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| | Cinema Studies Links: National Cinemas |
 | | CineGraph presents texts on the history of German-language cinema compiled by the Hamburgisches Centrum für Filmforschung e.V., a professional cinema research association. | | | Manas, dealing with India and Indian culture in general, has a special section on Indian cinema, with discussions of specific directors, films, and performers. | | | Polish Cinema During the Period 1989-1999 and essay by Bozena Janicka, discusses Polish film during the last decade of the twentieth century. |
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http://www.uiuc.edu/unit/cinema/links/national.html
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| | Chinese Cinema |
| | The Cinema of Hong Kong: History, Arts, Identity. | | | Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan. | | | Taiwan xindianying de lishi wenhua jingyan (Historical and cultural experiences in new Taiwan cinema). |
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http://chinesecinema.ucsd.edu/biblio_ccwlc.html
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| | Books at Duke University Press |
| | Hong Kong Connections brings leading film scholars together to explore the circulation of Hong Kong cinema in Japan, Korea, India, Australia, France, and the United States, as well as its links with Taiwan, Singapore, and the Chinese mainland. | | | Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. | | | Part 2: Action Cinema as Contact Zone 95 |
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http://www.dukeupress.edu/books.php3?isbn=1-932643-01-x
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| | KJ Asia Online - Cinema |
| | Literate primer featuring writing on the films of numerous directors and the history and genres of serious cinema in India. | | | Unlike the popular cinema, the New Indian cinema is almost always concerned with the common man. The heroes are not supermen with extraordinary ambition, who have to rise from poverty, tame the rich girl and fight the evil landlord, but ordinary men and women acting under the pressures of ordinary living. | | | Quarterly e-zine devoted to "revealing the heart of Asian Cinema" features a different theme with each issue: ghosts and the supernatural, Peking Opera, gamblers, Taoist priests. |
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http://www.kyotojournal.org/media/cinema.html
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| | International Silents |
| | And yet another history of cinema in India, this one more comprehensive. | | | Early Japanese film history from the first issue (Autumn, l996) of CMN, a new journal devoted to the history of Japanese cinema. | | | A History of Early Cinema in Kyoto, Japan |
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http://www.welcometosilentmovies.com/atthemovies/intl.htm
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| | Wikipedia: Duplicate articles - Open Encyclopedia |
| | For example, someone might suggest that the "Cinema of India" and "History of Indian Cinema" be merged, as they contain mostly duplicate information. | | | In this case "Cinema of India" should contain an overview of the subject, including a short summary of the history, with a link to "History of Indian Cinema" which should contain the detailed history. | | | Alternatively, you could also leave the two pages distinct (without a redirect), but complete the text of one of the pages so that it is no longer a duplicate, incorrect, or a stub. |
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http://open-encyclopedia.com/Duplicate_articles_oew
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| | Mother India by Gayatri Chatterjee (London: British Film Institute, 2002) |
| | Mother India is a film that I saw with my family in 1958 when I was a girl of 11 and I still remember the outer suburban cinema where we saw it. | | | For a Lankan who has spent her scholarly youth studying the largely trashy Lankan cinema, with nothing remotely like a Mother India to boast, it is a great thrill to see this Indian film acknowledged by the BFI's prestigious Film Classics series. | | | This link between the cinema and the narrative of the nation is a persistent feature of popular Indian cinema. |
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http://www.sensesofcinema.com/contents/books/02/23/mother_india.html
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| | Indiaclub.com Search Results - ProductID: 8334 |
| | So many Cinemas is a kaleidoscopic and captivating overview of the history of cinema in India, authored by the eminent documentary film maker B D Garga, who is reputed as a pioneering historian and commentator of Indian films. | | | He has attended many international conferences on cinema and television as a UNESCO invitee, has contributed several papers on various aspects of Indian cinema and was honored for his contribution to the growth of Indian cinema on the occasion of 75 years of Indian cinema. | | | Although the majority of films are still predominantly made for the masses with a plethora of songs and dances, Indian cinema is now gaining international recognition and accolades, with the last renowned film-maker Satyajit Ray being awarded the coveted Oscar in 1992. |
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http://www.indiaclub.com/shop/searchresults.asp?prodstock=8334
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| | 525 Stephen P. Hughes, Pride of place |
| | For a more detailed discussion of the early history of cinema exhibition in south India, see Hughes (1996). | | | STEPHEN P. FILM exhibition is without doubt one of the most under-studied, under-theorized and unappreciated areas in the study of cinema in India. | | | The history of exhibition can be read as a crucial articulation where the cinema is mapped out on the urban space of Madras (Hughes 1996). |
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http://www.india-seminar.com/2003/525/525%20stephen%20p.%20hughes.htm
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| | Ritwik Ghatak |
| | My own response to this issue of Ghatak's status within Indian cinema is merely to frame the competing views on his worth that exist within the discourse of this cinema and its history. | | | The tendency, both in and outside India, to valourise the cinema of Ray as representative of everyday life in India or as representative of Indian cinema in general, is problematic. | | | It seems that despite Ghatak's claim to have been drawn to the cinema by the size of the audience he could reach, as Satyajit Ray has noted, “Ritwik had the misfortune to be largely ignored by the Bengali film public in his lifetime” (36). |
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http://www.sensesofcinema.com/contents/directors/03/ghatak.html
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| | Amazon.com: Books: Encyclopedia of Indian Cinema |
| | The scope of the new revised edition includes a capsule chronicle of Indian history and milestones in the Indian film industry; impressive filmographies of major directors, actors, music composers, lyricists and scenarists; plot synopses of films; film and name indices; and a thorough bibliography on the history of Indian cinema. | | | Cinema is but another idiom of complex social, cultural, political, and historical influences especially in a country as diverse as India in its many regional languages, and ethnic and religious pluralism. | | | Cinema India: The Visual Culture of Hindi Film by Rachel Dwyer |
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http://www.amazon.com/exec/obidos/ASIN/085170669X/ref=nosim/broughsbooks
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| | Mother India - By Gayatri Chatterjee, ¿µ¾î, ±ØÀå, Printed Matter |
| | She also analyses its epic-style narrative, the mythological underpinnings, the many references to the history of a country in transition, and its relation to post-Independence culture and politics, to show why Mother India is a cornerstone of Indian cinema. | | | Nehru's attempt was to trace his own mental development, and not to write a survey of Indian history. | | | An illustrated art book detailing the story behind the making of an enduring classic of Indian cinema. |
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http://www.worldlanguage.com/Korean/Products/46484.htm
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| | Cinema |
| | Bengali cinema Bengali Cinema is one of the earliest film industries in India. | | | Cinema of Australia The cinema of Australia has a long history—in fact, it is claimed that the first feature-lengt... | | | Empire (cinema) The Empire is a large London, one of many large cinemas in and adjoining the square which are used for m... |
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http://www.brainyencyclopedia.com/topics/cinema.html
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| | A Pictorial History of Indian Cinema - RANGOONWALLA, FIROZE |
| | A Pictorial History of Indian Cinema traces the growth of the Indian film industry from the imported silent films of eighty years ago to its position today as one of the world's leading film centres. | | | A Pictorial History of Indian Cinema is a colourful & stimulating account of a unique & thriving industry in all its myriad forms & is illustrated throughout with 60 colour & 150 black & white illustrations.'. | | | There is hope though in the regional cinema & in the rising film-makers of today led by India's most internationally acclaimed director, Satyajit Ray, & both are discussed in depth. |
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http://www.antiqbook.co.uk/boox/bgo/9892.shtml
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| | India - Gurupedia |
| | Indian society is pluralistic due to the chequered history of the sub-continent, drawing from different religions, societal and cultural practises. | | | Satyajit Ray, a director from the Bengali cinema tradition, has been seen by movie critics around the world as one of cinema's four greatest filmmakers ever, and is the only Indian to have won an | | | Indian culture is an expression of the numerous and successive waves of influences in the sub-continent with the Northern part of India being subjected to this more than the South. |
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http://www.gurupedia.com/i/in/india.htm
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| | Malayalam Parallel Cinema |
| | ¦ History of Indian Cinema ¦ Indian Parallel Cinema¦ | | | Indian cinema took a big leap during the early 1970s, after the first wave of changes that occurred during the 1950s. | | | ¦ History of Malayalam Cinema ¦ Malayalam Middle Path Cinema ¦ |
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http://www.cinemaofmalayalam.net/parallel.html
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| | India - Encyclopedia, History, Geography and Biography |
| | India, History, Government, Politics and foreign relations, States and union territories, Geography, Economy, Demographics, Culture, Sports and games, Holidays, See also, External links, References, Notes, Articles lacking sources, SAARC, India, Republics, Members of the Commonwealth of Nations, SAARC members and Former British colonies. | | | Arts and entertainment • Cinema • Citizenship • Climate • Cuisine • Culture • Demographics • Economy • Education • Flag • Foreign relations • Geography • Geology • Government • History • Holidays • Languages • Law • Military • Politics • Religion • Sports • Transport | | | This encyclopedia, history, geography and biography article about India contains research on |
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http://www.arikah.com/encyclopedia/India
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| | BiB-Cinema.html |
| | Examines films by a new breed of young film directors who are collectively rewriting the script for India’s new wave cinema. | | | International Film Festival of India for not reflecting the best and most innovative work being done in Indian cinema. | | | Traces the early history of the Kannada film industry and looks back at some early films and their makers. |
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http://rrtd.nic.in/BiB-Cinema.html
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| | SOAS: SOAS; South Asia Department; Postgraduate Course Units; Indian Cinema: Its History and Social Context |
| | Indian cinemas central themes include the construction of religious and national identity, the role of destiny and individual action, and the obligations of kinship, so providing a valuable source for the social and cultural history of twentieth-century India. | | | Tracing the development of Indian popular cinema from 1913 onwards, the course will consider the role of film and public culture in India. | | | This course is designed to give a coherent overview of the development of popular cinema within India, with an emphasis on Hindi films produced in Bombay. |
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http://www.soas.ac.uk/studying/coursedetail.cfm?coursesunitsid=1408
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| | 525 Stephen P. Hughes, Pride of place |
| | Even when scholars argued that Indian films must be understood in relation to their social contexts and cultural traditions, the substance of their arguments concerning the articulation of society and cinema usually came down to an analysis of ‘narrative structures’ (Chakravarty 1989 and 1993) or reduced to a ‘reading’ of specific film texts (Nandy 1998). | | | We usually assume that the growth of cinema in India over the 20th century was predominantly an urban phenomenon. | | | The history of film exhibition, languishing at the moment in every city and town of India, is just waiting to be investigated. |
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http://www.india-seminar.com/2003/525/525%20stephen%20p.%20hughes.htm
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| | St. Stephen's College, Delhi, India [Alumni] |
| | Nigam Prakash 1962 B.A. (Hons.) History 1964 M.A. History Ambassador of India, Avenida Cordoba 950, Buenos Aires, Argentina Tel: 005413933994 [W] 005417935104 [H] Government of India Indian Foriegn Service, Diplomat prakassh@ciudad.com.ar | | | (Hons.) Physics 8-3-658/7,Jai Prakash Nagar, Yellareddyguda, Hyderabad 500873 India 1176,Civil lines(Behind Elite Cinema), Jhansi-284001 U.P. India Tel: +91 40 3742227 [H] Indian Institute of Science, Bangalore Physics subroto@physics.iisc.ernet.in | | | Saurabh Narain 1983 9A Block 2, Garden Terrace, 8A Old Peak Road, Hong Kong Tel: 852 2847 6867 [W] 852 2526 4100 [H] Bank of America Financial Engineering and Risk Management saurabh@asiaonline.net |
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http://ase.tufts.edu/chemistry/kumar/ssc/html/sscalum.html
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| | St. Stephen's College, Delhi, India [Alumni] |
| | Nigam Prakash 1962 B.A. (Hons.) History 1964 M.A. History Ambassador of India, Avenida Cordoba 950, Buenos Aires, Argentina Tel: 005413933994 [W] 005417935104 [H] Government of India Indian Foriegn Service, Diplomat prakassh@ciudad.com.ar | | | (Hons.) Physics 8-3-658/7,Jai Prakash Nagar, Yellareddyguda, Hyderabad 500873 India 1176,Civil lines(Behind Elite Cinema), Jhansi-284001 U.P. India Tel: +91 40 3742227 [H] Indian Institute of Science, Bangalore Physics subroto@physics.iisc.ernet.in | | | Ravi Prakash Meherda 1986 B.A. (Hons.) Economics 4ka24 Jawahar Nagar, Jaipur, India Tel: 201050 [W] 653665 [H] Indian Police Service ravimeherda@hotmail.com |
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http://ase.tufts.edu/chemistry/kumar/ssc/html/sscalum.html
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| | Art & Culture for Bangladesh |
| | History of Bangladesh Cinema - History of Bangladesh Cinema - Brief introduction, mostly about the first movies shown in Dhaka. | | | Cultural Atlas of India: India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka (Atlas Of...) by Gordon Johnson | | | Bangladesh National Museum - Bangladesh National Museum - Information about the museum, its departments, opening hours, and history. |
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http://www.escapeartist.com/bngladesh/art.html
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| | A new entry into history books of Indian cinema- The Times of India |
| | on march 29th, there'll be a new entry into the history books of indian cinema. | | | A new entry into history books of Indian cinema- The Times of India | | | A new entry into history books of Indian cinema |
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http://timesofindia.indiatimes.com/articleshow/msid-2501953,prtpage-1.cms
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| | Cinema India! - P.A.W. Print - Philadelphia Arts Writers |
| | This 1995 film has logged 426 weeks at a theater in Bombay and is the longest-running motion picture in the history of Indian cinema. | | | Radha Welt Vatsal is the director of the Cinema India!, a film series that started at the American Museum of the Moving Image in New York in 2002. | | | Mainstream Bollywood is represented in the Cinema India! |
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http://www.philadelphiawriters.com/articles/08_2004/cinemaindia.htm
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| | Amazon.com: Books: Encyclopedia of Indian Cinema |
| | Cinema is but another idiom of complex social, cultural, political, and historical influences especially in a country as diverse as India in its many regional languages, and ethnic and religious pluralism. | | | Covering the full range of Indian cinema the new edition includes vastly expanded coverage of mainstream productions from the 70s to the 90s, and additional material on the stars that have made their mark this decade. | | | The Encyclopaedia of Indian Cinema by Ashish Rajadhyaksha and Paul Willemen is perhaps the most exhaustive compendium of reference material compiled as a resource guide for film students and movie buffs around the world. |
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http://www.amazon.com/exec/obidos/ASIN/085170669X/ref=nosim/broughsbooks
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| | Cinema and Nation: Indian Cinema (P3045) |
| | It will introduce students to not only the history and tradition but also the songs and dance, codes and conventions of Indian cinema by examining popular pan-Indian Hindi cinema. | | | We will critically examine the ‘Bollywood&; phenomenon followed by a discussion of the regional cinemas of India and the global diasporic Indian cinema. | | | This course will look at the cinema of the biggest film-producing country in the world: India. |
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http://www.central.susx.ac.uk/history/P3045.html
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| | Welcome |
| | The magazine and website that presents India in the best light - India's people, places, festivals, traditions, culture, cinema, history, India abroad and the vision of foreigners of this fascinating country. | | | How do you discover a country whose civilization has roots buried deep in 5000 years of history, yet keeps pace with 21st century progress? | | | I invite you to begin this search on a journey with me through India Calling in 2006. |
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http://www.india-calling.net
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| | Travelpack - Cheap Worldwide Airfares & Holidays |
| | Brought to life on a screen taller than four double-decker buses, Mystic India immerses viewers in the colourful history and rich culture of this beautiful country, allowing you to explore India's spirituality and mysticism. | | | Using stunning cinematography and a vibrant soundtrack, this inspiring story is brought to life, sending you on an epic journey into the land and soul of India for a truly magical experience. | | | Discover a land of many mysteries and fascinations in Mystic India 2D (U), now showing at the Science Museum IMAX Cinema. |
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http://www.travelpack.co.uk/special-offers/mystic-india-offer.html
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| | South/Southeast Asian Cinema: A Selected Bibliography/Videography of Materials in the UC Berkeley Libraries |
| | Dirks, Nicholas B. "Sovereignty of history : culture and modernity in the cinema of Satyajit Ray." In: Questions of modernity / Timothy Mitchell, editor. | | | On India's new cinema as a product of complex interactions between social forces and cultural processes. | | | Pointing out that Ray's appropriation into the canons of global cinema does not necessarily arise from cultural translatability and representational transparency, she notes that intelligibility may be based on universal expectations of knowledge created by a narrative's formal protocols. |
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http://www.lib.berkeley.edu/MRC/AsianBib.html
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Topic: History of cinema in India