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| | Joseph Haydn - Wikipedia, the free encyclopedia |
 | | Haydn's compositional practice was rooted in a study of the modal counterpoint of Fux, and the tonal homophonic styles which had become more and more popular, particularly the work of Gluck and Carl Philipp Emanuel Bach. |  | | Haydn may have had one or more children with Luigia Polzelli, a singer in the Eszterházy establishment with whom he carried on a long-term love affair, and to whom he often wrote on his travels. |  | | Gradually, Haydn came to write as much for publication as for his employer, and several important works of this period, such as the Paris symphonies (1785–6) and the original orchestral version of The Seven Last Words of Christ (1786), were commissions from abroad. |
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http://en.wikipedia.org/wiki/Joseph_Haydn
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| | Joseph Haydn Point @ TheEntireWeb.com (The Entire Web) |
 | | Haydn's compositional practice was rooted in a study of the modal counterpoint of Fux, and the tonal homophonic styles which had become more and more popular, particularly the work of Gluck and Carl Philipp Emanuel Bach. |  | | Haydn may have had one or more children with Luigia Polzelli, a singer in the Eszterházy establishment with whom he carried on a long-term love affair, and to whom he often wrote on his travels. |  | | Gradually, Haydn came to write as much for publication as for his employer, and several important works of this period, such as the Paris symphonies (1785–6) and the original orchestral version of The Seven Last Words of Christ (1786), were commissions from abroad. |
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http://www.theentireweb.com/encyclopedia/Joseph_Haydn
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| | CATHOLIC ENCYCLOPEDIA: Franz Joseph Haydn |
 | | POHL, Mozart and Haydn (Vienna, 1867); HADOW, A Croatian composer (1897); MASON, Beethoven and his Forerunners (1904); HADOW, The Viennese Period in Oxford History of Music, V (1904); POHL in GROVE, Dictionary of Music and Musicians, s.v. |  | | The year 1756 found Haydn so well informed in the various branches of his art that he began to be ranked among the first music-masters of Vienna. |  | | It was received enthusiastically in Vienna, London and Paris, and until a quarter of a century ago it divided popularity with the masterpieces of Handel. |
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http://www.newadvent.org/cathen/07158b.htm
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