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| | Henry Kahnweiler - Wikipedia, the free encyclopedia |
 | | Kahnweiler gave the first exhibition of the work of Georges Braque, and soon he expanded his presentations by bringing together artists, writers and poets to produce their works as a joint project in more than 40 books. |  | | Henry Kahnweiler was the first to recognize the radical greatness of Pablo Picasso, and promoted the new Cubist movement of Braque, Juan Gris, Fernand Leger and Picasso. |  | | Henry Kahnweiler (June 25, 1884 - January 11, 1979) was an art dealer and promoter. |
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http://en.wikipedia.org/wiki/Henry_Kahnweiler
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| | The Nation, 10/29/1990 - The Dealer of the Century by Galassi, Susan Grace |
 | | ...Kahnweiler admitted in later years that he could truly understand only the art of his own generation and perhaps that of the next, and he was blind to the merits of several of the other important contemporary schools of his time-Futurism, most of Surrealism and especially abstract art... |  | | ...Kahnweiler promoted an awareness of his artists' work outside France through photographs, which he sent to leading art journals in Europe and the United States (he was one of the first dealers to systematically photograph every work that came through his gallery... |  | | ...Kahnweiler had not been all that impressed with the paintings of Picasso's "blue" and "rose" periods, which he had seen at the Ambroise Vollard Gallery and elsewhere in Paris... |
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http://www.archive.thenation.com/Summaries/v251i0014_17.htm
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| | Cincinnati Art Museum: Provenance Research |
 | | Kahnweiler's archives, held at the Galerie Louis Leiris, Paris, record that the painting was placed with Kahnweiler in 1938 and sold to Buchholz Gallery in October 1939. |  | | Upon his return in 1920 he reopened his art gallery under the name Galerie Simon. |  | | Although the gallery carried Simon's name, Kahnweiler ran the gallery, and Simon remained primarily a silent partner. |
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http://www.cincinnatiartmuseum.com/greatart/provenance/1967-1112.shtml
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| | Daniel-Henry Kahnweiler -- Britannica Concise Encyclopedia - The online encyclopedia you can trust! |
 | | German-born French art dealer and publisher who is best known for his early espousal of Cubism and his long, close association with Pablo Picasso. |  | | In addition to writing several monographs on the artists with whom he was most familiar, Kahnweiler published his memoirs, Mes galeries et mes peintres (1961; My Galleries and Painters). |  | | In September 1920 he opened the Galerie Simon, contracting a new group of artists, including the Surrealist painter André Masson and the Swiss artist Paul Klee. |
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http://www.britannica.com/ebc/article-9044322
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| | Tate News |
 | | Gustav Kahnweiler was the brother of the Paris-based art dealer Daniel-Henry Kahnweiler, a key figure in twentieth-century art who represented many of the cubist artists. |  | | Gustav, who would refer to himself, self-deprecatingly, as ‘le petit Kahnweiler’, became a junior partner of the German art dealer Alfred Flechtheim in the early part of 1922 as a director of the Galerie Flechtheim in Frankfurt. |  | | Painted in a style that reflects Braque’s interpretation of cubism, this work may be seen as a fitting tribute to Gustav and Elly and their love of art that sprang from this influential movement, so closely associated with their family name. |
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http://www.tate.org.uk/home/news/cubism_legacy_21-07-04.htm
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| | Kahnweiler, by Picasso |
 | | In Picasso's portrait of his dealer Daniel-Henry Kahnweiler, the subject's head, suit, hands, and a still life to the left remain identifiable. |  | | But they have been broken up into planes that have been flattened and arranged across the picture surface as if to remind us that this portrait of Kahnweiler is, after all, a painting. |
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http://www.geocities.com/picasso0408/kahnweil.html
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| | June 25 |
 | | 1884 - Henry Kahnweiler, Montparnasse art promoter (d. |
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http://www.brainyencyclopedia.com/encyclopedia/j/ju/june_25.html
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| | Moviefone: Movie Celebrities - D. Henry Kahnweiler: MAIN |
 | | Daniel-Henry Kahnweiler (1907) On Les Demoiselles d'Avignon Fernande Olivier... |  | | Collectif, 50 ans d'édition de Daniel Henry Kahnweiler, 1909 1959, Paris,... |  | | Daniel-Henry Kahnweiler (1955) Conversations about the Femmes d'Alger... |
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http://movies.aol.com/celebrity/main.adp?sid=300171
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| | MoMA.org MoMA Provenance Research Item |
 | | Kahnweiler collection and gallery stock sequestered by French Government as property of a German enemy in 1914. |  | | M. Grassat, for Daniel-Henry Kahnweiler (Galerie Simon, Paris). |  | | First Kahnweiler auction, Hotel Drouot, Paris, June 13-14, 1921, cat. |
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http://www.moma.org/collection/provenance/items/373.75.html
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| | Fnac.com - Livres - Daniel-Henry Kahnweiler |
 | | correspondant au nom d'auteur « Daniel-Henry Kahnweiler ». |  | | Voir tous les résultats pour « Daniel-Henry Kahnweiler » en |
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http://fnac-auteur.com-rayon.com/auteur-daniel-henry-kahnweiler-5043.html
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| | Leger |
 | | After Le Vase (1927), the first signed edition print by Leger, there was nothing produced until 1948, when Leger produced the first of 22 color lithographs edited by Kahnweiler's Galerie Louise Leiris in Paris. |  | | Leger made only four original prints and illustrated only four books between 1923 and 1947. |  | | The only apparent exception to Leger's preference for Kahnweiler was in the case of three aquatints colored by serigraphy (Saphire #127-129) which Leger paid for himself |
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http://www.annalies.com/New_Works/Leger/leger.html
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| | ★ Reviews for Kahnweiler,_Daniel-Henry |
 | | Die Sammlung Kahnweiler : von Gris, Braque, Léger, und Klee bis Picasso |  | | Daniel-Henry Kahnweiler : Centre Georges Pompidou, Musée national d'art moderne, 22 novembre 1984-28 janvier 1985 |  | | An Artful Life: A Biography of D.H. Kahnweiler, 1884-1979 |
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http://authors.booksunderreview.com/K/Kahnweiler,_Daniel-Henry
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| | The Art Institute of Chicago: Art Access |
 | | In this portrait, the subject, Daniel-Henry Kahnweiler, a dealer who championed Picassos radical new style, has been fractured into various planes and shapes, and is presented from several points of view. |  | | From flickering, partially transparent planes of brown, gray, black, and white emerges his upper torso, hands clasped in his lap. |  | | Instead, he invited the viewer to examine the figures and shapes that he broke down and recombined in totally new ways. |
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http://www.artic.edu/artaccess/AA_Modern/pages/MOD_1.shtml
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| | Picasso: Portrait of Daniel-Henry Kahnweiler |
 | | See also: Text about "Portrait of Daniel-Henry Kahnweiler" from John Golding, "Cubism, A History and an Analysis, 1907-1914" |  | | Use the Image Viewer to study the much larger full-sized image. |
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http://www.artchive.com/artchive/P/picasso/kahnweil.jpg.html
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| | Daniel Henry Kahnweiler |
 | | TIP!!: kijk voor Daniel Henry Kahnweiler ook op de kunst- en cultuur agenda, zoek in collecties van musea en galeries, zoek voor Daniel Henry Kahnweiler verder in de lijst citaten, de encyclopedie, de veiling- en andere verkoopresultaten of het kunstnieuws!! |  | | Ga voor verdere zoektochten naar artikelen, boekverslagen of andere informatie over Daniel Henry Kahnweiler naar www.kunstbus.nl of www.muziekbus.nl |  | | Prikbord: Vragen of opmerkingen over Daniel Henry Kahnweiler!! |
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http://www.kunstbus.nl/verklaringen/daniel-henry+kahnweiler.html
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