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| | Americana |
 | | Still, the pictorial element dominates and the magazine's relentlessly caustic and cynical overview of world affairs, national politics and human foibles is emphatically projected in contributions by co-editor George Grosz, Art Young, Al Hirschfeld, William Steig, John Sloan, James Thurber, Miguel Covarrubias, Orozco, Lynd Ward, and others. | | | The typically dark and neurotic contributions by West are among his earliest American appearances, his involvement with Americana having begun shortly after his return from Paris, where he had published his first novel.Similarly, Grosz' work represents his American debut following his fleeing Germany in 1932. | | | Folded, early ownership signature of George Wyllys, and docketed in his hand. |
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http://www.vgernet.net/frakerbook/americana.htm
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| | Art in America: Galleries Museums & Artists New York - 3823-4404 |
| | D/P/C Artists exhibited: Eugene Berman, Byron Browne, David Burliuk, Arthur B. Davies, Louis Eilshemius, Philip Evergood, William Gropper, Chaim Gross, George Grosz, Blanche Lazzell, Lawrence Lebduska, Israel Litwak, Reginald Marsh, Jerome Myers, Irene Rice Pereira, Robert Philipp, John Sloan, Moses Soyer, Raphael Soyer, Eugene Speicher, Abraham Walkowitz, William Zorach 4115. | | | G/P/C Artists exhibited: George Anthonisen, Ruth Epstein, Yale Epstein, Sharon Florin, Jolyon Hofsted, Susan Klebanoff, Anthony Krauss, Ron Mehlman, Mason Nye, Carl Scorza, Alan Spanier, Teril Stray 3859. | | | Carroll Janis Inc. 120 E 75th St 10021 (212) 535-1503, fax (212) 472-7375 By appt Dir: Carroll Janis/Jeanie Deans Representing the estate of George Segal and other European and American modern masters. |
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http://www.findarticles.com/p/articles/mi_m1248/is_8_90/ai_90251614
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| | Beinecke Library -- Recent Acquisitions --Spring 2000 |
| | One of the formative experiences in the life of the poet Stefan George (1886-1933) was his meeting, in 1903, with a Munich schoolboy named Maximilian Kronberger. | | | The lavish volume was designed by the painter Melchior Lechter (1865-1937), who produced several of George's early books. | | | Arnold's seventeen line drawings, reminiscent of Georg Grosz though gentler in spirit, are in the style of the "new objectivity" (neue Sachlichkeit), which followed upon Expressionism. |
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http://www.library.yale.edu/beinecke/blapr00.htm
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| | George Alexander - new and used books |
| | Alexander Duckers, George Grosz, Irwin Lewis - George Grosz. | | | Peck, Louis George Alexander - Langenscheidts Englisch unterwegs. | | | ISBN > George Alexander - new and used books |
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http://www.isbn.pl/C-2/A-George-Alexander
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| | George Grosz Online |
| | All images and text on this George Grosz page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted. | | | George Grosz in Commercial Galleries and Auction Houses | | | George Grosz in the Los Angeles County Museum of Art Database |
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http://www.artcyclopedia.com/artists/grosz_george.html
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| | George_Grosz |
| | Peter Nisbet (Hrsg.): The Sketchbook of George Grosz, Cambridge/MassaChusetts, Busch-Reisinger Museum, 1993, ISBN 0916724832 | | | Ivo Kranzfelder: George Grosz 1893 - 1959, Köln, Benedikt Taschen Verlag, 1999, ISBN 3822865966 | | | Ars Libri Ltd.: George Grosz, John Heartfield and the Malik Verlag, Cataogue 100, Boston/Massachusetts, 1994 |
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http://bodo.subdomain.de/George_Grosz
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| | Untitled Document |
| | Gerd Arntz, Sue Coe, Conrad Felixmüller,George Grosz, Lea Grundig, John Heartfield,Franz M. Jansen, Käthe Kollwitz,Gerta Overbeck-Schenk, Honoré Daumier, Sella Hasse, Max Liebermann, Franz Masereel, Jean François Millet, Gustav Klutsis, Raphael Soyer, Philip Howard Evergood, William Gropper, Diego Rivera, Hans Schmitz, Augustin Tschinkel | | | Max Beckmann, Otto Dix, Anton Faistauer, Lyonel Feininger, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Käthe Kollwitz, Alfred Kubin, Franz Masereel, Ludwig Meidner, Emil Nolde, Egon Schiele and others | | | Ernst Barlach, Max Beckmann, Charles Burns, Lovis Corinth, James Ensor, Howard Finster, Eric Fischl, George Grosz, Erich Heckel, Gustav Klimt, Max Klinger, Käthe Kollwitz, Alfred Kubin, Oskar Laske, Sally Mann, Frans Masereel, Steve McCurry, Ludwig Meidner, Paula Modersohn-Becker, Edvard Munch, Emil Nolde, Gary Panter, Georges Rouault, Egon Schiele, Cindy Sherman, David Wojnarowicz and others |
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http://www.gseart.com/artists/artist_exh.asp?ArtistID=284
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| | Untitled Document |
| | Ernst Barlach, Max Beckmann, Hans-Sebald Beham, Lovis Corinth, Otto Dix, Albrecht Dürer, George Grosz, Hans Holbein the Younger, Ernst Ludwig Kirchner, Max Klinger,Oskar Kokoschka, Käthe Kollwitz, Ludwig Krug, Alfred Kubin, Richard Müller, Emil Nolde, Alfred Rethel, Erich von Schilling, Michael Wolgemuth | | | Ernst Barlach, Max Beckmann, Sue Coe, Lovis Corinth, Otto Dix, George Grosz, Erich Heckel, Ernst Ludwig Kirchner, Gustav Klimt, Oskar Kokoschka, Käthe Kollwitz, Alfred Kubin, Edvard Munch, Emil Nolde, Georges Rouault and others | | | Max Beckmann, Lovis Corinth, Otto Dix, Richard Gerstl, George Grosz, Erich Heckel, Hanna Höch, Ernst Ludwig Kirchner, Paul Klee, Gustav Klimt, Oskar Kokoschka, Emil Nolde, Hans Richter, Egon Schiele and others |
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http://www.gseart.com/age/weimar.asp
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| | 391: manifestos: dadaist manifesto by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann, april 1918 |
| | by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann | | | Tristan Tzara, Franz Jung, George Grosz, Marcel Janco, Richard Hülsenbeck, Gerhard Preisz, Raoul Hausmann, | | | 391: manifestos: dadaist manifesto by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann, april 1918 |
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http://www.391.org/manifestos/191804dadaist.htm
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| | 391: manifestos: dadaist manifesto by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann, april 1918 |
| | by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann | | | Tristan Tzara, Franz Jung, George Grosz, Marcel Janco, Richard Hülsenbeck, Gerhard Preisz, Raoul Hausmann, | | | 391: manifestos: dadaist manifesto by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann, april 1918 |
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http://www.391.org/manifestos/191804dadaist.htm
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| | Untitled Document |
| | Ernst Barlach, Max Beckmann, Hans-Sebald Beham, Lovis Corinth, Otto Dix, Albrecht Dürer, George Grosz, Hans Holbein the Younger, Ernst Ludwig Kirchner, Max Klinger,Oskar Kokoschka, Käthe Kollwitz, Ludwig Krug, Alfred Kubin, Richard Müller, Emil Nolde, Alfred Rethel, Erich von Schilling, Michael Wolgemuth | | | Max Beckmann, Otto Dix, Anton Faistauer, Lyonel Feininger, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Käthe Kollwitz, Alfred Kubin, Franz Masereel, Ludwig Meidner, Emil Nolde, Egon Schiele and others | | | Max Beckmann, Sue Coe, Lovis Corinth, George Grosz, Erich Heckel, Max Klinger, Oskar Kokoschka, Alfred Kubin, Elfriede Lohse-Wächtler, Jeanne Mammen, Paula Modersohn-Becker, Hermann Max Pechstein, Egon Schiele, Henry Darger, Johann Fischer, Johann Garber, Franz Kernbeis, Johann Korec, Lawrence Lebduska, Anna Mary Robertson (Grandma) Moses, Michel Nedjar, Heinrich Reisenbauer, Oswald Tschirtner, August Walla. |
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http://www.gseart.com/age/weimar.asp
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| | 391: manifestos: dadaist manifesto by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann, april 1918 |
| | Tristan Tzara, Franz Jung, George Grosz, Marcel Janco, Richard Hülsenbeck, Gerhard Preisz, Raoul Hausmann, | | | by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann | | | 391: manifestos: dadaist manifesto by tristan tzara, franz jung, george grosz, marcel janco, richard huelsenbeck, gerhard preisz, raoul hausmann, april 1918 |
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http://www.391.org/manifestos/191804dadaist.htm
(632 words)
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| | Untitled Document |
| | Max Beckmann, Sue Coe, Lovis Corinth, George Grosz, Erich Heckel, Max Klinger, Oskar Kokoschka, Alfred Kubin, Elfriede Lohse-Wächtler, Jeanne Mammen, Paula Modersohn-Becker, Hermann Max Pechstein, Egon Schiele, Henry Darger, Johann Fischer, Johann Garber, Franz Kernbeis, Johann Korec, Lawrence Lebduska, Anna Mary Robertson (Grandma) Moses, Michel Nedjar, Heinrich Reisenbauer, Oswald Tschirtner, August Walla. | | | Ernst Barlach, Max Beckmann, Sue Coe, Conrad Felixmuller, George Grosz, John Heartfield, Erich Heckel, Ernst Ludwig Kirchner, Kathe Kollwitz, Otto Mueller, Frank Noelker, Hermann Max Pechstein, Egon Schiele, Karl Schmidt-Rottluff, Andre Bauchant, Ilija Bosilj-Basicevic, Henry Darger, Michel Nedjar, Anna Mary Robertson ("Grandma") Moses, Joseph Karl Radler, Johann Garber, Franz Kernbeis, Heinrich Reisenbauer, August Walla | | | Sue Coe, Alexis Rockman, Martha Rosler, Max Beckmann, Lovis Corinth, Otto Dix, Conrad Felimuller, George Grosz, Heckel, Ernst Ludwig Kirchner, Gustav Klimt, Oskar Kokoschka, Kathe Kollwitz, Egon Schiele, Ilija Bosilj-Basicevic, Joseph Crepin, Henry Darger, Minnie Evans, Johann Fischer, Johann Garber, Franz Kernbeis, Grandma Moses, Michel Nedjar, Heinrich Reisenbauer, Bill Traylor, Oswald Tschirtner, Scottie Wilson |
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http://www.gseart.com/artists/artist_exh.asp?ArtistID=84
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| | The Roaring Twenties in Germany |
| | 5.5 George Grosz (1893-1959) Self-Portrait with Model, 1928 | | | 5.40 George Grosz (1893-1959) The Dollar advanced to 300 Marks, 1922 | | | 5.48 George Grosz (1893-1959) Eclipse of the Sun, 1926 |
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http://bama.ua.edu/~emartin/gn403/titles.html
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| | Barbara Grosz |
| | Grosz, George Tabellarische Ãbersicht über das Leben des Malers (1893-1959). | | | Grosz, George Posters Barbara Windsor Posters Wilson, Barbara Posters Carter, Barbara Posters Bordnick, Barbara Posters Brown, Barbara Posters Dombrowski, Barbara Posters Peacock, Barbara Posters Applegate, Barbara Posters Von Hoffman, Barbara Posters Felisky, Barbara Posters Nichols, Barbara Posters Psimas, Barbara Posters Maurer, Barbara Posters Davies, Barbara Posters | | | Grosz, George Featuring a brief biography, pictures, and illustrations. |
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http://www.serebella.com/encyclopedia/article-Barbara_Grosz.html
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| | George Grosz |
| | One doesn't make art with conviction alone.' In a somewhat more positive light, Grosz was described as a historical figure in the periodical Eulenspiegel in 1931: 'No other German artist so consciously used art as a weapon in the fight of the German workers during 1919 to 1923 as did George Grosz. | | | Grosz was unable to understand the American psyche to the degree that he had the German, and he returned to his homeland in an attempt to regain the momentum he had lost. | | | More in keeping with popular sentiment, Deutsche Kunst und Dekoration (German art and decoration) described Grosz as one-sided and pathological, 'too obstinate, too fanatical, too hostile to be a descendant of Daumier.' Although according to the magazine's art writer he was a master of form, his social point of view was wrongly chosen. |
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http://www.artchive.com/artchive/G/grosz.html
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| | Jörg Maaß - Geoge Grosz |
| | George Grosz was born in Berlin in 1893. | | | Between 1919 and 1923 Grosz produced his most caustic portrayals of contemporary society and from 1923 to 1927 he worked for the Communist weekly paper Der Rote Knuppel (The Red Cudgel). | | | Apart from a few early etchings from 1912-14 and another later group from 1939 and 1949, most of the prints made by Grosz were photolithographic facsimiles of drawings. |
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http://www.germanexpressionism.com/printgallery/grosz
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| | 959A08B1D073796385256C6F00626D03?Opendocument |
| | George Grosz was a "German American expressionist painter and illustrator. | | | Grosz called himself a profound pessimist with little faith in the future or in most people yet he relentlessly criticized the Weimar Republic for its shortcomings and its lack of sufficient reform. | | | Grosz went to the United States in 1932 and became a citizen in 1938. |
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http://www.facinghistorycampus.org/Campus/weimar.nsf/0/959A08B1D073796385256C6F00626D03?Opendocument
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| | Amazon.ca: Books: George Grosz |
| | This book focuses on the work of the German expressionist George Grosz from 1915 to 1931. | | | Grosz's savage satire of Weimar Germany's bloated politicians, military profiteers, Nazi thugs and lower-middle class are showcased in nearly 200 color reproductions of sketches, oils and watercolors which make up the bulk of this volume. | | | The text includes fond reminiscences by Marty Grosz, the artist's son, and an 11-page documentary of the 1920s in Germany's history, with pertinent... |
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http://www.amazon.ca/exec/obidos/ASIN/0847806685
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| | Magellan's Log: George Grosz: The Faces of Greed: Introduction |
| | George Grosz (1893-1959) was one of the few artists in the 20th century who dared to attempt a lifelong critique. | | | Grosz had seen what was coming and had fled to America just before the Nazi takeover. | | | The faces of greed, and the faces of the victims of greed, that Grosz had drawn 80 years ago, I realized, are the faces I see around me in 21st century America. |
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http://www.texaschapbookpress.com/magellanslog32/grosz/groszintro.htm
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| | Americana |
| | Still, the pictorial element dominates and the magazine's relentlessly caustic and cynical overview of world affairs, national politics and human foibles is emphatically projected in contributions by co-editor George Grosz, Art Young, Al Hirschfeld, William Steig, John Sloan, James Thurber, Miguel Covarrubias, Orozco, Lynd Ward, and others. | | | The typically dark and neurotic contributions by West are among his earliest American appearances, his involvement with Americana having begun shortly after his return from Paris, where he had published his first novel.Similarly, Grosz' work represents his American debut following his fleeing Germany in 1932. | | | (Journalism.) BRYAN, George J. Biographies of Attorney-General George P. Parker, John C. Lord, D.D., Mrs. |
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http://www.vgernet.net/frakerbook/americana.htm
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| | ASU Art Museum Collections: George Grosz |
| | Painted by George Grosz in 1943, is one of several allegorical paintings done by the artist during the Second World War. | | | The ASU Art Museums collection includes two works by George Grosz, The Hero, a drawing done in the early part of his career, and the later painting, I am Glad I Came Back. | | | A vitriolic critic of the Nazis, Grosz was one of the foremost artists in the Weimar Republic, lampooning and ridiculing the government, right wing militarism and bourgeois foibles and vices through the use of highly inflammatory line drawings. |
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http://asuartmuseum.asu.edu/grosz1.htm
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| | 1914-18 war - Art of the First World War - 45 - George Grosz |
| | 1914-18 war - Art of the First World War - 45 - George Grosz | | | George Grosz, Explosion, 1917, oil on panel, 47.8 x 68.2 cm, Museum of Modern Art, New York. | | | In January 1917, Grosz, who up to then had been convalescing, was recalled to his unit. |
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http://www.art-ww1.com/gb/texte/045text.html
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| | ARTEXT - Books on 20th Century Art: General Books D-L |
| | Contains Henry Miller essay on GEORGE GROSZ (with portfolio of illus.), Kott on Othello, writings by Allen Ginsberg and Jack Kerouac. | | | Work by 15 artists including: Bolotowsky, Norman Carlberg, Thomas Downing, Burgoyne Diller, Robert Engman, Jimmy Ernst, Paul Feeley, Thomas George, Hans Haacke, Robert Indiana, John Kacere, Minoru Kawabata, Ellsworth Kelly, Nicholas Krushenick, George Ortman, Omar Rayo, Stephanie Scuris, et al. | | | Rebecca Solnit, Elias Canetti, Franz Kafka, Joseph Lease, Hilda Morley, Gerard Malanga, George Evans. |
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http://www.artextbooks.com/20cent10.html
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| | Alibris: George |
| | Documents the collaboration between George Eastman House and O'Keeffe on the preservation of photography and the role of the institution in educating the public. | | | The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. | | | "George," he said, "I don't know if you'd be interested, but there's a chap who's come in with a tape of a group he runs. |
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http://www.alibris.com/search/books/subject/George/page/18
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| | Beth Irwin Lewis, George Grosz: Art and Politics in the Weimar Republic, reviewed by Maggie Jaffe |
| | George Grosz raised issues and posed problems, in both his drawings and his writings, which cannot be confined to Germany in the 1920s and which we are confronting now in America.... | | | Here she raises an important point, namely whether Grosz's satiric polemics against the ruling class and the military actually reinforced antidemocratic impulses in the German middle class; even as the counterculture [in her view] of the 1960s hastened the counterrevolution in the United States and elsewhere. | | | Since Grosz, Heartfield, and Herzfelde belonged to the Young Germany Movement, a communist organization formed during the Revolution of 1848, their art was informed by Tendenz, or "tendentious art," "which [deliberately] expresses political opinions and ideological presuppositions... |
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http://jefferson.village.virginia.edu/sixties/HTML_docs/Texts/Reviews/Jaffe_Grosz.html
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| | TASCHEN Books: Art - All Titles - Art. Grosz - Facts |
| | George Grosz (1893-1959) was one of the most important exponents of Dadaism, and therefore of political painting in general. | | | For Grosz, painting served as a political instrument: "I drew and painted from a sense of contradiction and through my work tried to convince the world that it was ugly, sick, and phoney." Grosz's paintings function as collages: the pictorial space is fragmented and thus takes on a futuristic aspect. | | | The decisive element in Grosz's paintings is their content: in them he pointed out defects in the political and social conditions, literally arraigning them before the public. |
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http://www.taschen.com/pages/en/catalogue/books/art/all/facts/01753.htm
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| | George Grosz Biography and Artworks - Leslie Sacks Fine Art |
| | George Grosz was a German painter, draughtsman and illustrator. | | | As an expressionist artist, Grosz was also a contributor to German Expressionism, an artistic style in which the artist seeks to depict not objective reality but rather the subjective emotions and responses that objects and events arouse in him. | | | Because of this, Grosz was often subject to prosecutions for charges of blasphemy. |
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http://www.lesliesacks.com/gallery/artistPages/grosz/groszbio.htm
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| | Robert Cenedella on artnet |
| | He received his formal education from the High School of Music and Art in New York and The Art Students League of New York where he studied under the late German satirical painter George Grosz. | | | In December 1994, a major retrospective at the Galerie Am Scheunenviertel in Berlin, Germany, was a tribute to his former mentor and ran concurrently with the George Grosz Centennial Exhibition at the Berlin Nationale Galerie. | | | The exhibit The Nation Hangs Cenedella was held at the New York executive offices of The Nation magazine and covered subjects ranging from the Selma riots to the preemptive war on Iraq. |
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http://www.artnet.com/artist/643815/Robert_Cenedella.html
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Topic: George Grosz