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| | La Monte Young - Wikipedia, the free encyclopedia |
 | | La Monte Young (born October 14, 1935) is an American composer whose eccentric and often hard-to-find works have been included among the most important post World War II avant-garde or experimental music. |  | | Young's early works mainly use the twelve tone technique of Arnold Schoenberg (with whom Young studied at Los Angeles), although several of these early pieces were destroyed by the composer. |  | | In 1962 Young wrote his first drone based piece in just intonation, The Second Dream of the High-Tension Line Stepdown Transformer, also his first piece to use electronics. |
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http://en.wikipedia.org/wiki/La_Monte_Young
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| | Avantgarde Music. LaMonte Young: biography, discography, reviews, links |
 | | La Monte Young, a pupil of John Cage and one of the founders of the Fluxus movement, is the real "inventor" of minimalism. |  | | Young has paid the price for his total devotion to radical music by being marginalized: Only three recordings have been issued in thirty years, and public performances have been rare. |  | | The spiritual and musical influence of the experience of the Himalayas became etched deeply in his work, which in any event continued to refine the instrumentation of the "Dream House," which blended the drone of the Indian tamboura with the sine wave drone, in a technological simulation of the yin-yang. |
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http://www.scaruffi.com/oldavant/young.html
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| | Interview with Tony Conrad |
 | | Young himself now ignorantly insists on the artistic demolition of this body of work by claiming that it is a series of "compositions" (by him). |  | | La Monte Young's early works, you know, were involved with the neo-Dada movement in New York that spawned Fluxus, conceptual art, and happenings. |  | | EST: You've picketed La Monte Young in the past, and La Monte Young is presumably well aware of your criticisms of his stance (most notably his unwillingness to unconditionally release recordings by the Theatre of Eternal Music). |
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http://media.hyperreal.org/zines/est/intervs/conrad.html
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| | upcoming events |
 | | La Monte Young has pointed out, and through his music probably demonstrated, that the universe can be comprehended as vibration; that is, as a succession of ongoing cycles. |  | | La Monte's work, over nearly fifty years, has taught us to experience time and space in an unprecedented sharpness of detail. |  | | For my contribution to this month's four-part celebration of La Monte Young's 70th birthday, I wanted to interpret, under installatory conditions, specific aspects of Young's work from the vantage point of my long engagement with his work as a performer. |
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http://diapasongallery.org/upcoming.events.html
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| | * Dusted Features [ Heart of Sound and Light: La Monte Young and Marian Zazeela's The Well-Tuned Piano In The ... |
 | | La Monte Young comes from the post-Cage/Cowell generation of American composers who became known as minimalists, working, starting in the 1950s and 1960s, at the boundaries of “art music,” jazz, and rock amplification. |  | | Composer La Monte Young has devoted his creative life to a continuing exploration of the intersections of spirit, sound, and empirical musical tinkering. |  | | For Young and other composers of his generation, the incorporation of non-western musical, aesthetic, and philosophical systems became a crucial creative ingredient. |
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http://www.dustedmagazine.com/features/271
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| | ALEX CARPENTER - LA MONTE YOUNG: TOWARDS ABSOLUTE MUSIC |
 | | Young in New York, particularly through his Compositions 1960, significantly influenced the evolution of concept art and Fluxus. |  | | At this time, Young had already commenced a graduate degree in composition at the University of California, Berkeley, and was particularly interested in the music of John Cage. |  | | The Trio for Strings shows us that although Young as a student was writing serial music, his objective was far removed from that of the surrounding academic trend, and that at this time he had already begun to question the established role of the 'serious' composer. |
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http://users.chariot.net.au/~vanished/lmytam.html
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| | La Monte Young |
 | | Young moved on, working on his Dream House (a long-term sound and lighting environment) and studying with the Indian master vocalist Pandit Pran Nath. |  | | By '66 they had splintered over authorship conflicts (Young claims that the music was composed by him, while Conrad and Cale claim that it was communally created) but the group had already laid the groundwork for minimalism in its mature form, to be picked up later by Riley, Reich, and others. |  | | The first composer to have created music made up entirely of long sustained tones and arguably the founder of the "minimalist" musical style, though his work bears little resemblence to that of later, better-known figures such as Philip Glass, Steve Reich and Terry Riley. |
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http://www.nndb.com/people/229/000048085
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| | American Mavericks: An interview with La Monte Young and Marian Zazeela |
 | | YOUNG: One of the differences between my 1960 compositions and the work of Fluxus artists was the extreme conceptual nature of my compositions. |  | | YOUNG: Marian was one of the first artists to work within the field of light. |  | | YOUNG: I've always had a group of musicians around me that are my performing group. |
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http://musicmavericks.publicradio.org/features/interview_young.html
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| | MELA: La Monte Young - Second Dream press |
 | | Young's genius is in the way he lets the notes relate, giving them enough duration, not just to assert themselves, but to create a vast, timeless void. |  | | Before there was minimalism there was La Monte Young, an uncompromising composer who was known for 1) an inclination for creating complete environments for his music, sometimes occupying a whole house for his concerts, and 2) creating slowly evolving works of enormous length. |  | | As the acknowledged father of minimalism and guru emeritus to the British art- rock school, his [Young's] influence is pervasive. |
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http://melafoundation.org/quote2nd.htm
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| | Following a Straight Line |
 | | As a devoted gesture to the concept of the single event, Young wrote all his Compositions 1961 in a singular manner: each of the 29 compositions instructs the performer to 'Draw a straight line and follow it'. |  | | Another special instrument is Walter de Maria's Instrument for La Monte Young (1965), consisting of an aluminium ball and trough, 'a sound sculpture for performance with amplification and acoustical design by La Monte Young'. |  | | Young's music has had a fair amount of impact, even in Britain, where he has never played. |
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http://www.users.waitrose.com/~chobbs/smithyoung.html
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| | Young, La Monte Music Web Links |
 | | La Monte Young - Brief sketch of the composer's career with explanation of the tuning of his "Well-Tuned Piano" and course in "Just Intonation." |  | | -- Bernard Baruch Young, La Monte "When a girl marries, she exchanges the attentions of all the other men of her acquaintance for the inattention of just one." (Helen Rowland) Heav'n hath no rage like love to hatred turn'd, Nor Hell a fury, like a woman scorn'd. |  | | If the lover has not yet achieved his prize, his eyes will follow the woman, while she appears indifferent. |
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http://www.searchmusicnetwork.com/Composition_Composers_Y_Young,_La_Monte.html
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| | La Monte Young: Reviews, Discography, Audio Clips, and more Music.com |
 | | Still, throughout his career Young remained a largely shadowy figure, often discussed (his connection to the nascent Velvet Underground [+] the most common point of reference) but seldom heard; his influence on the rise of ambient music and drone-rock is undeniable, yet almost subliminal. |  | | Upon disbanding in 1965, Conrad, Young and Cale all later staked claim to authoring of the "Eternal Music" aesthetic; Young also held on to the group's live tapes. |  | | Undaunted, he continued composing and performing regularly into the 1990s, with his latter-day works including {^The Lower Map of the Eleven's Division in the Romantic Symmetry} and Chronos Kristalla. |
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http://music.com/person/la_monte_young/1
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| | La Monte YOUNG, Astrologie et planètes : thème astral, carte du ciel interactive |
 | | La volonté de découvrir les racines sous-jacentes des faits vous conduit à bien des interrogations. |  | | La Lune représente la réaction instinctive, la prédestination inconsciente, l'humeur de tous les jours, la sensibilité, l'émotivité, la partie féminine du caractère, l'intuition, l'imagination. |  | | La tradition lui accorde aussi la fin ultime de la vie, encore après Saturne, la vieillesse; ainsi par exemple, il est d'usage d'être enterré à son lieu de naissance, la fin de la vie rejoint le tout début. |
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http://www.astrotheme.fr/portraits/YpbK9aJ3bx2k.htm
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| | La Monte Young |
 | | Early involved in jazz, during the 1950s La Monte Young was a performer in Los Angeles of jazz saxophone, playing with Eric Dolphy, Ornette Coleman, Billy Higgins, and Don Cherry, among others. |  | | Young began work on his ongoing ensemble work The Tortoise, His Dreams and Journeys (1964-present). |  | | As well, his work has played a central role in the development of the use of Just Intonation in 20th-century music and the growth of the Minimalist style. |
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http://www.otherminds.org/shtml/Young.shtml
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| | A La Monte Young Web Page |
 | | Young's relentless saxophone solos of the early '60s (he once beat Eric Dolphy for a sax chair) roared with the energy of rock and the pristine tuning of Indian ragas. |  | | In 1964 Young began what may always prove his greatest work: The Well-Tuned Piano, an improvisatory yet highly structured piano work that started at 45 minutes and has, in most recent performances, extended over six hours, containing more than 50 themes and chordal areas. |  | | Inspired by Young's long tones, Terry Riley began experimenting with loops, which led to his groundbreaking work In C, the premiere performance of which included Steve Reich. |
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http://home.earthlink.net/~kgann/lmy.html
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| | La Monte Young - the tortoise, his dreams and journeys - Last.fm |
 | | La Monte Young - the tortoise, his dreams and journeys - Last.fm |  | | La Monte Young - the tortoise, his dreams and journeys |  | | Music > La Monte Young > the tortoise, his dreams and journeys |
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http://www.audioscrobbler.com/music/La+Monte+Young/_/the+tortoise,+his+dreams+and+journeys
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| | La Monte Young: Composition 1960 #7 |
 | | Presentations of Young's work in the U.S. and Europe, as well as his theoretical writings, gradually influenced a group of composers to create a static, periodic music which became known as Minimalism. |  | | He is Director of Young's Theatre of Eternal Music String Ensemble and in the last ten years has participated in more performances and premieres of Young's works than any other interpreter. |  | | Frequently Curtis contributes program notes on Young's music, a selection of which are to appear in a special issue on Young of the periodical MusikTexte. |
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http://diapasongallery.org/archive/01_06_20.html
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| | Open Directory - Arts:Music:Composition:Composers:Y:Young, La Monte |
 | | American composer La Monte Young was born in 1935 in Bern, Idaho. |  | | Please submit sites dealing with the life or music of La Monte Young, including biographies, discographies, analyses of his compositions, or bibliographies. |
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http://dmoz.org/Arts/Music/Composition/Composers/Y/Young,_La_Monte/desc.html
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| | la monte young |
 | | this photo was used for a postcard to promote the performace of la monte young's |
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http://www.juttabrandt.com/credits/lmy_pc.html
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| | La Monte Young, Marian Zazeela, Pandit Pran Nath, MELA Foundation |
 | | A La Monte Young Marian Zazeela Dream House environment is featured in the new Centre Pompidou exhibition Sons et Lumières. |  | | This exhibition, which opened in Paris on September 22, 2004 and continues through January 3, 2005, presents a thematic and chronological view of the various methods used to incorporate music and sound into the field of visual arts in the |  | | Ensemble video installation world premiere, La Monte Young, “05 II 05 PM NYC” Raga Sundara ektal vilampit khayal set in Raga Yaman Kalyan; DVD installation of The Well-Tuned Piano in The Magenta Lights, Kunst im Regenbogenstadl Dream House, Polling, Bavaria |
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http://melafoundation.org/main.htm
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| | aworks :: "new" american classical music: The Well-Tuned Piano (1964-73). La Monte Young |
 | | Polly on La Belle et la Bête (1994). |  | | I searched five years to find the La Monte Young recording after reading an intriguing article about the composer in downbeat magazine. |  | | Hi, please E-Mail me to discuss La Monte Young in more detail, I have some very pertanant questions regarding his performance of "The Well Tuned Piano" |
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http://rgable.typepad.com/aworks/2004/11/the_welltuned_p.html
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| | www.floraberlin.de - Soundbag - Overview |
 | | 34: La Monte Young, Composition 1960 # 5 |  | | 10: Jean de La Fontaine, La Cigale et la Fourmi |  | | 117: Helga de la Motte, Conceptions of Sound Art |
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http://www.floraberlin.de/soundbag/index0.html
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| | Music Consumption: La Monte Young |
 | | And La Monte Young's The Second Dream of the High-Tension Stepdown Transformer, which, the first time I heard it, hit me like instant meditation. |  | | I'm looking for a copy of La Monte Young's The Well-Tuned Piano, which is way out of print. |  | | Ideally I'd like to find it on CD, but I'd be ok with LP also (if it was in NM or Mint condition). |
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http://mauricerickard.com/index.php/1/31
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| | Guardian Unlimited Arts features Don't sleeve me this way |
 | | He admires the multimedia productions of Laurie Anderson, the anarchic performance art of Vito Acconci, and the "happenings" of the Fluxus group, active during the 1950s and 1960s, which included the likes of La Monte Young and Yoko Ono. |  | | Like Cage before him, Marclay strives to open the process of composition to external influences. |  | | DJ and artist Christian Marclay tells Rob Young how to have fun with records |
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http://www.guardian.co.uk/arts/features/story/0,11710,1412362,00.html
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| | Electronic Music Mailing List Archives: max-msp - Re: [max-msp] La Monte Young (remember re:annoyed ?) |
 | | hello i had the pleasure of a three hour interview with La Monte Young And Marian Zazeela about a year and a half ago. |  | | > > >> Anyway CCMIX is proud to premiere the latest piece of La Monte >> Young called "Just Charles and Cello in the romantic chord" >> which is a piece for cello accompanied by prerecorded cello >> drones in pure tuning (you guessed it? |  | | Navigation: home » max-msp » 2003 » 11 » Re: [max-msp] La Monte Young (remember re:annoyed ?) |
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http://elists.resynthesize.com/max-msp/2003/11/597759
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| | CMT.com : La Monte Young : Artist Main |
 | | Receive Free Artist Updates For La Monte Young |  | | CMT.com : La Monte Young : Artist Main |  | | One of the principal architects of the minimalist aesthetic, La Monte Young was among the true innovators of 20th century... |
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http://www.cmt.com/artists/az/young_lamonte/artist.jhtml
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| | La Monte Young & Marian Zazeela: the halana interview |
 | | Photograph: La Monte Young and Marian Zazeela, The Forever Bad Blues Band Tour, "Pop Goes Art, Andy Warhol and the Velvet Underground Exhibition," Augsburg, Germany, August 1992. |  | | For more information on La Monte Young and Marian Zazeela: |  | | The drone constants are very supportive and allow you to use them as positioning points of reference, to remain aloft, so to speak, in this special state of consciousness and awareness. |
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http://www.halana.com/lymz.html
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| | matmos - news |
 | | When we're not straining young minds at the San Francisco Art Institute, or recording new Matmos material in Los Angeles with the lovely and talented Mr. |  | | Though we have not yet overcome the stage fright and/or short term memory problems that keep us from treading the boards ourselves, Matmos have now completed our first collaboration with a drama company, creating lots of brand new music for the Soho Rep production of a new play by Brooklyn playwright Young Jean Lee. |  | | Don Bolles (he of Germs/45 Grave/Nervous Gender infamy), we are busy preparing for our European tour. |
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http://www.brainwashed.com/matmos/news.html
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| | U B U W E B :: La Monte Young |
 | | La Monte Young Marian Zazeela "Selected Writings" (1959-1969) [PDF]. |  | | Long out-of-print seminal writings and interviews by Young and Zazeela. |  | | La Monte Young and Charlotte Moorman in UbuWeb Sound |
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http://www.ubu.com/historical/young/young.html
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| | la monte young article |
 | | Since 1964 Young has been working on a single piece, THE TORTOISE, HIS DREAMS AND JOURNEYS. |  | | Drones produced vocally, instrumentally and electronically are dominant in these later pieces. |  | | This work has been performed at various times in different sections using, VV, mixers, amplifiers, drones and loud speakers. |
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http://www.artnotart.com/come/lamonteyoung.html
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| | Music group Sanctuary to axe 175 jobs |
 | | In 1968, a naïve young singer from the Black Country hills in England named Robert Plant was discovered wailing the blues by veteran session guitarist Jimmy Page and bassist/keyboardist John Paul Jones. |  | | When Plant recommended his friend John Bonham as the drummer, one of the most successful bands in rock history was born as Led Zeppelin. |  | | With her grace, beauty, charm, and gift for entertaining, Knowles has become a star and an American icon. |
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http://www.mp3.com/stories/1916.html
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| | HOMAGE TO LA MONTE YOUNG (GEORGE MACIUNAS) |
 | | (preferably to follow performance of any composition of 1961 by LMY.) |  | | line or lines of La Monte Young or any other lines encountered, like |  | | Erase, scrape or wash away as well as possible the previously drawn |
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http://www.artnotart.com/fluxus/gmaciunas-homagetoLMY.html
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| | Homenaje a La Monte Young |
 | | De ser posible esta obra debe ser interpretada tras alguna de las composiciones de LMY de 1961. |  | | Borrar, raspar o eliminar en la medida de lo posible la línea o líneas previamente dibujadas por La Monte Young o cualquier otra línea que nos encontremos, como las que señalan la mitad de la calzada, las de los campos de deporte, mesas de juego, las que dibujan los niños en las aceras, etc. |
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http://www.uclm.es/artesonoro/maciunas/html/monte.html
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| | FreeNote Music: Recordings and Publications / La Monte Young The Well-Tuned Piano DVD |
 | | FreeNote Music: Recordings and Publications / La Monte Young The Well-Tuned Piano DVD |  | | The 6-hour 24-minute continuous performance of the Young and Zazeela collaborative masterwork videotaped on May 10, 1987 during the La Monte Young 30-Year Retrospective presented by MELA Foundation in New York City. |  | | Encoded to a single 401 minute DVD for non-stop play. |
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http://microtones.com/info_twtp.htm
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| | Four Musical Minimalists : La Monte Young, Terry Riley, Steve Reich, Philip Glass (Music in the Twentieth Century) id |
 | | La Monte Young's "Well-Tuned Piano", a 9 hour work with just intonation tunings of the piano comes close to the temporal vigours of Judd's shrine I beleive. |  | | Four Musical Minimalists : La Monte Young, Terry Riley, Steve Reich, Philip Glass (Music in the Twentieth Century) |  | | Four Musical Minimalists : La Monte Young, Terry Riley, Steve Reich, Philip Glass (Music in the Twentieth Century) id |
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http://ourlyrics.net/ID_0521015014,lit
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| | ALEX CARPENTER - LA MONTE YOUNG: TOWARDS ABSOLUTE MUSIC |
 | | "La Monte Young and Marian Zazeela." In Talking Music. |  | | He continues: "If Cage stood for Zen, multiplicity, and becoming, Young stands for yoga, singularity, and being." Interestingly, the words "becoming" and "being" in this context are actually trademarks of Plato, who himself used them to describe the physical and transcendent worlds respectively. |  | | "Following a Straight Line: La Monte Young." Contact. |
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http://users.chariot.net.au/~vanished/lmytamend.html
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| | La Monte Young Music and Discussion |
 | | LaMonte Young: The Well-Tuned Piano 81 X 25, 6:17:50 - 11:18:59 PM NYC |  | | La Monte Young: The Tamburas of Pandit Pran Nath, An Homage |  | | As a Flork-User, you can participate in this and other discussions, meet new people and exchange messages with other members directly: www.flork.com |
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http://www.gnoosic.com/discussion/la+monte+young.html
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| | La Monte Young - Exhibitions |
 | | La Monte Young and Marian Zazeela Dream House: Seven Years of Sound and Light |  | | A time installation measured by a setting of continuous frequencies in sound an light. |  | | To learn more about using the library to publish, distribute or retrieve information please refer to the Welcome page. |
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http://www.artincontext.org/artist/y/la_monte_young/selected_exhibitions.htm
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| | NewMusicBox |
 | | La Monte Young and Marian Zazeela at the Dream House |  | | And when I first began to study raga I made it very clear to everyone that I was never going to do fusion. |  | | FRANK J. That sounds like a great place to end this discussion and we might want to make this our ending and throw in a question before it, just because I have one other question that I want to ask, but... |
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http://www.newmusicbox.org/page.nmbx?id=54fp26
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| | Music Forum - La Monte Young - The Well-Tuned Piano |
 | | Hello, you are welcome to view the Radio Mute music forum as our guest. |  | | Music Forum - La Monte Young - The Well-Tuned Piano |  | | It is easier to fight for one's principles than to live up to them. |
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http://www.radiomute.com/showthread.php?t=9869
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