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| | Gustave Moreau - Wikipedia, the free encyclopedia |
 | | The "Musée Gustave Moreau" at 14, rue de la Rochefoucauld (IXe arrondissement) in Paris is one of the most extravagant in the city. | | | Gustave Moreau (April 6, 1826 – April 18, 1898) was a French Symbolist painter. | | | As a painter of literary ideas rather than visual images, his images appealed to the imagination of some Symbolist writers and artists, who saw him as the precursor to their movement. |
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http://www.wikipedia.org/wiki/Gustave_Moreau
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| | GUSTAVE MOREAU - LoveToKnow Article on GUSTAVE MOREAU |
| | The only influence which really affected Moreaus development was that of the painter Chassriau (1819-1857), with whom he was intimate when they both lived in the Rue Frochot, and of whom we find reminiscences even in his later works. | | | Moreau exhibited for the last time at the Salon of 188o, when he contributed Helen and Galatea ; to the Great Exhibition of 1889 he again sent the Galatea and The Young Man and Death. | | | In 1865 he exhibited Medea and Jason and The Young Man and Death ; in 1866, the Head of Orpheus (in, the Luxembourg Gallery); Hesiod and the Muse, a drawing; and The Pen, a drawing; Prometheus (in the Moreau Gallery); Jupiter and Europa, a Piet, and The Saint and the Poet, in 1869. |
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http://31.1911encyclopedia.org/M/MO/MOREAU_GUSTAVE.htm
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| | Gustave Moreau - Artist Biography |
| | Gustave Moreau spent the early part of his career obsessed with the ideas of Romanticism, believing that art was intended for the presentation of the beautiful as a perfect combination of ideas and form. | | | Moreau deplored the salons that so strongly dictated artistic styles and tastes, yet he never strictly abandoned the themes and motifs that were the stock-in-trade of the Salon painter. | | | However, in the Salon of 1876, one of Moreau's versions of "Salome," the painting "Hercules" and the "Hydra of Leme", electrified the audiences and established the style by which Moreau came to be known to the public. |
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http://postergallery.us/biography/Gustave_Moreau.html
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| | Art History at Loggia Artist Gustave Moreau at a Glance |
| | Gustave Moreau was born in Paris, France, in 1826. | | | Moreau was the son of an architect, and perhaps partly because of this, the boy's early attraction to art was encouraged by his father. | | | More about the art and life of Gustave Moreau. |
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http://www.loggia.com/art/artists/moreau.html
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| | Moreau, Gustave on Encyclopedia.com |
| | Moreau was professor at the École des Beaux-Arts, where his pupils included Matisse and Rouault. | | | The writings of J.-K. Huysmans and Gustave Moreau's painting: affinity or divergence?(1) | | | After his death, his house in Paris (now the Musée Moreau), with his fine art collection, was bequeathed to the nation. |
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http://www.encyclopedia.com/html/m/moreau-g1.asp
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| | Tallulahs Directory of Classical Master Artists and Nude Images; Gustave Moreau |
| | His father recognized Gustave's desire to be an artist and in 1846, sent him to study art at the Paris Beaux de Arts. | | | Gustave Moreau marked the beginning of his best period after exhibiting at the Salon of 1864, choosing his subjects from history, religion, legend and fancy. | | | The major influence reflected in Moreau's work, did not come from his instructor, but from a close friend, Théodore Chassériau, with whom Gustave was intimate when they both lived in the Rue Frochot in 1850. |
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http://tallulahs.com/moreau.html
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| | Biography for: Gustave Moreau |
| | Gustave Moreau was a Symbolist painter of mythical and religious scenes, and a teacher. | | | Moreau also exhibited with the International Society of Sculptors, Painters and Gravers, a society that formed in 1898 with JW as its President. | | | Despite his similar interests in mysticism, Moreau did not align himself with the younger Symbolist painters and refused to exhibit at the Salon de la Rose+Croix, an exhibition body to which JW was also invited to contribute. |
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http://www.whistler.arts.gla.ac.uk/biog/Morea_G.htm
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| | The Metropolitan Museum of Art - Press Room - Current Press Releases |
| | Like other artists and writers in the mid-19th century, Moreau found the culture of his time to be overly materialistic and indifferent to religion and art. | | | Gustave Moreau: Between Epic and Dream includes nearly 175 works — some 40 paintings and 60 watercolors in addition to drawings and preparatory studies, lent primarily from the Musée Gustave Moreau in Paris, with other works drawn from public and private collections in Europe and America. | | | Organized chronologically, Gustave Moreau: Between Epic and Dream clearly reveals an extraordinarily original and imaginative artist who, free from financial constraints and concerns of the marketplace, was able to pursue his own artistic vision. |
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http://www.metmuseum.org/news/newspressrelease.asp?PressReleaseId={EF58D81A-8B11-11D3-9367-00902786BF44}
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| | Art/Museums Gustave Moreau: Between Epic and Dream |
| | Gustave Moreau (1826-1898) was a great Symbolist painter of exotic worlds and people who was the teacher of Henri Matisse and Georges Roualt and would be greatly admired decades after his death by the Surrealists. | | | Moreau, then, is a spectacularly fine artist, capable of gem-like masterpieces, wildly inventive styles, rich and imaginative compositions and a vision looking for abstracted truth in the visual world. | | | Catalogue by Geneviève Lacambre, senior curator at the Musée d'Orsay in Paris and director of the Musée Gustave Moreau in Paris, with contributions by Larry J. |
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http://www.thecityreview.com/moreau.html
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| | Gustave Moreau |
| | Gustave Moreau was born on April 6th, 1826 in Paris, France. | | | Moreau eventually withdrew from the art school to focus on his own unique, deeply expressive style. | | | Although Moreau exibited several paintings throughout his life, he was known to only sell them to his friends. |
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http://www.freewebs.com/bmoreau/biography.html
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| | MSN Encarta - Search Results - Gustave Moreau |
| | Moreau, Gustave (1826-1898), French painter, born in Paris. | | | Flaubert, Gustave (1821-1880), French writer, known for his novels Madame Bovary (1857; translated 1886) and L’éducation sentimentale (1869;... | | | Vulture : artworks depicting vultures: painting by Gustave Moreau |
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http://encarta.msn.com/Gustave_Moreau.html
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| | Amazon.ca: Books: Gustave Moreau 1826-1898 |
| | Moreau is the flagship of French symbolist painting. | | | Moreau was a super-important figure in the decadent years of 19th Century France. | | | Moreau's solitary pursuit of a painting style that he termed peinture épique ("epic painting") stood in opposition to contemporary trends of academic naturalism and impressionism. |
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http://www.amazon.ca/exec/obidos/ASIN/2711835774
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| | Gustave Moreau (1826 - 1898) Artwork Images, Exhibitions, Reviews |
| | Gustave Moreau was a withdrawn watercolorist who lived alone in Montmartre for the majority of his life and career. | | | Schooled under Gustav Moreau at the Ecole des Arts Decoratifs alongside his friend Henri Matisse, Marquet was considered at the forefront of artistic achievement in France in his day. | | | Gustave Moreau - Diomedes Devoured by His Horses 1865-70 oil on canvas The Detroit Institute of Art French |
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http://www.wwar.com/masters/m/moreau-gustave.html
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| | Lacambre, G.: Gustave Moreau: Between Epic and Dream. |
| | Yet Moreau was also a prominent public figure in the Paris art world, winning praise for exhibits at the Salon, becoming a respected teacher at the Ecole des Beaux-Arts, and exerting a powerful influence on Henri Matisse, Georges Rouault, and the schools of Symbolism and Surrealism. | | | This book, published to coincide with a spectacular international exhibition that marks the centenary of Moreau's death, presents a wide range of the artist's most famous and beautiful works along with penetrating essays and catalogue entries that explain his unique achievements in all their intellectual complexity and visual richness. | | | This is a powerfully written and visually stunning record of the creativity and exquisite craftsmanship of Moreau's distinctive contributions to nineteenth-century art. |
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http://www.pupress.princeton.edu/titles/6547.html
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| | Gustave Moreau: Between Epic and Dream |
| | Moreau was born in Paris in 1826 and, according to the exhibit catalog, “nourished on classical culture from infancy. | | | Moreau was at odds with the main artistic current of his time. | | | Wilde was inspired to write his play Salome in part as a result of viewing of Moreau's painting (1874-76) of the princess who, in exchange for agreeing to dance before her stepfather, King Herod, demands the head of John the Baptist. |
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http://www.wsws.org/articles/1999/jul1999/mor1-j14_prn.shtml
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| | CGFA- Bio: Gustave Moreau |
| | Gustave Moreau was a French painter, born in Paris. | | | Many of his most important paintings are in the Musйe National Gustave Moreau, the artist's former house and studio in Paris. | | | One of his most famous paintings is the watercolor Apparition (1876, Louvre, Paris), a dazzling scene from the legend of Salome, which is a recurrent theme in Moreau's works. |
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http://www.sai.msu.su/cjackson/moreau/moreau_bio.htm
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| | [No title] |
| | Gustave Moreau was born in 1826 in Paris, France. | | | Gustave Moreau - Artist, Art - Gustave Moreau | | | Moreau traveled to Italy in 1841 and in 1857-59, but resided primarily in Paris. |
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http://www.askart.com/artist/M/gustave_moreau.asp?ID=9001004
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| | WetCanvas: Virtual Museum: Individual Artists: Gustave Moreau |
| | Gustave Moreau was born in Paris, the son of wealthy parents. | | | Exhibited occasionally at the Paris Salon, Moreau's work appealed strongly to the "decedents" among the literary Symbolists. | | | This equally impressed the symbolist writer and critic J. Huysmans, who was partly responsible for the contemporary appreciation of Moreau. |
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http://www.wetcanvas.com/Museum/Artists/m/Gustave_Moreau
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| | Bulletin 11, Gustave Moreau: Same Drawings from the Italian Sojourn by Pamela G. Osler, Acting Curator of Prints, The ... |
| | Moreau's preoccupation with the theme of the inspiration of the poet, and the progression from the awkwardness and stiffness of the early drawings of this subject to the lyricism of the final one might suggest a period of doubt and groping in his creative development, followed by a growing self-awareness. | | | Drawings signed and dated by the French artist Gustave Moreau (1826-1898) are for the most part products of his formative years. | | | In the absence of any known related painting the winged Muse hovering over the languid figure of a reclining youth appears to be Moreau's final conception of a compositional theme that had preoccupied him during his prolonged sojourn in Italy from 1857 to 1859. |
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http://www.collections.gc.ca/bulletin/num11/osler1.html
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| | Art Bulletin, The: Gustave Moreau: Between Epic and Dream. - Review - book review |
| | Exactly where Moreau fits in, and his real place in art history, is as difficult to determine in 1999, however, as it was in 1899. | | | The fictional hero of Joris-Karl Huysmans's novel A rebours (Paris, 1884), Des Esseintes, was obsessed with the art of Moreau. | | | While it cannot stand as the definitive text on Moreau's art, the catalogue does provide the reader with all practical and iconographical information, and the exhibition itself allowed us to examine Moreau's art afresh. |
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http://www.findarticles.com/p/articles/mi_m0422/is_2_82/ai_64573533/pg_3
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| | Gustave Moreau - Chronologie |
| | Gustave Moreau retourne vivre chez ses parents à cause de la santé malade. | | | Moreau obtient l’accès dans Le Musée d’Histoire Naturelle pour étudier le corps des animaux et des humains. | | | Moreau a développé un nouveau style qui utilise l’influence de l’art japonais et de la Inde qu’inclue plus du détail, plus d’exotisme et des couleurs riches. |
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http://www.christinajorge.com/french/GMFR/GMChronologyFR.htm
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| | The Japan Times Online |
| | Moreau's painting is both exceptional, and an exception that proves the rule that the private spirituality and mystical evocation drawn from the Middle Ages have little to do with the principal conversations in modern art. | | | Moreau's art is often described as "decadent," and in one important sense that meant looking back to the past. | | | The 19th-century French painter Gustave Moreau was working at roughly the same time as van Gogh, but in Barr's diagram, he doesn't feature at all. |
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http://www.japantimes.co.jp/cgi-bin/getarticle.pl5?fa20050629a1.htm
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| | Moreau, Gustave -- Encyclopædia Britannica |
| | The only influence that really affected Moreau's development was that of his master, Théodore Chassériau (1819–56), an eclectic painter whose depictions of enigmatic sea goddesses deeply impressed his student. | | | French Symbolist painter known for his erotic paintings of mythological and religious subjects. | | | French composer Gustave Charpentier is best known for his opera Louise. |
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http://www.britannica.com/eb/article-9053693?tocId=9053693
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| | Gustave Moreau |
| | After his death from cancer in 1895, Moreau1s home was turned into the Musee Gustave Moreau, which still exhibits his oils, watercolors and drawings. | | | As the century cam to a close, Moreau began to despise his contemporary culture, and became a hermit. | | | Moreau1s work is marked by it1s elaborate evocation of dreamlike mythological worlds, and while many of his best works, including "The Apparition" (1876) and "Prometheus" (1868) were done in oil, he also executed many watercolors that were notable for their expressive use of color and flashes of bright light. |
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http://www.suite101.com/article.cfm/artists_retired/8333
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| | Gustave Moreau's Phaethon |
| | Gustave Moreau (1826-1898) was a French Symbolist painter. | | | His pupils included Marquet and Matisse, but his favorite was Rouault, who became the first curator of the Moreau Museum in Paris (which was his former home). | | | He's known for his mythological subjects in a highly romantic style. |
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http://www.jssgallery.com/Other_Artists/Gustave_Moreau/Phaethon.htm
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| | ART / 4 / 2DAY |
| | Moreau's unfavorable critical reception in 1869 resulted in his returning to the Salon only in 1876 with his Salome Dancing Before Herod, which was admired by many critics, notably Huysmans. | | | Moreau assimile de fait les jeunes combattants de la Grèce aux troupes impériales engagées dans les expéditions militaires, en Italie ou ailleurs. | | | Il semble que Gustave Moreau n'ait pas repris ce tableau qui le satisfaisait dans son état d'apparent inachèvement, avec cette juxtaposition de tâches de couleurs et de motifs linéaires en broderie. |
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http://www.safran-arts.com/42day/art/art4apr/art0418.html
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| | Art History at Loggia Exploring the Symbolist Artist Gustave Moreau |
| | Moreau is best known for his profoundly symbolic and haunting paintings, paintings that are both intensely personal and deeply mysterious. | | | French painter Gustave Moreau was an unconventional artist, who preferred to follow his own Muse rather than blindly accepting the prevailing artistic conventions of the time. | | | And if you want to know even more about the artist and his paintings, there are recommended books on the pages of this section. |
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http://www.loggia.com/art/19th/moreau.html
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| | Gustave Moreau (Getty Museum) |
| | Moreau painted in rich, jewel-like colors, and his detailed oil paintings have a glistening, impastoed surface. | | | In an era when paintings of mythological subjects often meant sentimentalized renderings or cold recitations of classical sculpture, Gustave Moreau was a pioneer with his intensely personal, fantastic, even perverse, interpretations. | | | His early paintings were influenced by Eugène Delacroix and by the Romantic exoticism of Théodore Chassériau. |
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http://www.getty.edu/art/collections/bio/a333-1.html
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| | Gustave Moreau |
| | Cette citation de Gustave Moreau résume à elle seule tout le travail du peintre. | | | Si Moreau emprunta les fonds rocheux de Léonard ou les figures endormies de Michel-Ange pour les insérer dans son oeuvre, il ne faut pas oublier les ajouts d'éléments exotiques dans son oeuvre. | | | Le dessin au trait blanc qui habille Salomé et les éléments architecturaux de la scène ont probalement été rajoutés par Gustave Moreau à la fin de sa vie lorsqu'il préparait le fonds de son futur musée. |
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http://aart.online.fr/Moreau.htm
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| | The Infant Moses |
| | Pierre Louis Mathieu, Gustave Moreau: with a catalogue of the finished paintings watercolors, and drawings (Boston, MA, 1976), p. | | | Pierre-Louis Mathieu, Gustave Moreau: Monographie et nouveau catalogue de l'oeuvre achevé (Paris, France, 1998), no. 202, p. | | | Paul Flat, "Gustave Moreau", La Revue de l'Art Ancien et Moderne, p. |
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http://www.artmuseums.harvard.edu/collections/servlet/webpublisher.WebCommunication?ia=codetail&ic=basic&oid=85258&sq=11&tr=12&tech=&name=Moreau&title=&objtype=&medspt=&dtfrom=&dtto=¢ury=&credit=&cult=&accnum=&pic=yes&aid=2849&icurrpage=1&isrc=singlea
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| | Gustave Moreau Artworks and Fine Art at arthistorynet.com |
| | Gustave Moreau Artworks and Fine Art at arthistorynet.com | | | auteurParis, 1826 ; Paris, 1898EcoleFranceDomaineDessinEtude du portrait de Gustave Moreau enfantReprésentationautoportrait (Moreau Gustave | | | auteurParis, 1826 ; Paris, 1898EcoleFranceDomaineDessinProjet du tombeau de Gustave MoreauReprésentationreprésentation d"objet (tombeau)Datation4e quart |
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http://www.absolutearts.com/masters/m/moreau-gustave.html
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| | Open Directory - Arts: Art History: Artists: M: Moreau, Gustave |
| | Gustave Moreau - Between Epic and Dream - A critical review of the Metropolitam Museum of Art's Moreau exhibition with an emphasis on the artist's influence on his literary and artistic contemporaries. | | | Top: Arts: Art History: Artists: M: Moreau, Gustave | | | Open Directory - Arts: Art History: Artists: M: Moreau, Gustave |
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http://dmoz.org/Arts/Art_History/Artists/M/Moreau,_Gustave
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| | The Museum schedule |
| | Drawing inspiration from Greek myths and Bible stories, Gustave Moreau, a great Symbolisc artist of Paris in the late 19th century, created his own universe of images. | | | This exhibition consists only of his works, including the masterpieces such as “The Unicorns” and “The Apparition”, from the Gustave Moreau Museum. | | | A rich selection of drawings shown in two sessions, will allow the audience to deepen the comprehension of Moreau’s world. |
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http://www.bunkamura.co.jp/english/museum
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| | Gustave Moreau |
| | It was also subject to intensely personal, even perverse interpretations that could use ancient legends to trigger voyages during which the cold marble facts of ancient sculpture, venerated and slavishly copied in the art schools, would evaporate into the strangest mists. | | | His Orpheus of 1865, when shown at the Salon the following year, needed the artist's own verbal explanation in the catalogue to clarify his deviation from more orthodox depictions of the legend. | | | Seen through a misty scrim of twilight tones, this morbid vision wafts us off to what the dean of Surrealism, Andre Breton, would later admire as a "somnambulistic world." |
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http://www.artchive.com/artchive/M/moreau.html
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| | Malaspina Great Books - Gustave Moreau (1826-1898) |
| | Moreau would be made professor at the Ecole des Beaux Arts, Paris in 1891, and counted among his many students the great Fauve painter Henri Matisse. | | | As a painter of the literary idea rather than the visual image, his pictures would appeal to the imagination of certain Symbolist writers and artists, who saw him as the pre-cursor to their movement. | | | For rare and hard to find works we recommend our Alibris list of titles about Gustave Moreau. |
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http://www.malaspina.org/home.asp?topic=./search/details&lastpage=./search/results&ID=561
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| | Bulletin 11, Gustave Moreau: Same Drawings from the Italian Sojourn by Pamela G. Osler, Acting Curator of Prints, The ... |
| | Bulletin 11, Gustave Moreau: Same Drawings from the Italian Sojourn by Pamela G. Osler, Acting Curator of Prints, The National Gallery of Canada | | | It has been suggested, on the basis of several drawings inscribed Rome 1860, that if Moreau did not remain longer in Rome than is generally believed he must have returned later for a short visit (Phoebe Pool, "Degas and Moreau," Burlington Magazine, vol. | | | Jean Paladilhe, "Préface," Catalogue Sommaire des Peintures, Dessins, Cartons et Aquarelles exposés dans les galeries du Musée Gustave Moreau, Paris, 1966. |
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http://collections.ic.gc.ca/bulletin/num11/osler2.html
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| | Gustave Moreau prints and posters, framed art prints at PostersMania.com |
| | Gustave Moreau prints and posters, framed art prints at PostersMania.com | | | Buy Gustave Moreau prints, posters and framed art prints at PostersMania.com. | | | Buy Gustave Moreau prints, posters and framed art prints at PostersMania.com |
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http://www.postersmania.com/posters-26797/gustave-moreau
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| | Art History at Loggia Phaeton, by the Artist Gustave Moreau |
| | This is the moment captured in Moreau's painting. | | | In the magnificent painting Phaeton, artist Gustave Moreau has created a stunning image of a mythological story. | | | The form of Phaeton is a great diagonal gash in the image, as his body falls from the sky. |
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http://www.loggia.com/art/19th/moreau08.html
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| | Records for Gustave Moreau 1826-1898 : [exposition] : Paris, Galeries nationales du Grand Palais, 29 septembre 1998-4 ... |
| | Gustave Moreau 1826-1898 : [exposition] : Paris, Galeries nationales du Grand Palais, 29 septembre 1998-4 janvier 1999 : Chicago, The Art Institute, 13 février-25 avril 1999 : New York, The Metropolitan Museum of Art, 24 mai-22 aôut 1999. | | | Records for Gustave Moreau 1826-1898 : [exposition] : Paris, Galeries nationales du Grand Palais, 29 septembre 1998-4 janvier 1999 : Chicago, The Art Institute, 13 février-25 avril 1999 : New York, The Metropolitan Museum of Art, 24 mai-22 aôut 1999. | | | Click on any of the following to start a new search: |
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http://js-catalog.cpl.org/MARION/%2BHANNIBAL/db5451005000/0
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| | ArtLex on Symbolism |
| | The Unicorn, 1885, oil on canvas, Musée Gustave Moreau, Paris. | | | The work of one group, including Piérre Puvis de Chavannes (French, 1824-1898), Gustave Moreau (French, 1826-1898), and Odilon Redon (French, 1840-1916), took a literary approach, employing some of the | | | Rather than the precise equivalents of ideas or emotions, its symbols were meant to be more mysterious, ambiguous suggestions of meanings. |
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http://www.artlex.com/ArtLex/s/Symbolism.html
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| | Gustave Moreau |
| | Si les oeuvres de Gustave Moreau vous éblouissent d'abord, elles se perdent ensuite, noyées faute de structure exterieure qui les soutienne. | | | Et bizarrement, je dirais que les tableaux de Gustave Moreau brillent bel et bien de leur propre éclat, mais ne peuvent mieux briller que dans un livre. | | | Enfin ai-je pu voir un tableau de Moreau. |
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http://larevue.patoche.org/GMoreau.html
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| | Symbolism: Artists and their Works |
| | The leading Symbolists included Gustave Moreau, Puvis de Chavannes, and Odilon Redon. | | | More a philosophical approach than an actual style of art, they influenced their contemporaries in the Art Nouveau movement and Les Nabis. | | | The movement was also a major influence on some of the Expressionists, especially on the work of Franz von Stuck and Edvard Munch. |
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http://www.artcyclopedia.com/history/symbolism.html
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| | Gustave Moreau: Art History: Easyart.com |
| | Born in Paris in 1826, Gustave Moreau painted elaborate biblical and mythological fantasies. | | | Studying under Picot at the Ecole des Beaux-Arts, he made his debut in the Salon in 1852. | | | Click here for more Gustave Moreau Art Prints |
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http://en.easyart.com/arthistory/artist/Gustave_Moreau-1910.html
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| | Academic Directory on Moreau, Gustave |
| | Nicholas Pioch's WebMuseum, Paris offers this overview of the life and art of Moreau with links to images and related artists. | | | Basic information about the Moreau Museum in Paris is presented on this bilingual site. | | | Images, a biography, and a bibliography are presented here by Mark Harden's Artchive. |
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http://www.alllearn.org/er/tree.jsp?c=40571
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| | The Athenaeum - Displaying artworks for Gustave Moreau |
| | Please note that this list contains all of the artworks The Athenaeum has for Gustave Moreau, but they may have produced other works which are not yet on our site. | | | The Athenaeum - Displaying artworks for Gustave Moreau | | | A Dead Poet being Carried by a Centaur |
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http://www.the-athenaeum.org/art/by_artist.php?id=367
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| | Moreau Artworks and Fine Art at arthistorynet.com |
| | Moreau Louis Gabriel, dit Moreau l'aîné, Vue des coteaux de Bellevue prise de parc de Saint-Cloud, Paris, musée du Louvre (inv. | | | auteurRupp : Paris, 1837 ; Paris, 1918 Moreau : Paris, | | | Moreau Louis Gabriel, dit Moreau l'aîné, Paris, 1740 ; Paris,1806. |
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http://www.absolutearts.com/masters/m/moreau.html
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Topic: Gustave Moreau