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| | Gardner |
 | | In early childhood development of musical skills, this proceeds from "vocal play" or babble to recognizable "outline" songs. | | | In terms of cognition, children proceed through three modes of learning: an enactive mode, which is based in action, an iconic mode, emphasizing use of images, and a symbolic mode, using abstract thought. | | | Development of logical and abstract thought is not essential to mastery of music and other artistic areas. |
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http://www.home.duq.edu/~bowmanj/mupsych/pages/gardner.html
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| | MUH 3211 - First Examination |
| | Why did musical activity in St. Martial differ so little with musical activity at Santiago, although they were many miles apart? | | | The range of the Hypodorian mode is A to A. The term "tenor" in early music refers to a male voice range. | | | Modes are not absolute pitches but rather arrangements of diatonic steps and half-steps. |
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http://nersp.nerdc.ufl.edu/~bassoon/MUH3211/exam1.html
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| | Greenberg: Machaut Paper |
| | The final musical piece occurs some 200 lines before the end of the poem, yet in expresses the thought with which the poem ends. | | | While this aspect of musicianship would remain intact for some time, the musical styles would change drastically. | | | Amant shows his developing maturity by choosing to sing not something to show off his virtuoso talents or his extravagent passion, but something fitted to the occasion‹a simple dance tune. |
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http://www.uvm.edu/~hag/personal/portfolio/224paper3.html
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| | messboul.htm |
| | He writes about these structuring devices in his "The Technique of My Musical Language". | | | Messiaen wrote a treatise that systematized his music structuring techniques -Technique de mon langage musical (1944) | | | Pitch modes are constructed using various intervallic patterns of scales which then provide a kind of "pitch pallette" from which he chooses. |
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http://www.sinc.sunysb.edu/Class/mus352/notes/messboul.htm
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| | Jas's-- Middle Eastern Rhythms FAQ (for dumbec, doumbec, doumbek, arabic tabla, darabuka, tombak, zarb ...) : Rhythms for Dumbek and Belly Dance |
| | This presence in Europe, along with the cultural interaction during the crusades, was responsible for many Middle Eastern instruments and musical forms finding their way into Europe. | | | Apparently either (as in many oral traditions) the rhythmic modes were so well known scholars did not bother to document them or they could find no good method for doing so. | | | This makes it nearly impossible to reconstruct his examples with any (rhythmic) accuracy and leads one to suspect we may not be able to interpret any of the modes with certainty. |
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http://www.khafif.com/rhy/print.html
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| | Music of the Middle East |
| | This kind of music is extremely important in Islam, especially in mystic sects, and a stunningly vast and complex musical system of using melodic and rhythmic modes in ancient chant with improvisation is in place to inspire each worshipper. | | | Women are recognized as vocalists in both classical and popular music but rarely play instruments. | | | In terms of rhythm, the music is organized into beat groupings, with patterns of stressed and unstressed beats. |
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http://www.sbgmusic.com/html/teacher/reference/cultures/mideast.html
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| | Unit for the Study of Musical Skill and Development |
| | Lamont, A. Musical identities and the school environment. | | | A Masters programme in Music Psychology is available in Full-time (1 year) and Part-time (2-3 years) mode. | | | Childrens attitudes and values towards music and the relationship to self-esteem |
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http://www.keele.ac.uk/depts/ps/musacts.htm
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| | ORB: The Online Reference Book for Medieval Studies--Medieval Music Glossary |
| | Movements in a cycle are connected by mode, voicing, musical material and/or musical technique. | | | Mensural music is distinct from music employing the rhythmic modes in which the context-dependent notation limited rhythmic flexibility, and from unmeasured music in which no set rhythmic values were employed. | | | The tenor for each mode is included on the table of modes. |
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http://www.the-orb.net/encyclop/culture/music/orbgloss.html
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| | Arabic Music |
| | Musical accomplishment lies in the musician's technical virtuosity, creativity, and subtlety in suggesting other modes, other compositions, or even the music of other artists. | | | This example, based on a traditional Turkish “mode,” features three ancient instruments: tar (long-neck lute), kamánche (spiked fiddle), and daf (frame drum). | | | Rhythmic modes also have varying articulations in different locales, and styles of the melodies and the renditions differ. |
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http://www.arab-world-information.com/arabic_music.htm
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| | Arabian Music - Music Paradise |
| | His Grand Book on Music describes in detail the musical instruments of the age and explains the rhythmic modes then in use. | | | During subsequent centuries additional melodic modes were admitted, and different rhythmic patterns were established; but the development of Arabian music had already reached its zenith, and the music of this period was built mainly on past achievements. | | | The universality of the modes is underscored by their connection with moods or emotions, times of the day or year, colors, planets, the zodiac, and so on. |
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http://musicparadise.8m.com/arabian.htm
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| | a cappella: "In the style of the chapel" or "In the church" |
| | Consists of only two musical phrases and the refrain, which is heard at the beginning and the end. | | | This helped to form a new way of writing for three parts in which the top voice and the tenor share equal importance in melodic and rhythmic structure. | | | This new sound influenced all types of composition. |
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http://www.uh.edu/~tkoozin/projects/ogan/glosspage.html
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| | Traditional Korean Music - Folk Music |
| | The music relies heavily on improvisation and the most prominent musical characteristic is that the piece increases in tempo as it progresses through the various rhythmic modes. | | | When court musicians first heard these sanjo pieces, they didn't think of it as music but rather a disorganised collection of scattered modes. | | | The word sanjo literally means scattered modes and refers to the fact that these pieces employ a variety of rhythmic and tonal modes. |
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http://www.angelfire.com/alt/koreanmusic/folk.html
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| | Curriculum Vitae |
| | Temporal measure, polyphonic composition, and a system of written symbols by which to transmit a musical work form a matrix that is the basis of music in the Western tradition. | | | Theoretical writings about rhythmic measure in polyphony that date from the thirteenth century are pivotal to establishing a history of music during this formative era. | | | A historical shift occurred during the 1270s when the theory of measure in music was taken up by the university community, which brought to bear upon it concepts and methods derived from other disciplines of the liberal arts, primarily logic, geometry, grammar, and rhetoric. |
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http://www.uga.edu/~thema/cv.html
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| | CATHOLIC ENCYCLOPEDIA: Music of the Mass |
| | Masses were sometimes styled by the name of the chant-mode in which they were composed (e.g. | | | Correct and appropriate music for Mass, for all degrees of musical ability or choral attainment and of the greatest abundance and freshness and individuality of style, can now be easily obtained. | | | Under this heading will be considered exclusively the texts of the Mass (and not, therefore, the Asperges, Vidi aquam, Litanies, Prophecies, etc., which in the Roman Missal are found more or less closely associated with the Mass in certain seasons of the Church Year), which receive a musical treatment. |
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http://www.newadvent.org/cathen/10001a.htm
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| | Dolmetsch Online - Music Theory Online - Rhythmic Variety |
| | In early music, this term hemiola meant the ratio of 3:2, employed musically in two senses: the ratio of the perfect fifth, whose musical value is 3:2, and the rhythmic relation of three notes in the time of two, i.e. | | | The French musician and teacher, Émile-Joseph Chevé (1804-1864) was one of the first to suggest that rhythm could be taught using words chosen to mimic verbally rhythmic patterns commonly found in European music. | | | In later music, especially Viennese waltzes the use of hemiola was common, in the sense of playing duplets in one part of the music, over which another part of the music is playing triplets. |
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http://www.dolmetsch.com/musictheory20.htm
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| | The Counterpoint Page |
| | One example of this double-sided aspect of "progress" in contrapuntal theory is the introduction of the rhythmic modes by Pérotin in the XIII C. Whereas a more precise rhythmic definition made possible the incorporation of more voices to the texture, it also "quantized" musical composition and performance to strict values related to a basic tactus. | | | The six basic rhythmic modes were set by the school of Notre Dame in the XIII C. For the first time, it allowed for a precise synchronization between two, three and four polyphonic voices within a given composition. | | | Despite its obvious efforts, not even the art music of the twentieth-century has been able to completely eradicate this notion of "universal", strict steady pulse for a given composition. |
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http://contrapunctus.com/home.htm
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| | MUH 3211 2nd Examination |
| | Early 14th century literary-musical work featuring isorhythmic compositions | | | The rhythmic modes were melodic patterns of varying intervals. | | | In modern rhythmic notation, the structure and division of the measure |
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http://nersp.nerdc.ufl.edu/~bassoon/MUH3211/exam2.html
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| | musical notation |
| | These eight modes were the basis for 11 centuries of musical composition. | | | The church modes, under the impact of the composition of polyphonic vocal music, became reduced in due course to the two characteristic scales of later Western music, the major and the minor. | | | These modes, derived from church practice, and explained either in their own terms, or using terms drawn from ancient Greek music theory, were grouped in pairs, each pair containing an authentic mode and a plagal mode, which are distinguished by the difference in the position of their ranges with respect to the final. |
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http://www.geocities.com/smoke18m/Construction/music.html
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| | Understanding Musical Notes and their Notation |
| | Also, I see little point in worrying about issues like "modes" until one is a great "typist" of existing musical manuscripts---most compositional perspectives will do nothing for you in this important regard. | | | Therefore, without further ado or apology, let's look into naming musical notes. | | | That said, one can think in any style that they want depending on their circumstance, and thinking about semitone number 5 (me) is not incompatible with "the second note in the Phrygian mode" (them). |
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http://koniaris.com/music/notes
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| | Annotation for Yeston, Maury. |
| | Such a theory attempts to provide a characterization of the rhythmic activity in a piece of music as having different levels of musical meaning; such a level of meaning is termed a rhythmic stratification by Yeston. | | | In his fifth chapter, Yeston discusses other inclusion relationships with an intention of generalizing his rhythmic dissonance idea. | | | In his brief concluding chapter he mentions some problems involved in trying to provide a theory of rhythm for atonal music. |
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http://www.music.indiana.edu/som/courses/rhythm/annotations/yeston76.html
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| | Musical Forms - Psalm |
| | The stabilization of psalmody between Gregory I and the 11th century is known from the service book for Mass and Office, theoretical writings and the tonaries, which categorized chants by mode and specified the ending of the psalm tone for each antiphon. | | | Stravinsky 's Symphony of Psalms and Penderecki's Psalmy Dawida are multi-movement works using psalm texts. | | | Psalms were used as texts for the new motet repertory evolved by Josquin and his contempories circa 1500. |
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http://w3.rz-berlin.mpg.de/cmp/g_psalm.html
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| | Appendix 3 |
| | The modes à transpositions limitées introduced by O. Messiaen in his book Technique de mon langage musical (1944) are in fact some of these cyclical chord-mode classes. | | | Mode 1 is equivalent to 6-notes chord-mode class #51 (scale of tones), mode 2 is related to 8-notes chord-mode #43 (octatonic scale), mode 3 is related to 9-notes chord-mode #19, mode 4 to 8-notes chord-mode #8, mode 5 to 6-notes chord-mode #78, mode 6 to 8-notes chord-mode #30 and mode 7 to 10-notes chord-mode #3. | | | Messiaen named these scales as modes of limited transposition because if they are successively transposed by semitones there is always a moment where the same scale (the same notes) is found –obviously, before getting to the transported octave–. |
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http://www.webcom.com/musics/appendix3.htm
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| | Aeolian mode - definition of Aeolian mode in Encyclopedia |
| | Many popular songs, such as the lulaby, "summertime", from the 1935 Porgy and Bess musical, are in the Aeolian mode. | | | The Aeolian mode is a musical mode or diatonic scale. | | | A Aeolian mode is the C major scale starting on A. B Aeolian mode is the D major scale starting on B. C# Aeolian mode is the E major scale starting on C#. |
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http://encyclopedia.laborlawtalk.com/Aeolian_mode
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| | Musical mode - encyclopedia article about Musical mode. |
| | Modes came back into favour some time later in the development of jazz Jazz is a musical art form originally characterized by blue notes, syncopation, swing, call and response, polyrhythms, and improvisation. | | | Aeolian The aeolian mode is a musical mode or diatonic scale. | | | Ionian The Ionian mode is a musical mode or diatonic scale. |
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http://encyclopedia.thefreedictionary.com/musical+mode
(5386 words)
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| | Compare Prices and Read Reviews on Little Smart Tiny Touch Phone Plus at Epinions.com |
| | On the musical mode you hear the cat meowing to several different tunes while the number buttons flash. | | | On the musical mode you hear the dog arfing to several different tunes while the number buttons flash. | | | Jordan loves pushing the number and animal buttons in musical mode and dancing to the music. |
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http://www.epinions.com/kifm-review-2744-2FCB5D3E-3A53845E-prod2
(1151 words)
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| | Musical mode - encyclopedia article about Musical mode. |
| | Aeolian The aeolian mode is a musical mode or diatonic scale. | | | Ionian The Ionian mode is a musical mode or diatonic scale. | | | and locrian The Locrian mode is a musical mode or diatonic scale. |
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http://encyclopedia.thefreedictionary.com/musical+mode
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| | Mode - Wikipedia, the free encyclopedia |
| | In music a mode is a kind of scale; see musical mode. | | | In complex systems, in general, a mode is a specific type of operation: for example in a military avionics system, a fighter plane radar might be in track mode or scan mode or track while scan mode, with distinctly different behavior and intention. | | | In acoustics, a mode is one of the possible patterns of vibration, analogous to waveguide and cavity modes, only that electrical and magnetical fields are replaced by velocity and displacement. |
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http://en.wikipedia.org/wiki/Mode
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| | Google Search: musical_mode |
| | : ''This article is about mode, the musical concept. | | | musical mode - definition of musical mode in Encyclopedia | | | meanings of mode, see Mode.'' In music, a '''mode''' is an ordered series of... |
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http://musical_mode.networklive.org
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| | Lydian mode -- Facts, Info, and Encyclopedia article |
| | Due to historical confusion, Lydian mode can refer to two very different (Any of various fixed orders of the various diatonic notes within an octave) musical modes or (A scale with eight notes in an octave; all but two are separated by whole tones) diatonic scales. | | | The Lydian mode is named after the ancient kingdom of (An ancient region on the coast of western Asia Minor; a powerful kingdom until conquered by the Persians in 546 BC) Lydia in (A peninsula in southwestern Asia that forms the Asian part of Turkey) Anatolia. | | | Confusingly, the Greek Lydian mode is the same as the mediaeval and modern (additional info and facts about Ionian mode) Ionian mode or (A key whose harmony is based on the major scale) major mode. |
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http://www.absoluteastronomy.com/encyclopedia/l/ly/lydian_mode.htm
(438 words)
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Topic: Musical mode