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| | J. M. W. Turner - Wikipedia, the free encyclopedia |
 | | Turner's talent was recognized early in his life, becoming a full art academician at the age of 23. | | | Joseph Mallord William Turner (born in Covent Garden, London on April 23, 1775 (exact date disputed), died December 19, 1851) was an English Romantic landscape artist, whose style can be said to lay the foundations for Impressionism. | | | Turner, along with John Constable, was at the forefront of English painting by his later years, and both were popular in France as well. |
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http://en.wikipedia.org/wiki/Joseph_Mallord_William_Turner
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| | Joseph Mallord William Turner |
| | Joseph Mallord William Turner, the hero of Ruskin's Modern Painters and revolutionary figure in the art of landscape painting was the son of a London barber. | | | In fact, Turner wished to be considered a rival of Claude, and the bequest of his paintings to the British people included a stipulation that his works always be shown side by side with those of the elder master. | | | Turner's work continued to be both profitable and popular until about 1834, when he developed his final and most spectacular style, which displeased the academicians and all the critics except Ruskin. |
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http://www.3d-dali.com/Artist-Biographies/Joseph_Mallord_William_Turner.html
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| | Canvas Creations - Joseph Mallord William Turner Biography |
| | Turner left a large fortune that he hoped would be used to support what he called "decaying artists", and his collection of paintings was bequeathed to England. | | | Turner was 15 years old when one of his paintings was exhibited at the Royal Academy. | | | Although known for his oils, Turner is regarded as one of the founders of English watercolor landscape painting. |
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http://www.canvascreations.com/gallery/bio_Turner.html
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| | J.M.W. Turner, 1774-1851 - The First Impressionist - Biography, Chapter One |
| | Turner was 16 at the time, and well on the road to becoming an artist of note. | | | A watercolor by Turner marked his first exhibit at the Academy in 1790. | | | Turner spent many hours, during his later travels in Europe, copying the works of old masters in the Louve and other museums, and of course his love, sketching from nature. |
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http://www.ellensplace.net/turner2.html
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| | William Turner. Fishermen at Sea. - Olga's Gallery |
| | Turner was one of the most prolific painters of his time. | | | The Paintings of J. Turner (Studies in British Art) by Martin Joll Butlin, J. Turner, Evelyn Joll. | | | Like the works of Constable, Turner's seemingly effortless watercolours and oil sketches were based on impressions of nature. |
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http://www.abcgallery.com/T/turner/turnerbio.html
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| | Tate Britain: Turner Online |
| | Turner is frequently hailed as one of the great landscape artists, but one of the most important aspects of his art is his seascapes. | | | Turner's Gallery is a virtual reconstruction of the room in which Turner showed his own paintings, while Turner's Travels invites younger visitors to imagine themselves as Turner on one of his early trips around Britain. | | | Turner Online is an introduction to the art of one of the most celebrated British artists: Joseph Mallord William Turner (1775-1851). |
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http://www.tate.org.uk/britain/turner
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| | A concise history of the artist Joseph Mallord William Turner |
| | Joseph Mallord William Turner, English oil painter, indisputably one of the finest landscape artists ever and also regarded by many as the founder of English watercolor landscape painting. | | | Turner had his own studio by the age of 18 and by 20 he had print sellers clamoring for his paintings for reproduction. | | | A virtually uneducated child who was taught to read by his father Turner possessed a remarkable natural talent for art and was fortunate enough to be successful as an artist for the whole of his career. |
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http://joseph-turner.netfirms.com
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| | Joseph Mallord William Turner |
| | Turner's interest in figures had already shown itself in a number of sometimes rather playful genre and historical scenes in the earlier 1820s and continued in the late 1820s and earlier 1830s, partly under the influence of Rembrandt: 'Pilate washing his Hands' shows Rembrandt's chiaroscuro treated in terms of rich colour. | | | Another contemporary artist described how Turner sent in a picture to the British Institution exhibition of 1835 in a state no more finished than 'a mere dab of several colours, and "without form and void"'; the account continues that 'Such a magician, performing his incantations in public, was an object of interest and attraction'. | | | "Turner's earliest works were watercolours in the eighteenth-century tradition of the topographical 'tinted drawing', in which a preliminary pencil outline determined the subsequent placing of the washes of colour. |
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http://www.artchive.com/artchive/T/turner.html
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| | handprint : joseph mallord william turner |
| | Turner's impact on Victorian art was stupendous and still resonates for painters today, who can study with excitement and interest the works of his unrivalled hand and visual imagination. | | | Turner's popularity began to decline in the 1830's, as a result of the glut of his engraved works in the publishing market and his increasingly idiosyncratic and highly colored painting style. | | | Turner exhibited watercolors at the Academy from 1790 to 1820, but after 1804 he broke away from the stifling Academy procedures by exhibiting and selling most of his watercolors at a gallery installed in his London home or at galleries managed by professional art dealers such as Thomas Griffith and Dominic Colnaghi. |
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http://www.handprint.com/HP/WCL/artist05.html
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| | Painter/Artist: Joseph Mallord William Turner |
| | MOONLIGHT: A STUDY FROM MILLBANK This was the first oil-painting exhibited by Turner. | | | This is the first of Turner's Carthaginian subjects. | | | This is Turner's first exhibited picture of Venice. |
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http://www.oldandsold.com/painters/t6.shtml
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| | Turner, Joseph Mallord William |
| | Burning of the Houses of Parliament, Turner, 1834-1835 |
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http://www.usc.edu/schools/annenberg/asc/projects/comm544/library/artists/TurnerJosephMallordWilliam.html
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| | BBC - Painting the Weather - Turner |
| | Son of a London barber, Turner first exhibited drawings in his father’s shop-window at the age of 13. | | | At his death Turner made a bequest of 19,000 works of art to the British Nation. | | | In later life Turner lived as a recluse in Chelsea under the pseudonym of Admiral Booth. |
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http://www.bbc.co.uk/paintingtheweather/csv/artist/turner.shtml
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| | 'The Wreck Buoy', Joseph Mallord William Turner |
| | This work is a moving summation of Turner's art. | | | It is the work described by the famous Victorian art critic Ruskin as 'the last he painted before his noble hand forgot its cunning.' In fact the picture seems to have dated originally from about 1807 but to have been very largely repainted for the Royal Academy exhibition of 1849. | | | All the Turners at Sudley are late works, but 'The Wreck Buoy' has a special place amongst them. |
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http://www.liverpoolmuseums.org.uk/sudley/collections/turner.asp
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| | The Fighting Téméraire - Joseph Mallord William Turner |
| | Joseph Mallord William Turner was born, lived, and died in London. | | | Turner himself considered this picture, " The Fighting Téméraire Tugged to Her Last Berth to be Broken Up," as he called it, his best work, and bequeathed it to the National Gallery in London, refusing to sell it for any price. | | | And yet we must remember that at the time Turner painted this picture it was considered just as commonplace and uninteresting to paint a sailing vessel as it would be for our artists to paint a bicycle or a wagon. |
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http://www.oldandsold.com/articles29/art-stories-1.shtml
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| | Turner, Joseph Mallord William Secret Encyclopaedia Gnomiz |
| | 1851 London Joseph Mallord William Turner's father, a barber and wigmaker, realized his son's artistic talents early, asserting that "my son is going to be a painter." Before enrolling in the Royal Academy, Turner gained some drawing experience in the offices of several of London's leading architects. | | | At twenty-nine Turner opened his own gallery in London while also painting, exhibiting his own work, and teaching at the Royal Academy. | | | Influenced by Reynolds and the eighteenth-century landscapist Richard Wilson, Turner intended to unite landscape with the noble genre of history painting. |
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http://www.gnomiz.it/nexus/arte00/turner.htm
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| | Joseph Mallord William Turner [1775-1851] - Featured Artist Lot on Artfact.com |
| | Toronto Art Gallery, Turner and the Romantic Landscape, 1995. | | | D.B. Brown, Turner in the Alps, exhibition catalogue, London, Tate Gallery, and Martigny, Fondation Pierre Gianadda, 1998-9, p. | | | At Fawkes's 1819 exhibition of his Turner collection at his London residence, in which the present watercolour was included, the Alpine subjects excited the most attention. |
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http://www.artfact.com/features/styleLot.cfm?iid=5Pze0022
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| | Joseph Mallord William Turner - Biography |
| | Turner was born on Maiden Lane in Covent Garden, London, in 1775 (the actual day is uncertain, but Turner maintained it was Saint George's Day, 23 April), the only son of William Turner and Mary Marshall. | | | Turner made his reputation as a topographical watercolorist, sketching from nature, mainly in pencil, the sketches serving as a repository of ideas of which he might make use months or even years afterward. | | | Turner made his first journey abroad in 1802, traveling through France to Switzerland, and studying in the Louvre on his return. |
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http://www.bonus.com/contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?30950
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| | Turner, Joseph Mallord William |
| | Joseph Mallord William Turner was a British painter who worked in oils and watercolor. | | | In 1802 he made studies in the Louvre and was showing the influence of Dutch,marine artists and the Venetian painters. | | | After his exhibit at the Venice Biennial in 1948 there was a second wave of influence, on non-figurative painters. |
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http://www.michaels.com/art/online/artistBio?artistid=1392
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| | The Turner Society |
| | It is devoted to furthering the appreciation and understanding of the art of Joseph Mallord William Turner (1775-1851), who was not only Britain's greatest painter but arguably the finest landscape and marine painter ever. | | | The Turner Society was founded in 1975 and has members worldwide. | | | This site is updated three times a year, in conjunction with the publication of Turner Society News. |
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http://www.turnersociety.org.uk
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| | MyStudios- Joseph Mallord William Turner |
| | In his atmospheric depictions of shipwrecks and natural disasters, perhaps inspired by such works as The Battle of Trafalgar by Philippe Jacques de Loutherbourg, who lived in Turner's neighborhood, reality and fantasy merge, and color is used to metaphorically evoke the power of natural phenomena. | | | One of the most prolific painters of his time, Turner travelled extensively in England, Scotland and Ireland, and also on the Continent (France, Belgium, Holland, Germany, Italy). | | | By abandoning form or merely adumbrating it, Turner lent color autonomy and endowed it with a puissance of its own. |
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http://www.mystudios.com/art/ncar/turner/turner.html
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| | TURNER, Joseph Mallord William |
| | Turner is perhaps the best-loved English Romantic artist. | | | Turner bequeathed much of his work to the nation. | | | He became known as 'the painter of light', because of his increasing interest in briliant colours as the main constituent in his land- and seascapes. |
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http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/artistBiography?artistID=702
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| | Magazine Antiques: Turner at Petworth - Report from Europe - Joseph Mallord William Turner exhibition - Brief Article |
| | Joseph Mallord William Turner spent much of his time in the 1820s and 1830s at Petworth House in West Sussex, the estate of George O'Brien Wyndham, the third earl of Egremont. | | | For an exhibition entitled Turner at Petworth, they are joined by about seventy sketches, watercolors, gouaches, and oil paintings Turner made of the house, parkland, and gardens. | | | The Old Library at Petworth, which Turner used as his studio, will be open for guided tours this summer, and for the first time since Lord Egremont's death in 1837, artists will be working there. |
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http://www.findarticles.com/p/articles/mi_m1026/is_6_161/ai_87130279
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| | Joseph Mallord William Turner Dunstanborough Castle |
| | Joseph Turner was, with Constable, one of two outstanding geniuses of British painting in the nineteenth century. | | | Turner’s oil and watercolour landscapes referred to mainly historical and seascape scenes; he rarely featured human figures, preferring to focus on the natural elements. | | | A master of topographical drawing, he began to make sketching tours from 1792 featuring Britain, Paris, Switzerland and Venice. |
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http://www.artland.co.uk/page578.htm
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| | Joseph Mallord William Turner Online |
| | Joseph Mallord William Turner at the Louvre Museum, Paris | | | Joseph Mallord William Turner at the National Gallery of Art, Washington D.C. 10 works by Joseph Mallord William Turner | | | Joseph Mallord William Turner at the Metropolitan Museum of Art, New York City |
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http://www.artcyclopedia.com/artists/turner_joseph_mallord_william.html
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| | Antiquarian Prints by Joseph Mallord William Turner |
| | This process ensured that the engravings of Turner's work were indeed as effective and desirable as his paintings. | | | The problem that he had with his views was that he wasn't particularly a figure painter, therefore, he had to crowd the foregrounds of his pictures with interesting images in order to satisfy the public. | | | He studied at the Royal Academy schools and was to become one of the foremost painters in oils and watercolours of his generation. |
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http://www.antiquemapsandprints.com/TURNER.htm
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| | Joseph Mallord William TURNER |
| | It has been suggested that this work is unfinished and it is unlikely that Turner would have exhibited it in his day without working on it further. | | | The natural forces of light and air become the real subjects of these paintings and it matters little whether they are read as landscapes or seascapes. | | | Purchased with the assistance of a special grant from the Government of Victoria and donations from Associated Securities Limited, the Commonwealth Government (through the Australia Council), the National Gallery Society of Victoria, the National Art Collections Fund (Great Britain), The Potter Foundation and other organisations, the Myer family and the people of Victoria, 1973 |
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http://www.ngv.vic.gov.au/european/em_ipa00123.html
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| | Joseph Mallord William Turner: Dark Prison ("Carcere Oscura"), after Piranesi (06.1051.3) Object Page Timeline of Art ... |
| | Turner made this drawing at the beginning of his career, presumably at the evening "Academy" of Dr. Thomas Monro (1759–1833), a pioneering psychologist who welcomed artists to his home to copy or color works in his collection. | | | Joseph Mallord William Turner: Dark Prison ("Carcere Oscura"), after Piranesi (06.1051.3) | | | (Other versions after the present Piranesi design by members of the Monro circle are known.) Although Turner often worked in close collaboration with his friend Thomas Girtin in preparing copies, the present work appears to have been made by Turner alone. |
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http://www.metmuseum.org/toah/hd/trnr/hod_06.1051.3.htm
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| | Joseph Mallord William Turner [1775-1851] - Featured Artist on Artfact.com |
| | William turner, aquarelliste et peintre anglais,sa vie, son oeuvre, histoire d | | | Turner and the Culmination of the Romantic Landscape [Index] | | | Turner, William Turner, Kunst, Künstler, Malerei, malen, zeichnen, Aquarelle, Li |
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http://www.artfact.com/features/viewArtist.cfm?aID=21973
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| | Joseph Mallord William Turner / Watercress Gatherers / 1819 |
| | Joseph Mallord William Turner / Watercress Gatherers / 1819 | | | This image is one of over 118,000 from The Art Museum Image Consortium Library (The AMICO Library™), a growing online collection of high-quality, digital art images from 39 museums around the world. |
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http://www.davidrumsey.com/amico/amico915645-54574.html
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| | Joseph Mallord William Turner - Exhibitions |
| | William Turner Mortlake Terrace: Turner's Companion Pieces Reunited. |
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http://www.artincontext.org/artist/t/joseph_mallord_william_turner/selected_exhibitions.htm
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| | 'The Fighting Temeraire tugged to her Last Berth to be broken up, 1838' |
| | Turner was in his sixties when he painted 'The Fighting Temeraire'. | | | The 'Temeraire' is shown travelling east, away from the sunset, even though Rotherhithe is west of Sheerness, but Turner's main concern was to evoke a sense of loss, rather than to give an exact recording of the event. | | | The painting was thought to represent the decline of Britain's naval power. |
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http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG524
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| | Joseph Mallord William Turner paintings. |
| | Turner at the Tate gallery, London (Large collection) | | | by J. Turner R. Joseph Mallard William Turner R. | | | English landscape painter, Born on the 23rd April 1775 and died 1851 |
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http://www.theo-zimmerman.freeserve.co.uk/turner.htm
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| | [No title] |
| | Joseph Mallord William Turner is one of them. | | | Joseph Turner - Artist, Art - Joseph Mallord William Turner | | | Sign up for Artist Alert Updates for Joseph Mallord William Turner |
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http://www.askart.com/artist/T/joseph_mallord_william_turner.asp?ID=9000105
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| | Joseph Mallord William Turner Art Prints and Art Reproductions |
| | Joseph Mallord William Turner Art Prints and Art Reproductions | | | Joseph Mallord William Turner Paintings and Art Prints | | | [ Raphael Art Prints ] [ William Turner Art Prints ] [ Pablo Picasso Art Prints ] [ Vincent van Gogh Art Prints ] [ William Blake Art Prints ] [ Main Index ] |
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http://www.b-link.co.uk/ckn/famouspaintings/painters_turner.php
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| | NPG 1717; Joseph Mallord William Turner |
| | 10 of 22 portraits of Joseph Mallord William Turner | | | National Portrait Gallery, St Martin's Place, London WC2H OHE. |
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http://www.npg.org.uk/live/search/portrait.asp?search=ss&sText=Turner&LinkID=mp04566&rNo=9&role=sit
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| | Joseph Mallord William Turner |
| | - The Lake of Zug, 1843 Made by Joseph Mallord William Turner (British, 1775 - 1851)Watercolor | | | 1845 Joseph Mallord William Turner (British, 1775-1851)Oil on canvas; 36 1/8 | | | 1835 Joseph Mallord William Turner (British, 1775-1851)Oil on canvas; 36 |
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http://wwar.com/masters/t/turner-joseph_mallord_william-works.html
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| | 'Linlithgow Palace', Joseph Mallord William Turner |
| | Turner added naked nymphs and evenly balanced trees to the composition. | | | Such details elevated the picture above a simple landscape into something closer to a classical history painting in the manner of Claude Lorrain. | | | The thickly impastoed sunlit clouds, however, betray Turner's fundamental love of depicting strong natural effects. |
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http://www.liverpoolmuseums.org.uk/walker/collections/19c/turner.asp
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| | Walker and Turner (1983) Joseph Mallord William Turner |
| | Walker and Turner (1983) Joseph Mallord William Turner | | | To view the the latter's ratings, click on Chapters/Papers/Articles in the STATISTICS box, select a publication from the list that appears, and then click on either Quality or Interest in that publication's STATISTICS box. |
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http://www.getcited.org/?PUB=102214667&showStat=Ratings
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| | Encyclopedia.com - Results for Turner, Joseph Mallord William |
| | Here's the new Location for: Turner Joseph Mallord William | | | Encyclopedia.com - Results for Turner, Joseph Mallord William | | | Please update your link and click below to go to the new location. |
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http://www.encyclopedia.com/articles/13144.html
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| | Joseph Mallord-William Turner |
| | Alpine scenes show how completely Turner understood nature and could render her shades and forms. | | | The second part looks at the more familiar Turner, whose dazzling abstractions of color and light communicate to us directly and independently of subject matter. |
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http://pyramidmedia.com/item.php3?title_id=1293&list=2130,1083,1418,1701,2...
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| | Joseph Mallord William Turner |
| | He was a constant traveller in Great Britain, France, Switzerland and Italy in search of landscape effects and the sketches he then made are preserved in some 260 sketch books in the British Museum, part of the Turner Bequest to the Nation of all the works which remained in his possession at his death. | | | In 1789 he enrolled as a student at the Royal Academy, London where he was to exhibit from 1790 to 1850, being elected Associate Royal Academician, London 1799, Royal Academician 1802 and Professor of Perspective 1807-37. | | | He first visited Yorkshire in 1797 and 1801; in 1809 he met Walter Fawkes at Farnley Hall, near Otley, where he stayed almost annually until 1824. |
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http://www.wallacecollection.org/c/w_a/p_w_d/b/a/turner.htm
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| | Turner Joseph Mallord William - The Fighting Temeraire |
| | More than 200 subjects guide you to the right art prints. | | | Turner Joseph Mallord William - The Fighting Temeraire | | | You know someone, who would like this picture, too? |
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http://www.postershop.co.uk/Turner/Turner-The-Fighting-Temeraire-2802094.html&Partnerid=2867
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Topic: Joseph Mallord William Turner