweb.hu/bio/p/pisano/nicola/biograph.html
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| | Italian Renaissance Art |
 | | Nicola probably came from southern Italy, but his most important work was done in Tuscany, where he worked as both sculptor and architect. |  | | While Nicola combined Gothic and classical elements, his son Giovanni represents part of a reaction against classical tendencies, a reaction that can be observed also in literature and that was contemporaneous with the predominance of the International Gothic style in painting. |  | | Though it was not uncommon for artists to leave self-praising inscriptions on their works, Giovanni went far beyond the others in exalting his own talents. |
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http://www.cartage.org.lb/en/themes/Arts/scultpurePlastic/SculptureHistory/RenaissanceinItaly/ItalianRenaissanceArt/ItalianRenaissanceArt.htm
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| | Pisano, Nicola -- Encyclopædia Britannica |
 | | The most important 13th-century sculptors were Nicola Pisano (1210/201278/84) and his son Giovanni (c. |  | | Also includes several works by artists such as Cimabue, Giotto, and Nicola Pisano, as well as many examples of decorative art objects. |  | | More results on "Pisano, Nicola" when you join. |
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http://www.britannica.com/eb/article?tocId=9060182
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| | artnet.com: Resource Library: Pisano (i): (2) Giovanni Pisano |
 | | His motifs were inspired variously by Nicolas severe and solemn classicism, by the agitated, dramatic sculpture of the Hellenistic and Roman traditions, and by French and German Gothic art. |  | | Initially Giovannis work was limited to carrying out Nicolas compositions and following his models, but he soon developed a style of his own, identifiable even in the context of his fathers workshop, and he evidently enjoyed considerable autonomy on the Perugia fountain. |  | | Pisano (i): (1) Nicola Pisano: Pistoia and Perugia, 12738 |
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http://www.artnet.com/library/06/0679/T067901.asp
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| | Nicola Pisano (1220 - 1284) Artwork Images, Exhibitions, Reviews |
 | | The Gallery is pleased to present this remarkable exhibition that brings together some of the most outstanding examples of Florentine portraits of women from the mid-15th and 16th centuries, said Earl... |  | | Nicola Pisano (1220 - 1284) Artwork Images, Exhibitions, Reviews |  | | Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Nicola Pisano. |
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http://wwar.com/masters/p/pisano-nicola.html
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| | Amazon.com: Books: Italian Gothic Sculpture : c.1250-c.1400 |
 | | Arguing that Italian Gothic sculpture is neither a provincial offshoot of northern Gothic art, nor a mere preparation for the Early Renaissance, she demonstrates that this body of art works is distinguished by a unique visual language and syntax. |  | | Tracing the developments of Italian sculpture, from Nicola Pisano's arrival in Tuscany around 1260 through the end of the fourteenth century, this volume surveys developments in Central Italy as well as those in Naples, Compania, Lombardy and the Veneto. |  | | One could legitimately ask whether, rather than the pulpits of Nicola Pisano, it is the sculpture from Castel del Monte and the related capitals from Troia (Figs. |
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http://www.amazon.com/exec/obidos/tg/detail/-/0521444837?v=glance
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| | Find pisano's here |
 | | Pisano's mature style was due to the influence of Giotto. |  | | Nicola Pisano's Arca Di San Domenico and Its Legacy (Monographs on the Fine Arts, V. 50) by Anita Federer Moskowitz/ Ani |  | | show the influence of contemporary French sculpture on Pisano's style while the other figures, probably executed by his... |
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http://www.futureseducation.com/futures-market61/pisano's.html
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| | allaboutarts |
 | | Após entregar a obra de Pisa, foi encomendado a Nicola o Púlpito da Igreja de Siena. |  | | Isto atraiu a atenção de um jovem escultor de nome Nicola, que dedicou-se com amor ao trabalho. |  | | Para Vasari, "...Nicola é um gênio que improvisa...antecipando-se ao futuro.." |
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http://www.allaboutarts.com.br/dv/showpage.asp?code=0601E2&version=portugues&name=Os_Escultores_Pisanos
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| | Nicola Pisano Online |
 | | Nicola Pisano in the Web Gallery of Art |  | | All images and text on this Nicola Pisano page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted. |  | | Highbeam Research - Search Millions of Published Articles for Nicola Pisano |
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http://www.artcyclopedia.com/artists/pisano_nicola.html
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| | Anita F. Moskowitz: Nicola Pisano's Arca di San Domenico and Its Legacy |
 | | Anita Fiderer Moskowitz is Professor of Art at the State University of New York, Stony Brook, and author of Italian Gothic Sculpture (Cambridge, forthcoming) and The Sculpture of Andrea and Nino Pisano (Cambridge, 1986). |  | | Moskowitz begins with a brief discussion of the history and concerns of the Dominican Order, particularly during the decades spanning the death of Dominic and the initiation of the Arca project. |  | | Anita F. Moskowitz: Nicola Pisano's Arca di San Domenico and Its Legacy |
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http://www.psupress.org/books/titles/0-271-00946-2.html
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| | Pulpit by PISANO, Nicola |
 | | Nicola was exposed to French Gothic ideas partly from contact with French ivories. |  | | This compositional device reveals that Nicola had looked at later Roman sarcophagi, which also stimulated Giovanni. |  | | Nicola must have been aware of these limitations and planned his pulpit accordingly. |
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http://www.kfki.hu/~arthp/html/p/pisano/nicola/siena_p.html
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| | nicola plus better TheXTrials |
 | | Nicola (aka Nicola Ganchegui or nicolanicola) is an independent artist. |  | | Cantecele ei sunt fredonate tot timpul, le auzi mereu la radio, pe Nicola o vezi mereu la televizor. |  | | (attivo in Puglia tra il 1210/12 - 1278/84) Marble, details of the tomb on which Nicola worked from 1264 to 1267. |
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http://www.thextrials.co.uk/trf_hrcn/sub_1/nicola.htm
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| | New York University Dept of Fine Arts |
 | | Lecture 3, 9/10/03: “Of Pulpits and Tombs I: Nicola Pisano.”; |  | | Andrea Pisano, Horsemanship, marble, from the Florentine Campanile, 1334-7, commissioned by the Arte della Lana |  | | Nicola Pisano, Annunciation, Nativity, Annunciation to the Shepherds, from the Pisa Baptistery Pulpit |
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http://www.nyu.edu/classes/finearts/smith/giotto/plates.html
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| | Images of Pulpit, Duomo, Siena by Nicola Pisano |
 | | This pulpit postdates Nicola's pulpit for the Baptistry in Pisa. |  | | Images of Pulpit, Duomo, Siena by Nicola Pisano |  | | The second level has sculptural personifications of Christian Virtues and Evangelists and Prophets in the spandrels. |
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http://www.bluffton.edu/~sullivanm/italy/siena/pisanopulpit/pulpit.html
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| | Fool's Cathedral - Siena Cathedral |
 | | "A Reexamination of Nicola Pisano's Pulpits for the Pisa Baptistery and Siena Cathedral" (Lisa Marie Rafanelli) |  | | This magnificent cathedral contains works of art created by the masters, including Pisano (the facade, pulpit), Donatello, Michelangelo, Duccio (the Maesta Altarpiece), Martini and brass reliefs by Ghiberti, who created the bronze doors of the baptistry in Florence. |  | | Rutgers Art Review, "A Program of Altarpieces for the Siena Cathedral" |
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http://www.drizzle.com/~fools/artwork/siena.html
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| | Italica - Rinascimento - Parole chiave |
 | | Credited with revitalizing the medium of sculpture in Tuscany, through such works as the pulpit in the Baptistery of Pisa (1260), which features five relief scenes of the life of Christ carved in a style visibly influenced by ancient sculptural types. |  | | He probably was in early contact with the cosmopolitan court of Frederick II, where the influence of classical Mediterranean sources as well as northern artists shaped his style. |  | | Sculptor from Puglia who perhaps also worked as an architect, Pisano headed up a large sculptural workshop in Pisa which carried out important commissions throughout Tuscany and central Italy. |
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http://www.italica.rai.it/rinascimento/parole_chiave/schede/pisanon.html
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| | RENACIMIENTO |
 | | unque Pisano no es original de Pisa, sino más bien del sur de Italia, es famoso por su obra en esa ciudad. |
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http://www.tam.itesm.mx/art/renac/erenac40.htm
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| | OCAIW: Sculptors Alphabetical Index |
 | | Images of sculptures from Classical Greece to the innovative works of modern artists ( Bernini, Brancusi, Canova, Cellini, Claudel, Pollaiolo, Verrocchio, Della Quercia, Della Robbia, Donatello, Ghiberti, Giambologna, Lysippos, Maillol, Manzù, Marini, Messina, Michelangelo, Moore, Myron, Phidias, Pisano, Rodin, Sansovino and others). |
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http://www.ocaiw.com/catalog/index.php?catalog=scul&author=828
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| | Fidelity by PISANO, Nicola |
 | | This allegorical figure carries a dog, his symbol, and it is part of the pulpit in the baptistry in Pisa. |  | | The massive grave figure reflects a Gothic style which will be replaced by the more intimate and lyrical style of Nicola's son, Giovanni Pisano. |  | | Please send your comments, sign our guestbook and send a postcard. |
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http://gallery.euroweb.hu/html/p/pisano/nicola/1pisa_fi.html
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| | Web Comics: : World : Italiano : Arte : Arti Visive : Scultura : Scultori : P : Pisano, Nicola web sites |
 | | 50) this.border=1; this.alt='Preview by Thumbshots.org';"align=left>Tribenet: Nicola Pisano - Propone notizie biografiche e cenni critici relativi all'opera dello scultore. |  | | Home : World : Italiano : Arte : Arti Visive : Scultura : Scultori : P : Pisano, Nicola web sites |  | | Web Comics: : World : Italiano : Arte : Arti Visive : Scultura : Scultori : P : Pisano, Nicola web sites |
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http://www.webcomics.com/top/index.php/World/Italiano/Arte/Arti_Visive/Scultura/Scultori/P/Pisano,_Nicola
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| | Pisano |
 | | "Having returned to Pisa, Nicola made the marble pulpit of San Giovanni, working on it with the utmost diligence so as to leave his native land a memorial of himself" (II-7) |  | | "Moved by the fame of this work, the people of Siena commissioned Nicola to make for their Duomo the pulpit from which the Gospel is sung." (II-7) |  | | Vasari gives the Fountain in the piazza outside Perugia cathedral to Giovanni, but it is signed and dated by Nicola and his son in 1278; it is Nicola's last known work. |
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http://easyweb.easynet.co.uk/giorgio.vasari/pisano/pisano.htm
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| | Pisa - Sight-Seeing |
 | | It was made by Nicola Pisano in 1260. |  | | It represents the transition from Romanesque to Gothic art. |  | | The circular Baptistery was begun by Diotisalvi in 1153 and was continued by Nicola and Giovanni Pisano, Cellino di Nese and Mastro Zibellino in the XIII and XIV centuries. |
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http://www.realitaly.com/pisa/sight2.html
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| | Nicola Pisano Biography / Profile of Nicola Pisano Biographies |
 | | His art marked the beginning of the Italian Gothic style. |  | | He encouraged artists to work in the more realistic style of Roman antiquity rather than the more abstract contemporary Romanesque and Byzantine styles. |  | | If Nicola had been a native of Apulia and train..... |
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http://www.bookrags.com/biography/nicola-pisano
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| | Nicola Pisano Scultori Scultura Arti Visive Arte Italiano España |
 | | Nicola Pisano Scultori Scultura Arti Visive Arte Italiano España |  | | Italiano : Arte : Arti Visive : Scultura : Scultori : P : Pisano, Nicola : |  | | Presentazione delle opere più importanti dell'artista, con schede informative. |
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http://www.amigar.com/buscador/Top/1010845019-10000001
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| | Thais - Nicola Pisano - Leone stiloforo |
 | | In this first known work by Nicola Pisano, finished in 1260 according to the inscription beneath the Last judgment panel, we have that admirable synthesis of doctrinal, narrative, symbolic, and decorative motifs that will be a model for many centuries of Italian art. |  | | The vigorous design of the zone of arches includes representations of the Virtues on pedestals at the corners, and in the spandrels figures of prophets and the four Evangelists. |
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http://www.thais.it/scultura/sch00557.htm
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| | Pisano, Nicola |
 | | Tribenet: Nicola Pisano - Propone notizie biografiche e cenni critici relativi all'opera dello scultore. |  | | Top : World : Italiano : Arte : Arti Visive : Scultura : Scultori : P : Pisano, Nicola |  | | Caravan.it: Pulpito del Battistero di Pisa - Un approfondimento sull'opera di Nicola Pisano. |
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http://www.supercrawler.com/World/Italiano/Arte/Arti_Visive/Scultura/Scultori/P/Pisano,_Nicola
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| | Pisano, Nicola |
 | | Armed Forces Network WebSearch : World : Italiano : Arte : Arti Visive : Scultura : Scultori : P : Pisano, Nicola |
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http://www.armedforces.net/search/World/Italiano/Arte/Arti_Visive/Scultura/Scultori/P/Pisano__Nicola/index.shtml
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| | Biography |
 | | Several of the figures were directly inspired by ancient sarcophagi that Nicola saw in the Campo Santo in Pisa, but they are much more than simple borrowings, for he made them the vehicle for expressing richly varied human feeling. |  | | Nicola and Giovanni Pisano, Italian sculptors and architects, father and son. |  | | By then Nicola had a large workshop, his assistants including his son Giovanni and Arnolfo di Cambio. |
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http://www.kfki.hu/~arthp/bio/p/pisano/giovanni/biograph.html
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| | School of Art History - University of St Andrews |
 | | Interior view showing the pulpit by Nicola Pisano of 1260 and the font by Guido Bigarelli da Como of 1246. |  | | Compare the Pisa Baptistery pulpit by Nicolo Pisano with the Pistoia, S.Andrea pulpit by Giovanni Pisano in terms of overall design and sculptural style. |
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http://www-ah.st-andrews.ac.uk/under/ah1001slides/?ah1001-topic1b
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| | Giovanni Pisano - Page 001 |
 | | Giovanni Pisano was undoubtedly one of Italy's greatest sculptors, but unfortunately, he seems doomed to live forever in the shadow of his father, Nicola Pisano. |  | | The reason for this is primarily the lack of documentation that would tell us more about Giovanni's life. |
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http://www.publishit.com/Authors/D/Drew_Francesca/GiovanniPisano/page001.html
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| | Recherche-Assistent |
 | | Werke des Nicola Pisano auf Auktionen versteigert ? |  | | Gibt es Abbildungen zu Nicola Pisano im Internet? |  | | Suche nach Kurzinformationen über Nicola Pisano in der Datenbank des Getty Research-Insitut |
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http://baseportal.de/cgi-bin/baseportal.pl?htx=/Artnews/recherche&vornamen=Nicola+&namen=Pisano
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| | Thais - 1200 anni di scultura italiana - Nicola Pisano |
 | | Marble, details of the tomb on which Nicola worked from 1264 to 1267. |  | | Thais - 1200 anni di scultura italiana - Nicola Pisano |  | | Marble, height cm 56, details of the pulpit created by Nicola between 1255 and 1260 in which he based this allegory on the figure of Hercules. |
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http://www.thais.it/scultura/pisanico.htm
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| | Pisa: Baptistery: Pulpit by Nicola Pisano |
 | | The pulpit by Nicola Pisano (created in 1260) is a major work of medieval sculptural art. |  | | Thus the pulpit itself can be seen as a sculpture whose ornaments can be viewed from all sides. |  | | Unlike the traditional Tuscan pulpits, this pulpit does not lean against the church wall, but is standing unsupported in open space. |
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http://www.iicm.edu:8000/ital_Ital-2088?hyperwave=action=plain.action
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| | [No title] |
 | | Compared to *Pulpit: overall and * detail of Crucifixion, for Pisa Baptistry, by Nicola Pisano, 1259/60 |  | | Compared to Pulpit: overall ; detail of Crucifixion, for Pisa Baptistry, by Nicola Pisano 1259/60 |  | | Compared to facade of Amiens Cathedral, 13th-Century, France |
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http://www.arthistory.emory.edu/campbell/hart259sheets.html
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| | Incontri si storia dell'arte. di Vanni Melani - NICOLA PISANO: PULPITO DEL BATTISTERO A PISA |
 | | Questo dimostra quanto, Nicola Pisano, avesse radicato la sua formazione nel mondo romanico, ma con spiccate tendenze classiche. |  | | E' ben inteso che larte di Nicola è frutto di una personalissima rielaborazione dove la sostanza dei contenuti rimane del tutto romanico. |  | | Fra i discepoli minori di Nicola Pisano, vanno ricordati Fra Guglielmo (autore del pulpito in San Giovanni Fuorcivitas a Pistoia) e Lapo che parteciparono con Arnolfo alla realizzazione dellArca di San Domenico nellomonima chiesa di Bologna. |
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http://www.caravan.it/viaggi/storia_arte/battistero_pisa.html
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| | The Museum of Pure Form |
 | | Thanks to the adhesion to the project of the "Museo dell'Opera del Duomo di Pisa" which has provided some meaningful sculptures of the medioeval period, the haptic models of the following sculpture are currently under development: |  | | Photographs of plaster copies of Busts of Nicola Pisano (exterior of Baptistery, dated antecedent to 1277) |  | | As a result of the data elaboration it is expected that sculptural models at a variable resolution will be obtained. |
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http://www.pureform.org/pubblicationEvents1.htm
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