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| | Dada - Wikipedia, the free encyclopedia |
 | | The first introduction of Dada artwork to the Parisian public was at the Salon des Indépendants in 1921. | | | Dada was an international movement, and it is difficult to classify artists as being from one country or another, as they were constantly moving from one place to another. | | | By 1924, Dada was melding into surrealism, and artists had gone on to other ideas and movements, including socialist realism and other forms of modernism. |
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http://en.wikipedia.org/wiki/Dada
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| | Hexapedia - Pop art |
| | In the meantime the movement was being called Neo-dada, a name which reveals some of the thinking behind this type of art. | | | There is a strong influence of Dadaism in Pop art. | | | Pop art is also to some extent a satire of the philistine acquisitiveness of patrons of art and of official art institutions – for example, early pop artists induced important museums to invest large sums of money in paintings of mundane subjects, done with acrylic paint on plywood, which quickly deteriorated. |
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http://www.hexafind.com/encyclopedia/Pop_art
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| | The Paper Heart Events |
| | From surrealism to modern art to the post modernists the dada philosophy continues to reverberate almost 90 years after it's beginning. | | | Being an exhibition of art works that celebrate and echo the works of those early 20th art outcasts, the self proclaimed Dadaists. | | | Dada was to represent the opposite of rational meaning. |
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http://www.thepaperheart.com/cgi-bin/calendar.pl?month=7&view=Event&event_id=256
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| | Unacknowledged Roots and Blatant Imitation |
| | Dada was a major force in Europe (particularly France), where a great deal of intentionally annoying and provocative visual art, literature, poetry, performance art, and music were produced in its name. | | | Many of the central figures of Dada were still alive and active in French art and culture until their deaths, some as late as the 1970s. | | | Although Dada was primarily a philosophical movement, many of the most well-known figures from the movement were visual artists (Richter 1965; Rubin 1967). |
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http://www.sociology.org/content/vol004.001/locher_d.html
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| | DADA |
| | While perhaps seeming flippant on the surface, the Dada artists were actually fuelled by disillusionment and moral outrage at the unprecedented carnage of World War One, and the ultimate aim of the movement was to shock people out of complacency. | | | Among the leading Dadaists were Marcel Duchamp (whose Mona Lisa adorned with moustache and goatee is a Dada classic), George Grosz, Otto Dix, Hans Richter and Jean Arp. | | | This act in itself displays the importance of chance in Dada art. |
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http://www.artmovements.co.uk/dada.htm
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| | Fluxus Heidelberg Center - History Fluxus |
| | Dada was not widely discussed until the 1950s, thirty-five years after its inception; without [people like] Robert Motherwell (whose Dada Painters and Poets was seminal to most of us) we would have had a hard time indeed figuring out just what the Dadaists had done, what they had achieved and what they had not managed. | | | It is generally acknowledged that the resurgence of interest in Dada during mid-century was responsible for a shared conviction among groups of artists that art activity must be withdrawn from its special status as rarefied experience and resituated within the larger realm of everyday experience. | | | As was the case for historical Dada, Fluxus served as an interface among subsets of geographically dispersed international art cultures. |
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http://www.fluxusheidelberg.org/history.html
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| | allusions » Dada & Neo-Dada |
| | In a few comments, Rick questioned me as to what Dada and Neo-Dada is, and I told him that I would blog about it…so, here goes. | | | Dadaism was an art movement that started in Europe (until Abstract Expressionism, most art movements originated in Europe) just before 1920. | | | Dadaism effected thought, action, poetry, and yes, visual art. |
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http://alicia.beckman-ministries.com/2005/08/10/dada-neo-dada
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| | Williamson Gallery |
| | Neo Dada attacked the lofty aspirations of High Art, and was very much a part of the 60s movements of Minimalism and Pop Art. | | | The collective notions contained within this Neo Dada, as it became known, continue to define the central characteristics of Morris's work. | | | His work helped define the directions of progressive art during the 1960s and 70s, and his reputation for making innovative yet difficult art has continued to the present. |
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http://www.artcenter.edu/exhibit/robert/morris.html
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| | View Magazine's Marcel Duchamp Special Issue, 1945: Conclusion |
| | But if "Neo-Dada's" actions in the 1950's were more visible than the attempts by Breton and Surrealism to bring Duchamp into their own group had been, Surrealism's influence had not entirely waned. | | | The renewed perception of Duchamp as a Dada artist was influential: William Rubin included an extensive discussion of Duchamp's works in the Dada section of the catalog for the 1968 "Dada and Surrealism, and Their Heritage" show at MOMA. | | | Robert Motherwell's 1951 anthology The Dada Painters and Poets, and Sidney Janis's 1953 exhibition "Dada 1916-1923" (with which Duchamp assisted) also contributed to the artist's new visibility, often apparently eclipsing the connections Duchamp had formed with Surrealism in the 1940's. |
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http://www.heyotwell.com/work/arthistory/thesis/conclusion.html
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| | neo-dada |
| | a minor art movement chiefly of the 1960s reviving some of the objectives of dada but placing emphasis on the importance of the work of art produced rather than on the concept generating the work. |
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http://www.infoplease.com/dictionary/neo-dada
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| | INVENTORY OF THE YVES POUPARD-LIEUSSOU CORRESPONDENCE AND COLLECTED PAPERS ON DADA AND SURREALISM, 1905-1984 (bulk, 1956-1979) |
| | He writes of other exhibits in which he participated, including the 50th anniversary exhibition of Dada in Zurich, the Dada exhibition in Milan (Spring, 1966), the Austrian exhibition on Dada, Surrealism and Pop Art "Dada up to Today" (Linz, 1965), an exhibit at the Modern Museum in Stockholm (2/1966). | | | He defines Dada as a "spiritual and moral attitude" and not a matter of chance participation. | | | Hausmann provides detailed information on several figures associated with the Dada movement including: Otto Dix and how he was invited by Grosz to participate in the Dada Fair 1920; Arthur Segal, who exhibited at the Dada Gallery in Zurich (1919-1920) but was denied the title "Dadaist, " as was Hannah Höch. |
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http://www.getty.edu/research/conducting_research/finding_aids/poupard_m9.html
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| | Surreal love affair / Art collector shares his passion at the Legion |
| | But to publisher, writer and philosopher Arturo Schwarz, whose famous collection of Dada and Surrealist art and books opens Feb. 2 at the Palace of the Legion of Honor, Surrealism is as vital today as it was during its heyday. | | | Schwarz was a friend of many of the principal Dada and Surrealist artists, most closely Surrealist theorist Andre Breton and Dada artists Marcel Duchamp and Man Ray. | | | For many art lovers, Surrealism and Dada represent closed chapters in the history of modernism, inextricably linked to the interwar years of the early 20th century. |
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http://www.sfgate.com/cgi-bin/article.cgi?f=/chronicle/archive/2002/01/20/PK217401.DTL&type=art
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| | CTV.ca - Artist's career of outrage leads to GG award- CTV News, Shows and Sports -- Canadian Television |
| | New York's Guggenheim Museum describes Neo-Dada art as follows: "The unifying element of Neo-Dada art is its reinvestigation of Dadas irony and its use of found objects and/or banal activities as instruments of social and aesthetic critique." | | | The Neo-Dada movement in art was first identified in the early 1960s. | | | The Dada movement was a group of outrageous, anarchic artists that first became prominent around the time of the First World War. |
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http://www.ctv.ca/servlet/ArticleNews/print/CTVNews/1078941406505_9?hub=Entertainment&subhub=PrintStory
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| | New Page 0 |
| | This course sets out to explore aspects of the art, literature, music, and dance of Dada; Dada will be understood as an art that wants to empower its audience toward revolution: philosophical, aesthetic, and political. | | | Among the premises of the course is that everyone enrolled is not necessarily familiar with details of art history or art critical practice, so efforts will be made to introduce basic concepts and their application, especially during the earlier parts of the semester. | | | Students will keep a running journal of their interactions with art and anti‑art texts, take a midterm and a final exam, and compose a class performance (in the style of the movements we cover), and prepare a presentation for the class from suggested topics. |
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http://www.faculty.de.gcsu.edu/~tyarboro/ARTS4950DadaSyl.htm
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| | The Fluxus Blog » A Bit About Marcel |
| | Perhaps part of the reason that early Fluxus artists tended to dissociate themselves from Dada was due to early tendencies of art journalists to call Fluxus "Neo-Dada". | | | Maciuanas called for "anti-art" as did the Dada artists. | | | As I see it, one of the biggest differences between Dada and Fluxus is that Fluxus replaced the pessimistic nihilism of Dada with optimism and humor.Marcel Duchamp with his "ready-mades" fits in with the Fluxus propensity towards mixing humor and serious theory. |
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http://www.digitalsalon.org/weblog/pivot/entry.php?id=13
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| | Conceptual Art in Relation to MTAA's Art Practice |
| | DaDa was an art movement of the early 20th century that emphasized the ridiculous or absurd as opposed to the logical or beautiful. | | | DaDa is sometimes attributed to artists' disillusionment with society following World War I. DaDa is sometimes thought of as anti-art. | | | That is, both artists used their lives as the material for their art. |
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http://www.mteww.com/history.html
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| | Infoplease Search: dada |
| | (Encyclopedia) Dada or Dadaism, international nihilistic movement among European artists and writers that lasted... |
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http://www.infoplease.com/search?fr=iptn&query=Dada&in=all
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| | Overflow » Neo Dada |
| | Neo Dada is a gallery of mail art. | | | I don’t know much about Dada, but it’s a nice page of cool art pics. | | | You can send in your own postcards and, if they’re Dada anough, they’ll post ‘em. |
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http://crossimpact.net/archives/2004/03/15/neo-dada
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| | An anarchist summary of the Situationists |
| | Surrealism, the art-form which followed on from Dada, sought to give expression to the unconscious, which, through techniques like automatic writing, would give the artist access to a previously untapped and what Andre Breton and fellow artists of the time believed to be an inexhaustible source of inspiration. | | | Dada as a movement was wholly negative, rejecting entirely all the values of bourgeois society. | | | Though Debord saw that it was Dada’s wholly negative definition that precipitated its almost immediate breakup, he did not seem to apply the lessons of Dada’s decline to the case of the Situationist’s own decline. |
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http://struggle.ws/wsm/rbr/rbr10/situationists.html
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| | Tate Glossary Neo-Dada |
| | The term has some justification due to the presence in New York of the great French Dada artist Marcel Duchamp whose ideas were becoming increasingly influential. | | | Term sometimes applied to the work of Robert Rauschenberg and Jasper Johns in New York in the late 1950s because of their use of collage, assemblage and found materials, and their apparently anti-aesthetic agenda (see Dada). | | | At the time there were also strong echoes of Dada in Environments and Happenings. |
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http://www.tate.org.uk/collections/glossary/definition.jsp?entryId=187
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| | atonality, serialism, free chance, indeterminacy, stochastics, clustering, eclecticism, collage, protocubism, neo-classicism, dada , neo-baroque, neo-romanticism, impressionism and expressionism , the future of modern music, james mchard |
| | Free atonality, serialism, free chance, indeterminacy, stochastics, clustering, eclecticism, collage, protocubism, neo-classicism, dada, neo-baroque, neo-romanticism, impressionism and expressionism all were touted in various quarters as the wave of the future. | | | atonality, serialism, free chance, indeterminacy, stochastics, clustering, eclecticism, collage, protocubism, neo-classicism, dada, neo-baroque, neo-romanticism, impressionism and expressionism, the future of modern music, james mchard | | | With this brave new book, James McHard pulls away all the negativity shrouding the word "modern" in the realm of classical music. |
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http://www.futureofmodernmusic.com/article-3.html
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| | Omniseek: /Arts & Humanities /Humanities /World Literature /Modernism /Dada |
| | "DaDa Online is a source of many different texts, poems, art works, information and links to other online displays of artwork on the web from the Dadaism movement. | | | Art and Culture and The Great War DADAISM - A Short Explanation Do da DADA List Intro to Moderninsm DADA HOME PAGE- In Italian DADART- Online Gallery | | | Omniseek: /Arts & Humanities /Humanities /World Literature /Modernism /Dada |
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http://www.omniseek.com/srch/{70664}
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| | Carolyn Substitute |
| | It is believed by many that Dada lives on in Mail Art. | | | of art all reflect major shifts effected by Dada." | | | presentations and such, you are seeing Dada influence. |
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http://www.dragonflydream.com/dada.html
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| | Against Participation... Chapter 10. |
| | Motherwell's book appeared in 1951; and Sidney Janis exhibited "Dada: 1916-1923" in 1953, for example. | | | One can read all of Dada, in fact, as a protest against World War I. (A protest whose inconsequentiality showed that parody and mobilization are art's least worthy, least credible functions.) Cage's "absurdist" works, on the other hand, meant to promulgate a new sensibility, a sensibility of accident, of vanishings, of nothing. | | | But Dada's transgressive gestures were intended as savage satires. |
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http://www.henryflynt.org/aesthetics/APchptr10.html
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| | Sonic Garden :: BIg Block 454 |
| | They have performed at various art gallery events, and worked with dada artists Russell Mills and Ian Walton on their installation "Measured in Shadows", which was shown in England and Eire. | | | Big Block 454 like collaborating with artists and other non-musicians on multi-media projects. |
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http://www.sonicgarden.com/sonic-web/artist.cfm?artistid=5848
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| | fa206finalreview |
| | Think about new art forms that have developed in the last 150 years: the rise of printmaking as a medium for fine artists (Daumier, Kolowitz, Warhol), collage, frottage, constructions, performance art, happenings (DADA and 1960's), readymades, moving sculpture, assemblage, soft sculpture, installations. | | | Above all, understand what is meant by "pictorial illusionism." Be clear when it was the principal goal of artists and what devices (like perspective) they used to achieve it. |
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http://people.hsc.edu/faculty-staff/maryp/fa206/fa206finalstudypage.html
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| | Art History 154, Spring 2005 |
| | Marcel Duchamp, Fountain, 1917, Mixed Media [New York Dada] | | | Hugo Ball, Recitation of sound poem "Karawane", 1916, Performance [Dada Performance] | | | Hannah Hoch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-20, Photomontage [German Dada] |
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http://www.udel.edu/ArtHistory/werth/courses/154/FinalReview1.html
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| | October - Vol. 105 - Summer 2003 - Dada - The MIT Press |
| | The Work of Art and the Problem of Politics in Berlin Dada | | | Dada Between Heaven and Hell: Abstraction and Universal Language in the Rhythm Films of Hans Richter | | | 105 - Summer 2003 - Dada - The MIT Press |
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http://mitpress.mit.edu/catalog/item?ttype=5&tid=1345&sid=5ECD0718-956D-4E0F-A977-02EC700FAC70
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| | Artists by school |
| | Neo-Dada was prevalent in New York from the mid-1950s to mid-1960s; the European counterpart was known as Nouveau Realism. | | | Work that shares with Dada a sense of paradox and ambiguity and a use of found objects and junk. | | | Thought of as a bridge between Abstract Expressionism and Pop Art--using gestural brushwork on a grand scale, rejecting the sublimity of Abstract Expressionism in favor of everyday imagery. |
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http://www.walkerart.org/archive/B/B02359F93489B1B96168.htm
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| | SOUNDLAB Dedicated to the Music, Media & Performance of Big Orbit Gallery |
| | What you wrote about Buffalo living its own death and the artist's role in confronting the silence associated with this death made perfect sense to me; thus I have named this activity Buffluxus (or Neo-Fluxus, or Neo-Neo-Dada [as Fluxus is the most Dada of Neo-Dada]). | | | This fall working at the Guggenheim I was required to give a presentation to the faculty and other interns on whatever topic I desired. | | | Find a building about to be destroyed (in Buffalo, simply close your eyes and point). |
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http://www.bigorbitgallery.com/TEXTARCHIVES/bufffluxusletter.html
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Topic: Neo-Dada