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| | Sumer is icumen in: Booklist |
 | | Bukofzer, Manfred F., ' " Sumer is icumen in": a revision', University of California Publications in Music 2 (1944), 79-114 |
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http://www.soton.ac.uk/~wpwt/harl978/sumerbks.htm
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| | UC Berkeley Music Library Reference Services |
| | From his teacher Bukofzer he had inherited a belief in the importance of giving graduate students in music history an opportunity to work directly with original documents rather than making do with photographic copies and modern editions. | | | It is interesting to note that the money came indirectly from Elizabeth Patterson Mitchell, who had also endowed the Music Department's premier composition fellowship, the Ladd Prix de Paris in 1915. | | | The Einstein collection in particular brought to the library many classic texts of music theory and musicology, along with Einstein's voluminous working papers and hundreds of letters from such eminent figures as Bela Bartok, Thomas Mann, and his cousin Albert Einstein. |
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http://prichard.net/musiclibrary/roberts.html
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| | Bel Canto |
| | Manfred Bukofzer, a brilliant writer whose book Music in the Baroque Era (1947) set the vocabulary for much subsequent discussion of baroque music, used the term in this way, and this completely separate meaning became part of general usage. | | | BEL CANTO: A term appropriate for singing style of eighteenth and early nineteenth-centuries, first appearing in treatises c. | | | A term used to describe a style of singing, seen in lyrical song-type melodies popular in Venice and Rome in the very early decades of opera (1620s/30s) (e.g., Cavalli songs), as opposed to the more stringent, text-driven recitative style called stile rappresentativo. |
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http://www.russianculture.com/Belcanto.voclit.htm
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| | OKCD Press Release |
| | Ogdon studied musicology with Manfred Bukofzer and composition with the expatriot European Ernst Krenek and the American atonalist Roger Sessions. | | | Later he traveled to Paris on a Fulbright scholarship to study composition with René Leibowitz. | | | Graduate studies were at University of Wisconsin, Hamline University in St. Paul, Minnesota, and the University of Indiana. |
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http://www.oldkingcole.com/okcd/press/pr04202001.html
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| | scoutscanada.ca - Manfred Bukofzer |
| | His book Music in the Baroque Era is one of the standard reference works on the topic, though some modern historians assert that it has a Germanic bias, for instance in minimizing the importance of opera in the development of musical style in the 17th century. | | | * Article "Manfred Bukofzer" in The New Grove Dictionary of Music and Musicians, ed. | | | * Manfred Bukofzer, Music in the Baroque Era. |
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http://scoutscanada.ca/Manfred-Bukofzer/reference/fullview/wikipedia/950855
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| | Baroque Allegory |
| | Manfred Bukofzer, in his essay, "Allegory in Baroque Music | | | Baroque music is not, like modern music, a language of feeling, which expresses its objects directly, but a sort of indirect iconology of sound. | | | Perhaps the use of musical devices for allegorical expression had gone as far as it could, and perhaps it was due to be supplanted by new concepts of musical meaning. |
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http://www.montalbano.org/peter/Allegory.htm
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| | Baroque Artists of Champaign-Urbana |
| | The period 1600—1750 was first defined as the baroque era in musical history by American musicologist Manfred Bukofzer in his still valuable book "Music of The Baroque Era" (1947). | | | Baroque music sprang from the humanism of the 16th century and the study of the rhetorical principles of ancient Greece and Rome. | | | Its first use as a stylistic term was in architecture, where it applied to the exuberant and ornate buildings found in Continental Europe during after the classicism of the Renaissance. |
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http://baroqueartists.org/guide.asp
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| | New Page 1 |
| | This style of thirds and sixths is now referred to as “English discant,” so named by Manfred Bukofzer. | | | It should be noted that cadences still finished pure, or without third coloration, despite the use of thirds and sixths during the body of a work. | | | However, to Dunstable the term “discant” would have referred to counterpoint. |
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http://www.bsu.edu/web/jcarter2/Dunstable.htm
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| | Journal of Seventeenth-Century Music Vol. 2 No. 1 Silbiger: Passacaglia and Ciaccona: Genre Pairing and Ambiguity ... |
| | He hopes to incorporate results of this work in his "Chaconne" and "Passacaglia" articles for the revised edition of the New Grove Dictionary of Music and Musicians and in a detailed study of Frescobaldi's Cento partite sopra passacagli. | | | Manfred Bukofzer, Music in the Baroque Era (New York: Norton, 1947), 42. | | | A classic example of such an attempt--if not ultimately successful--is the wide-ranging and still useful survey by Kurt von Fischer: "Chaconne und Passacaglia: ein Versuch," Revue belge de musicologie, 12 (1958): 18-34. |
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http://sscm-jscm.press.uiuc.edu/jscm/v2/no1/Silbiger.html
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| | Welcome to Mel Bay's Guitar Sessions® Web Magazine |
| | I would like to suggest a wonderful book for the further study of Baroque technique and style: Music in the Baroque Era by Manfred Bukofzer, published by W. Norton, 1947. | | | According to Bukofzer, another good example of Baroque style is that, | | | The Baroque organ did not have a swell pedal as later organs do, and therefore could not produce gradual dynamics as in a crescendo, so the dynamic was either suddenly loud or suddenly soft. |
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http://www.melbay.com/guitarsessions/jan05/class.html
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| | Journal of Seventeenth-Century Music Vol. 6 No. 1 Holzer: Response to Noel O'Regan |
| | At the same time many saw in Venice, home to Sarpi and for a time to Galileo, the shining exception—a legacy found in Bukofzer. | | | See Manfred Bukofzer, Music in the Baroque Era from Monteverdi to Bach (New York: W. Norton, 1947), 68, quoted in Graham Dixon, "Progressive Tendencies in the Roman Motet during the Early Seventeenth Century," Acta musicologica 53 (1981): 205. | | | He has also published articles on the Second Viennese School. |
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http://sscm-jscm.press.uiuc.edu/jscm/v6/no1/Holzer.html
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| | What is a contrafactum? |
| | (Manfred F. Bukofzer, 'Popular and Secular Music in England', in The New Oxford History of Music 3: Ars Nova and the Renaissance, 1300-1540, ed. | | | The practice of borrowing a song from one sphere and making it suitable for use in the other by the substitution of words is known as "parody" or contrafactum.' |
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http://www.soton.ac.uk/~wpwt/notes/contraf.htm
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| | TME, 15th-Century Files |
| | Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 141-43. | | | Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 132-136. | | | Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 143-46. |
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http://www.music.indiana.edu/tme/15th/15th.html
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| | Music 142: Course Materials |
| | Bukofzer, Manfred F.: Music in the Baroque Era, from Monteverdi to Bach, New York, W.W. Norton 11947 [ML172.B932] | | | Burney, Charles: An account of the musical performances in Westminster-Abbey, and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784. | | | Textbook: Bukofzer, Manfred F.: Music in the baroque era, from Monteverdi to Bach, New York, W.W. Norton 11947 [ML172.B932] |
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http://www.stanford.edu/~plebuch/1998/142/Materials.htm
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| | Music |
| | Story about ABC orchestras and music in Australia. | | | BUKOFZER MANFRED F. Music In The Baroque Era. |
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http://www.bspgallery.com.au/music.htm
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| | Classical Net - Publishers - W.W. Norton & Company |
| | Studies in Medieval and Renaissance Music, Manfred F. Bukofzer. | | | Rudiments of Music: A New Approach With Application to the Keyboard, John Edward Castellini. | | | Theory and Practice: The Great Composer As Student and Teacher, Alfred Mann. |
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http://www.pair.com/lampson/music/books/pubs/norton.html
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| | Closing Remarks by Max Lanner (1959) |
| | Nobody has explained this more conclusively than Manfred Bukofzer in his recent publication "The Place of Musicology in American Institutions of Higher Learning". | | | This need not be interpreted as indulgence in non-professional amateurish standards, but as a foundational approach on which all specialized training should rest and without which it would lack depth and insight. |
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http://www.coloradocollege.edu/dept/MU/mu2/DeptHistory/close.html
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| | Renaissance |
| | Bukofzer, Manfred F. Studies in Medieval and Renaissance Music. | | | M2.T9 Van Ockeghem tot Sweelinck: Nederlandse Muziekgeschiedenis in Voorbeelden. |
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http://www.library.wwu.edu/ref/subjguides/renbib.htm
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| | EDITORIAL |
| | Manfred Bukofzer's description of the latter half of nineteenth-century music, quoted in January's editorial, has attracted some comment, particularly with regard to exaggeration. | | | It would be easy to list organs from the period which meet this description, but there is some danger in doing this without referring to contemporary musical events. | | | An age of resignation and exaggeration of features |
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http://home.freeuk.net/glandy/apr02/b402.htm
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| | MUS41 |
| | Manfred Bukofzer, Studies in Medieval and Renaissance Music | | | Anthology: We will use the entire score library located in Craig Hall 107. |
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http://artemis.austincollege.edu/acad/music/ddominick/MUS41.html
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| | THE BROOKLYN RAIL - MUSIC |
| | Well, yes and no. Manfred Bukofzer, in his 1936 Magic and Technique in Alpine Music, described the magical powers of various Alpine tones when combined with certain mystical words. | | | Meanwhile, seventeenth-century tales describe Swiss mercenaries suffering from heimweh (homesickness) who, upon hearing certain Alpine songs, would go AWOL, go berserk, or even die. |
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http://www.thebrooklynrail.org/music/nov03/yodel.html
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| | AMS Student Archive: Re: what are you? |
| | Reply: Robert Judd: "Re: Bukofzer, The Place of Musicology, online" | | | Next in thread: Robert Judd: "Re: Bukofzer, The Place of Musicology, online" |
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http://ccat.sas.upenn.edu/ams/ams-students-archive/0043.html
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| | Local Libraries |
| | John Dunstable; Manfred F Bukofzer; Margaret Bent; Ian Bent; Brian Trowell | | | Please enter a zip code (for U.S only) or postal code (for Canada only) | | | Alabama or AL Ontario or ON United Kingdom or UK WorldCat is provided by OCLC Online Computer Library Center, Inc. on behalf of its member libraries. |
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http://www.worldcatlibraries.org/wcpa/ow/aed6b633af2b2c9c.html
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| | SINGER |
| | Dido in "Dido and Aeneas" - Manfred Bukofzer, Director |
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http://www.arabellahong-young.com/singer1.html
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Topic: Manfred Bukofzer