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| | Modernism - Wikipedia, the free encyclopedia |
 | | Modernism is a cultural movement that generally includes the progressive art and architecture, music, literature and design which emerged in the decades before 1914. |  | | Modernism (music): 20th century classical music - Atonality - Jazz |  | | Composers such as Schoenberg, Stravinsky, Poulenc and George Antheil represent modernism in music. |
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http://en.wikipedia.org/wiki/Modernism
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| | Modernism Bloomed From the PALM of Society |
 | | Modernism was a movement and phenomena that left its signature in psychology, art, literature, and music. |  | | The second famous modern artist, Georges Braque, is credited for painting the way to Modernism. |  | | This phenomena “Modernism” began in Europe around 1880, and eventually surfaced in America, where it was known as the Anglo American Period, in the late eighteen hundreds, and its denouement began around the beginning of WWII. |
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http://homepages.udayton.edu/~santamjc/winter2000-1
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| | Make It New: The Rise of Modernism s |
 | | While most exhibitions on Modernism have focused solely on literary or visual materials, "Make It New: The Rise of Modernism" presents a wider range of artistic creations, from musical scores and set design to mechanical inventions and the X-ray. |  | | Also included in the book are essays by leading scholars in literature, art and music focusing on specific objects included in the exhibition. |  | | Since its founding in 1957, the Ransom Center responded to Modernism by collecting major texts, scores, manuscripts, art and objects from the movement. |
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http://www.hrc.utexas.edu/news/press/2003/nr100903modernism.html
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| | pomo.html |
 | | Modernism, as you probably know, is the movement in visual arts, music, literature, and drama which rejected the old Victorian standards of how art should be made, consumed, and what it should mean. |  | | According to Frederic Jameson, modernism and postmodernism are cultural formations which accompany particular stages of capitalism. |  | | Postmodernism, like modernism, follows most of these same ideas, rejecting boundaries between high and low forms of art, rejecting rigid genre distinctions, emphasizing pastiche, parody, bricolage, irony, and playfulness. |
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http://www.colorado.edu/English/ENGL2012Klages/pomo.html
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| | Postmodern music - Wikipedia, the free encyclopedia |
 | | As a musical style, postmodern music contains characteristics of postmodern art—that is, art after modernism (see Modernism in Music). |  | | As a musical condition, postmodern music is music situated after the modern age, during the present period, where music has become valued primarily as a commodity and a culture, rather than a form of idealized modernist expression for its own sake. |  | | The music of modernity, however, was viewed primarily as a means of expression while the music of postmodernity is valued more as a spectacle, a good for mass consumption, and an indicator of group identity. |
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http://en.wikipedia.org/wiki/Postmodern_music
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| | the evangelical outpost: Modernism to Eleven: Is Postmodernism a Myth? |
 | | To jump on the music analogy bandwagon: Modernism is like a rock band where each member of the band is a maestro on his respective instrument. |  | | When modernism unravels, the unravelling has a name, and it is postmodern. |  | | I concur entirely with you that modernism is a bad thing, and postmodernism is a part of it. |
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http://www.evangelicaloutpost.com/archives/001321.html
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| | Postmodernism - Wikipedia, the free encyclopedia |
 | | Postmodernism has manifestations in many modern academic and non-academic disciplines: philosophy, theology, art, architecture, film, television, music, theatre, sociology, fashion, technology, literature, and communications are all heavily influenced by postmodern trends and ideas, and are thoroughly scrutinised from postmodern perspectives. |  | | The music of modernity, however, was viewed primarily as a means of expression while the music of postmodernity is valued more as a spectacle, a good for mass consumption, and an indicator of group identity. |  | | Crucial to these are the denial of customary expectations, the use of non-orthogonal angles in buildings such as the work of Frank Gehry, and the shift in arts exemplified by the rise of minimalism in art and music. |
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http://en.wikipedia.org/wiki/Post-modern
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| | Amazon.co.uk: Modernism: Books |
 | | Modernist ideas have pervaded every form of design, from graphics to architecture, as well as being a key influence on art, literature and music. |  | | He explores the Modernist movements of the early twentieth century do of a small group of progressive artists and how, with the emigration of leading German modernists to Britain and the USA in the 1930s, the theory and practice of Modernism became widespread. |  | | This text presents the history of the way Modernism came to dominate, despite the fact that it was, in its heyday of the 1920s and 1930s, largely the preserve of the intellectuals. |
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http://www.amazon.co.uk/exec/obidos/ASIN/0714840998
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| | MTO 3.5: Hermann, Georgina Born's Rationalizing Culture |
 | | Reflexive Postmodern Anthropolgy Meets Musical "Modernism": Georgina Born's Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. |  | | This ethnographic study is set against a discursive characterization of modernism and postmodernism in music. |  | | Born asserts that the musical avant-garde, a species of musical modernism, is in crisis: it is no longer marginal and critical of the dominant order, but still promotes a view of history in which the present state augurs yet a better musical future through technology. |
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http://mto.societymusictheory.org/issues/mto.97.3.5/mto.97.3.5.hermann.html
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| | 20th century classical music - Wikipedia, the free encyclopedia |
 | | This strain of modernism looks backward to the dada school of art exemplified by Duchamp, and to the collage of "concrete" music, as well as experiments with electronic music by Edgar Varèse and others. |  | | His music not only rested on his argument that there was no "music" or "noise" only "sound", and that combinations of found sound were musical events as well - but on the importance of focusing of attention and "framing" as essential to art. |  | | Modernism took the progressive spirit of the late 19th century, its love of rigor and of technical advancement, and unhinged it from the norms and forms of late 19th century art. |
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http://en.wikipedia.org/wiki/20th_century_classical_music
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| | Contemporary classical music - Wikipedia, the free encyclopedia |
 | | In the early part of the 20th century contemporary music included modernism, the twelve tone technique, atonality, unresolved and greater amounts of dissonance, rhythmic complexity and neoclassicism. |  | | Another is spectral music, epitomized by the works of Tristan Murail, Gérard Grisey, and Claude Vivier. |  | | The lesson of obscure composers in the past becoming important later applies doubly so to contemporary music, where it is likely that there are "firsts" before the officially listed first, and works which will be later admired as exemplars of style, which are as yet, unheralded in their own time. |
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http://en.wikipedia.org/wiki/Contemporary_music
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| | Definition of Modernism (music) |
 | | Modernism in music is characterized by a desire for or belief in progress and science, surrealism, anti-romanticism, political advocacy, general intellectualism, and/or a breaking with tradition or common practice. |  | | The rise of musical modernism can be tied to the rise of expressionism, primitivism and cubism in the arts, Freudian theory in philosophy and the range of other artistic and scientific ideas which flowered forth from 1890 through the beginning of the First World War. |  | | Schoenberg was a painter, while dada and futurist visual artists such as Jean Cocteau and Luigi Russolo wrote music. |
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http://www.wordiq.com/definition/Modernism_%28music%29
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| | 20th century classical music - Wikipedia, the free encyclopedia |
 | | His music not only rested on his argument that there was no "music" or "noise" only "sound", and that combinations of found sound were musical events as well - but on the importance of focusing of attention and "framing" as essential to art. |  | | Classical music also had an intense cross fertilization with jazz, with several composers being able to work in both genres, including George Gershwin. |  | | Modernism took the progressive spirit of the late 19th century, its love of rigor and of technical advancement, and unhinged it from the norms and forms of late 19th century art. |
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http://en.wikipedia.org/wiki/Modern_classical_music
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| | Postmodern music - Wikipedia, the free encyclopedia |
 | | As a musical style, postmodern music contains characteristics of postmodern art âthat is, art after modernism (see Modernism in Music). |  | | However, the music of postmodernity is thought to differ from that of modernity in that whereas modern music was viewed primarily as a means of expression, postmodern music is valued more as a spectacle, a good for mass consumption, and an indicator of group identity. |  | | As a musical condition, postmodern music is music situated after the modern age, during the present period, where music has become valued primarily a commodity and a culture, rather than a form of idealized modernist expression for its own sake. |
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http://en.wikipedia.org/wiki/Postmodern_music
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| | pmc-v4n1-herman-fear.txt |
 | | I. Fear of Music: Postmodernism and Music Television [1] The first time I heard the terms "postmodernism" and "the postmodern" was at the "Marxism and Interpretation of Culture Conference" at the University of Illinois during the torpid summer of 1983. |  | | They are part of a "current fashion for conflating the specificities of different media and genre into a ragbag category of 'postmodernism' that does injustice in equal measure to both the conceptual field [i.e., postmodernism] and the object of study [i.e., music television]" (17). |  | | Straw, W. "Music Video in Its Contexts: Popular Music and Post-Modernism in the 1980's." _Popular Music_ 7.3 (1988). |
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http://www.infomotions.com/serials/pmc/pmc-v4n1-herman-fear.txt
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| | beverley.990 |
 | | Modernism in music, say the infinitely compressed fragments of late Webern, is the perception in the midst of the bad trip, of dissonance, of a momentary cohesion and radiance, whose power is all the greater because it shines out of chaos and evil. |  | | Its key musical form was three-chord garage power rock, because its intention was to contest art rock and superstar rock, to break down the distance between fan and performer. |  | | The intention of such musics, we might say, is to transgress both the Imaginary and Symbolic: they are a sort of brainwashing into the Real. |
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http://www3.iath.virginia.edu/pmc/text-only/issue.990/beverley.990
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| | Finnish music in a nutshell — Virtual Finland |
 | | The most recent boom period in Finnish music began in the early 1970s, with older composers writing operas and younger composers establishing Modernism as part of the musical mainstream. |  | | It was not until the late 19th century that music began to attract the attention of the public at large. |  | | Finnish art music finds its origins in the arrival of Christian sacred music from both East and West in the 12th century. |
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http://virtual.finland.fi/finfo/english/finmusic.html
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| | Modernism Bloomed From the PALM of Society |
 | | Modernism was a movement and phenomena that left its signature in psychology, art, literature, and music. |  | | The second famous modern artist, Georges Braque, is credited for painting the way to Modernism. |  | | This phenomena “Modernism” began in Europe around 1880, and eventually surfaced in America, where it was known as the Anglo American Period, in the late eighteen hundreds, and its denouement began around the beginning of WWII. |
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http://homepages.udayton.edu/~santamjc/winter2000-1
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| | New College |
 | | Experimental music came about as an outgrowth of modernism, a movement in which the authority of tradition is weakened and undermined," he explained. |  | | Minimally Experimental, is a program comprised of works focusing on the intersection of two of the twentieth century's most influential musical genres: experimentalism and minimalism. |  | | Miles says this is due in large part to their form and to the musical theory underlying each. |
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http://www.ncf.edu/publicaffairs/Documents/nmnc_long.htm
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| | UI393 |
 | | This course will examine Modernism in music and culture through an in-depth study of thirteen masterpieces of music in the context of their times. |  | | By studying this music and the cultural developments of the era, the student will gain perceptions from both the disciplines of Artistic Expression and of Development of a Major Civilization. |  | | Music, the Arts and Ideas., Patterns and Predictions in Twentieth-Century Culture. |
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http://www2.semo.edu/provost/courses/UI393.htm
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| | pomo.html |
 | | Modernism, as you probably know, is the movement in visual arts, music, literature, and drama which rejected the old Victorian standards of how art should be made, consumed, and what it should mean. |  | | Postmodernism is hard to define, because it is a concept that appears in a wide variety of disciplines or areas of study, including art, architecture, music, film, literature, sociology, communications, fashion, and technology. |  | | According to Frederic Jameson, modernism and postmodernism are cultural formations which accompany particular stages of capitalism. |
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http://www.colorado.edu/English/ENGL2012Klages/pomo.html
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| | Postmodernism - Wikipedia, the free encyclopedia |
 | | In architecture, art, music and literature, postmodernism is a name for many stylistic reactions to, and developments from, modernism. |  | | Postmodernism has manifestations in many modern academic and non-academic disciplines: philosophy, theology, art, architecture, film, television, music, theatre, sociology, fashion, technology, literature, and communications are all heavily influenced by postmodern trends and ideas, and are thoroughly scrutinised from postmodern perspectives. |  | | Crucial to these are the denial of customary expectations, the use of non-orthogonal angles in buildings such as the work of Frank Gehry, and the shift in arts exemplified by the rise of minimalism in art and music. |
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http://en.wikipedia.org/wiki/Postmodernism
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| | OUP: Making Music Modern: Oja |
 | | In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. |  | | Places American music in the 1920s in the context of parallel developments in the visual arts and literature |  | | Drawing on extensive archival material--including interviews, correspondence, popular periodicals, and little-known music manuscripts--Oja provides a new perspective on the period and a compelling collective portrait of the figures, puncturing many longstanding myths. |
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http://www.oup.co.uk/isbn/0-19-516257-9
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| | Post-Modern Blues |
 | | The "modern world" is self-evident in painting, music, scientific and political life. |  | | Having got attention by announcing "the death of the ideals and principles of modern art, " it began to repeat the mistakes of the earlier art world and show the same signs of fatigue. |  | | The 1990s found the modern world in a style free-fallborrowing, bending, crunching, and bunching odd parts to make the Old Boys scream. |
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http://pcasacas.org/SPC/spcissues/22.3/fishwick.html
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| | kaon na > WORD > Post/Modern Paradigms |
 | | Something that already skews music towards inherent modernism is that music uses a digital language, namely the twelve tones of the musical scale. |  | | This statement speaks to the characteristic of reality-- though Babbitt would generally argue that a musical reality is fixed and explainable by scientific language, he does acknowledge that neither science nor music is stable enough for the former to explain the latter. |  | | I return to the question of whether the modern and postmodern paradigm is worth applying to other works of musical theory, analysis, and metatheory. |
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http://www.arlduc.org/word/PostmodernityMusic.html
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| | Central Europe Review - Music: Gyorgy Kurtag |
 | | The possibility of a non-German musical style incorporating the scales and modes of folk music and the new devices of modernism began to be realised by Kodály, Bartók, and other composers in the first decade of the twentieth century. |  | | Besides his work as a composer (which went on for the whole of his life with only a one year break between 1921 and 1922), Kodály was active in the fields of music education, folk music research, ethnography, music history and aesthetics, music criticism, linguistics, language education and the history of literature. |  | | Kodály trained his students to make use of Hungarian folksong in their compositions, thus establishing a national style that fused the traditions of art music with the elements of Hungarian folk music. |
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http://www.ce-review.org/00/12/bagust12.html
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| | Music 250 Exams |
 | | What was the biggest change in the musical character of minimalist music, as compared with the music of mid century modernism? |  | | Why is it important to the development of European music? |  | | In what ways was the social and cultural setting for Soviet music fundamentally different from that of England or France? |
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http://www.sonoma.edu/users/j/johnsonw/music_250/250_exam_3_review.html
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| | Cultural movement - Education - Information - Educational Resources - Encyclopedia - Music |
 | | Modernism - 1880-1965 - Also known as the Avant-garde movement. |  | | Cultural movement - Education - Information - Educational Resources - Encyclopedia - Music |  | | Originating in the 19th century with Symbolism, the Modernist movement composed itself of a wide range of 'isms' that ran in constrast to Realism and that sought out the underlying fundamentals of art and philosophy. |
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http://www.music.us/education/C/Cultural-movement.htm
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| | Postmodernism |
 | | Postmodernism has applications in many modern academic and non-academic disciplines; philosophy, theology, art, architecture, film, television, music, sociology, fashion, technology, literature, and communications are all heavily influenced by postmodern trends and ideas, and are rigorously scrutinised from postmodern perspectives. |  | | While postmodernism is distinct from nihilism and relativism (which are often considered to be forms of modernism), postmodernism shares with them a distrust toward totalizing claims about truth, ethics, or beauty. |  | | Whereas modernism is thought to be the culmination of the Enlightenment 's quest for an authoritatively-rational aesthetics, ethics, and knowledge, postmodernism is concerned with how the authority of those would-be-ideals (sometimes called metanarratives) are subverted through fragmentation, consumerism, and deconstruction. |
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http://www.sciencedaily.com/encyclopedia/postmodernism
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| | Kramer: Classical Music and Postmodern Knowledge |
 | | "By undercutting the foundations of this conceptual and representational order, postmodernism has made it necessary to rethink music from every possible perspective. |  | | postmodernism undoing efforts of modernism to distance and regulate decentering |  | | By one reckoning, music serves this function in Apollonian terms, reviving ancient figures of cosmic harmony in the modern form of aesthetic order--the tangible embodiment of rationality, unity, universality, and truth. |
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http://www.duke.edu/~aparks/Kramer1.html
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