|
| |
| | Claudio MONTEVERDI |
 | | Monteverdi was among the earliest composers to use solo voices in his compositions. | | | Monteverdi was a brilliant madrigalist and published many madrigal collections throughout his career which spans over forty years, the first when he was only fifteen "Sacrae cantinunculae". | | | Monteverdi took holy orders in 1632 but his interest in opera was renewed when the first opera house San Cassiano was opened in Venice. |
|
http://www.digital-daydreams.com/enc/composers/show_composer.php?id=92
(474 words)
|
|
| |
| | Claudio Monteverdi |
| | Monteverdi's last opera, L'incoronazione di Poppea, though transmitted in not wholly reliable sources and including music by other men, is his greatest masterpiece and arguably the finest opera of the century. | | | There Monteverdi was active in reorganizing and improving the cappella as well as writing music for it, but he was also able to accept commissions from elsewhere, including some from Mantua, for example the ballet Tirsi e Clori (1616) and an opera, La finta pazza Licori (1627, not performed, now lost). | | | In the 1610 collection of sacred music Monteverdi displayed the multiplicity of styles that characterize this part of his output. |
|
http://w3.rz-berlin.mpg.de/cmp/monteverdi.html
(547 words)
|
|
| |
| | Claudio Monteverdi (1567 - 1643) |
| | Monteverdi demonstrated his skill as composer and music director at an audition in August 1613, and was hired on the spot. | | | Monteverdi published four volumes of sacred music in his lifetime. | | | A landmark study of Monteverdi's music, providing a history of all of his most important compositions and analysis of the compositions. |
|
http://members.macconnect.com/users/j/jimbob/classical/Monteverdi.html
(1336 words)
|
|
| |
| | CLAUDIO MONTEVERDI, Biography, Discography |
| | Although Monteverdi can be viewed as both a composer of the Renaissance and of the Baroque, there is a continuity that runs through his works in both styles. | | | This ideal permeated his madrigals and found new expression in the dramatic language of opera. | | | He remained in Venice for the rest of his life, writing music in all genres, including his final opera, L'incoronazione di Poppea (1642). |
|
http://www.goldbergweb.com/en/history/composers/11561.php
(298 words)
|
|
| |
| | [No title] |
| | Monteverdi's manner of setting Chiabrera brought the poetry's line and verse structure to the fore, demonstrating again that for Monteverdi, the words were the master of the music. | | | The apparently incongruous pairing of Claudio Monteverdi's light canzonette with Giulio Cesare's "Dichiatatione" in the Scherzi musicali (1607) suggests a purely casual relationship between music and essay. | | | This article is set against the backdrop of a well-known music-historical theme: Artusi's criticism of Claudio Monteverdi's musical style, and the Monteverdi brothers' defense against it. |
|
http://www.music-cog.ohio-state.edu/~jveltman/research/resources/ossi.html
(476 words)
|
|
| |
| | OperaWorld.com's Opera Insights: Claudio Monteverdi |
| | Although Monteverdi was extremely popular in his day, his music was virtually forgotten until the first half of the 19th century, when Carl von Winterfield researched and published a study on Giovanni Gabrieli and rediscovered Monteverdi's works in the process. | | | Although Monteverdi had retired several years earlier, the opening of the opera house and the popular clamor for new works seem to have inspired him, and he returned to composing, creating several new works. | | | In his position, Monteverdi composed, taught, and supervised all music for St. Mark's and had at his disposal about 30 singers and 20 instrumentalists. |
|
http://www.operaworld.com/special/monte1.shtml
(1284 words)
|
|
| |
| | The Vespers of Claudio Monteverdi |
| | The Vespers of Claudio Monteverdi Monteverdi: a revolutionary genius by Dominique Olivier Claudio Monteverdi, the father of modern opera, was the revolutionary genius whose work embodied the transition from the polyphonic music of the Renaissance to the stilo moderno of the Baroque period. | | | In all, the Vespers contain thirteen compositions that are extraordinarily rich from the vocal and instrumental standpoint, skillfully developed around a strong focus or thread, the cantus firmus. | | | He became a prolific composer of both liturgical and secular music, mainly for voice, and gained renown throughout Europe with the publication of his nine books of madrigals. |
|
http://www.scena.org/lsm/sm5-1/sm5-1Vespers-en.html
(941 words)
|
|
| |
| | HOASM: Claudio Monteverdi |
| | In 1630 Monteverdi set Strozzi's drama Proserpina rapita; an attack of plague in Venice in 1630-31 and the cessation of commissions from Mantua led to the slackening of his compositional activities. | | | Monteverdi's seventh book of madrigals appeared in 1619, and the following year he refused an offer to return to Mantuan service, alluding to all his old complaints against the Gonzaga household. | | | In addition to composing some large-scale works, Monteverdi's duties at St. Mark's included reorganizing the cappella, finding new singers, and purchasing music. |
|
http://www.hoasm.org/VB/VBMonteverdi.html
(706 words)
|
|
| |
| | Baroque Composers - Claudio Monteverdi |
| | Claudio Monteverdi is considered one of the greatest composers during the early Baroque period as well as all of music history because of his ability to bridge the musical styles of the sixteenth and seventeenth centuries. | | | Monteverdi was also the first composer of operatic pieces, but in choral music is best known by his madrigals. | | | He strove to create unprecedented passion and dramatic contrast in all his works. |
|
http://www.bellevuechamberchorus.net/Research/Baroque/Composer/Monteverdi.htm
(100 words)
|
|
| |
| | DoveSong.com. -- The Music of Claudio Monteverdi |
| | In 1636, Monteverdi joined the pristhood and that is the last that we hear about him in the history of music. | | | In 1603, Monteverdi became Ingegneri's successor as maestro to the Duke and composed for the wedding of the Duke's son to Margherita of Savoy the opera Ariadne, in which Ariadne's grief moved the audience to tears. | | | The Vespers and motets published in 1610 gave him such fame that he was in 1613 made maestro di Cappella at San Marco in Venice, at the unprecedented salary of 300 ducats, but is was raised to 500 in 1616 and a house and traveling expenses given to him. |
|
http://www.dovesong.com/positive_music/archives/baroque/Monteverdi.asp
(468 words)
|
|
| |
| | Claudio Monteverdi - mp3 - Operas'early years, madrigals - Opera Italiana |
| | With this last opera Monteverdi introduced a genre that was to have great importance in music theatre, the opera on an historical subject, abandoning the subjects which had always been used previously based on imaginary characters from mythology. | | | This development that Monteverdi worked in theatre for music, which effectively came into existence through him, shaped the eminently operatic vocation that Italian music would adopt in the coming centuries. | | | Recitative style was perfected and appeared very varied, whilst the chorus and orchestra, which now began to represent a much more important group, accompanied singers for whom arias were scored; sinfonias and various instrumental pieces completed the work's musical structure. |
|
http://www.operaitaliana.com/opera_italiana/opere.asp-id=11&Lingua=1.htm
(949 words)
|
|
| |
| | Naxos.com, Your World of Classical Music |
| | His importance as a proponent of the so-called seconda prattica, the new concerted music characteristic of the early Baroque, is unquestioned, as is his pre-eminence in the development of the new form of opera that sprang from the combination of music and rhetoric in the art of Italian monody. | | | Possibly as an advertisement of his varied abilities as a composer, Monteverdi wrote in 1610 a setting of the service of Vespers for the Blessed Virgin Mary in the modern style that would appeal to the officials of St. Mark's in Venice. | | | The Vespers offer a dramatic and colourful exploitation of the possibilities of the new style in a work of great variety and interest well suited to the spacial effects available to performers in the great basilica of St. Mark, with its galleries and traditions of writing for contrasted groups of performers spacially separated. |
|
http://www.naxos.com/mainsite?pn=Composers&char=M&ComposerID=706
(619 words)
|
|
| |
| | Powell's Books - Opera's First Master: The Musical Dramas of Claudio Monteverdi by Mark Ringer |
| | Claudio Monteverdi (1567-1643) was the first great opera composer and is often hailed as the creator of modern music. | | | Ringer places Monteverdi's operatic works within the musical and theatrical framework of his era, offering a brief sketch of the composer's early years and detailing the complex forces that led to the emergence of opera in late sixteenth-century Florence. | | | His genius was often likened to that of Mozart, Wagner, and Verdi, but in many of the world's opera houses his operas often receive an almost chilly respect, far removed from the nearly universal love aroused by those later masters. |
|
http://www.powells.com/cgi-bin/partner?partner_id=719&cgi=product&isbn=1574671103
(196 words)
|
|
| |
| | [No title] |
| | He established the foundations of modern opera that was conceived as musical drama in music. | | | Monteverdi wrote more operas, and in 1637, the very first public opera house was opened in Venice. | | | Shortly after releasing L’Orfeo, Monteverdi’s wife died, and while in grief over her, he wrote his second opera, a commissioned work, L’Arianna. |
|
http://www.ptloma.edu/music/MUH/composers/Monteverdi/Monteverdi.htm
(542 words)
|
|
| |
| | Island of Freedom - Claudio Monteverdi |
| | In 1637 the first public opera house was opened, and Monteverdi, stimulated by the enthusiastic response to opera, wrote a new series of operas, of which two remain, Il ritorno d'Ulisse in patria (The Return of Ulysses to His Homeland, 1641) and L'incoronazione di Poppea (The Coronation of Poppaea, 1642). | | | At the age of 15, Monteverdi composed his first work, a set of three-part motets, and by 1605 he had composed five books of madrigals. | | | When Monteverdi became music director at St. Mark's, Venice, in 1613, his name and publications were already famous throughout Europe. |
|
http://www.island-of-freedom.com/MONTEVER.HTM
(590 words)
|
|
| |
| | monteverdi |
| | Monteverdi’s first true opera, Orpheus, was produced in 1607; his last, The Coronation of Poppea, in 1642. | | | Yet, Monteverdi broke with the past and devoted himself to the development of opera, the telling of Greek myths (the Renaissance commitment to Classicism) set to music. | | | When Walter Pater said in the last century that “All art constantly aspires to the condition of music,” he surely was thinking of his own 19th-century music, a music developed along the lines laid down 250 years ealier by Claudio Monteverdi. |
|
http://faculty.ed.umuc.edu/~jmatthew/naples/monteverdi.html
(775 words)
|
|
| |
| | Milestones of the Millennium: Claudio Monteverdi |
| | In 1607, Monteverdi took this rudimentary approach and turned it on its head with, arguably, the first true opera, “L’Orfeo.” His revolutionary debut defied all existing musical convention. | | | Instead of going to Rome, Monteverdi became music director of the majestic cathedral in Venice in 1612, where he rounded out his career in great style. | | | Monteverdi’s last opera, “The Coronation of Poppea” may have been his best. |
|
http://www.npr.org/programs/specials/milestones/990519.motm.monteverdi.html
(556 words)
|
|
| |
| | Monteverdi, Claudio on Encyclopedia.com |
| | Monteverdi, el mal pagado padre de la ópera moderna.(Claudio Monteverdi, compositor Italiano)(TT: Monteverdi, father of modern opera, unappreciated.)(TA: Claudio Monteverdi, Italian composer) | | | After the first public opera house opened in Venice in 1637, the aged Monteverdi produced his last operas, including Il ritorno di Ulisse in Patria (1641) and L'incoronazione di Poppea (1642), which show marked development in characterization and emotional power. | | | Although he wrote mostly church music after settling in Venice, he continued to develop his dramatic gifts in many secular madrigals and dramatic cantatas such as Il combattimento di Tancredi e di Clorinda (1624). |
|
http://www.encyclopedia.com/html/M/Montever.asp
(544 words)
|
|
| |
| | [No title] |
| | The one genre to which Monteverdi applied himself with distinction but without competition from other enormously popular composers is the madrigal. | | | The opposite technique is called either monody, which is a solo song with some sort of accompaniment, or homophony-essentially the same thing, in which one voice leads melodically and is supported by chordal or slightly more elaborate accompaniment. | | | Monteverdi wasn't the first or only great madrigal composer. |
|
http://www.azstarnet.com/public/packages/reelbook/153-4028.htm
(1015 words)
|
|
| |
| | Amazon.co.uk: Monteverdi - Pianto della Madonna: Music |
| | She has almost no vibrato and an exceptionally clear and well-controlled delivery, even in Monteverdi's elaborate ornamentation, and is clearly completely at ease with the music of the period. | | | Although his surviving operas and his larger-scale liturgical compositions are well known, especially the magical Vespers of 1610 and his four-part Mass, the smaller liturgical works are only now receiving their due acknowledgement. | | | For his sacred monody "Pianto della Madonna" ("The Madonna's Complaint") he reworked a scene from his opera Lamento d'Arianna, in which the mythological heroine, abandoned by her lover, bewails her fate. |
|
http://www.amazon.co.uk/exec/obidos/ASIN/B00000J7WF
(831 words)
|
|
| |
| | Claudio Monteverdi, Composer |
| | Monteverdi was not very happy with is job in Mantua because he was not paid well for his work, and he soon took a very prestigious job as the music director at St. Mark's Cathedral in Venice Italy. | | | Monteverdi is especially know for his contributions to opera. | | | He also composed other types of music: masses (music that accompanies a full church service) motets (unaccompanied choral compositions that are based on sacred texts) and madrigals (choral pieces that are often patterned after poetry and tell a story). |
|
http://www.dsokids.com/2001/dso.asp?PageID=497
(311 words)
|
|
| |
| | Sweet Corn Productions - Steve Bryant's Program Notes - 3 |
| | Set over a ground bass, the duet portrays ecstatic love at its most intense, complete with near babbling as the lovers are swept away in their apotheosis of passion. | | | Its composers remained interested in emotions, but their art had become one of mechanistic depiction — not unlike the intricate clockwork of the era — as opposed to the more direct expression employed to such great effect by Monteverdi and his contemporaries. | | | Yet, for everything this cantata lacks in emotive impact it repays in technical brilliance, the quality that principally accounts for the extraordinary success of Händel and his Italian singers with fashion-conscious British opera audiences in the first half of the 18th century. |
|
http://www.eskimo.com/~demian/sweet-n3.html
(1248 words)
|
|
| |
| | Amazon.com: Monteverdi - Madrigali guerrieri et amorosi / Rooley, The Consort of Musicke: Music |
| | Monteverdi: Vespro della Beata Vergine 1610/Venetian Vespers ~ Claudio Monteverdi (Composer), et al | | | The "warlike madrigals" (concerned largely with the "war of love") feature the "agitated style" Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. | | | Nine perfectly balanced voices with clear but restrained period instrumentation show off the music in its polyphonic and chromatic brilliance. |
|
http://www.amazon.com/exec/obidos/tg/detail/-/B00000J2PZ?v=glance
(1341 words)
|
|
| |
| | Cantori New York: Claudio Monteverdi |
| | Monteverdi is remembered today primarily for his contributions to opera (including Orfeo and L’incoronazione di Poppea), and to the development of what later came to be known as the baroque style (his fifth book of madrigals being the first to employ basso continuo). | | | Claudio Monteverdi began his musical education under Ingegneri as a boy chorister in the cathedral of Cremona. | | | Monteverdi also wrote Masses, motets, Vespers, and Magnificats. |
|
http://www.cantorinewyork.com/composers_archive/monteverdi.html
(159 words)
|
|
| |
| | Amazon.co.uk: Monteverdi: Vespers: Music |
| | Vespro della Beata Vergine: Hymnus: Ave maris stella - Claudio Monteverdi | | | This is the place to find Monteverdi Vespers sheet music. | | | Vespro della Beata Vergine: Quia fecit mihi magna - Claudio Monteverdi |
|
http://www.amazon.co.uk/exec/obidos/ASIN/B000004247
(1053 words)
|
|
| |
| | Monteverdi, Claudio |
| | The development of Monteverdi's style can be easily seen in his madrigals. | | | This aria, "Possente spirito" from the opera Orpheus, is one of many valuable works by Monteverdi. | | | The early ones (Books 1-4) are in the old Renaissance contrapuntal style of four equal voices, but after 1603 (Book 5) he began to write madrigals with an added basso continuo part and an exalted soprano part. |
|
http://stevenestrella.com/composers/composerfiles/monteverdi1643.html
(434 words)
|
|
| |
| | Additional Reading (from Claudio Monteverdi) -- Encyclopædia Britannica |
| | Monteverdi's music is available in a modern collected (though not always accurate) edition in 16 volumes (some divided into several fascicules) by G.F. Malipiero (1926–42, reprinted c. | | | 1952, reprinted 1972); L. Schrade, Monteverdi: Creator of Modern Music (1950, reprinted 1979); and Denis Arnold, Monteverdi, rev. ed. | | | Monteverdi's ample correspondence is printed in G.F. Malipiero, Claudio Monteverdi (1930); an English translation of the more important letters is contained in Denis Arnold and Nigel Fortune (eds.), The Monteverdi Companion (1968, reissued 1972). |
|
http://www.britannica.com/eb/article-4985?tocId=4985
(130 words)
|
|
| |
| | Chi vuol veder d'inverno un dolce aprile (Claudio Monteverdi) - ChoralWiki |
| | Chi vuol veder d'inverno un dolce aprile (Claudio Monteverdi) | | | Chi vuol veder d'inverno un dolce aprile (Claudio Monteverdi) - ChoralWiki | | | This page was last modified 18:07, 11 November 2005. |
|
http://www.cpdl.org/wiki/index.php/Chi_vuol_veder_d'inverno_un_dolce_april_(Claudio_Monteverdi)
(56 words)
|
|
| |
| | La Venexiana & Claudio Cavina |
| | This ensemble has established a new style in Italian early music performance: a warm, truly Mediterranean blend of textual declamation, rhetorical colour and harmonic refinement. | | | Born of the collaboration between soprano Rossana Bertini and countertenor Claudio Cavina, its current musical director, La Venexiana makes a careful use of the original sources, keeping the activity of the ensemble always stimulating and full of enjoyable surprises. |
|
http://www.glossamusic.com/artists/lavenexiana.htm
(397 words)
|
|
| |
| | CLASSICAL MUSIC ARCHIVES: Biography of Claudio Monteverdi |
| | When the first opera house, San Cassiano, was opened in Venice in 1637, Monteverdi's interest in opera was re-kindled and for the remaining 6 years of his life he comp. | | | Find the music of Claudio Monteverdi in the Archives. | | | In the same year the plague ravaged Venice; the combination of these catastrophes probably accounts for Monteverdi's admission to holy orders in 1632. |
|
http://www.classicalarchives.com/bios/codm/monteverdi.html
(685 words)
|
|
| |
| | NPR : COMPOSER CLAUDIO MONTEVERDI |
| | But both these men were prolific letter writers. | | | Performance Today, June 22, 1995 · Composer Claudio Monteverdi didn't have much in common with Benjamin Britten, musically speaking. |
|
http://www.npr.org/templates/story/story.php?storyId=1021218
(139 words)
|
|
| |
| | Claudio Monteverdi, 1567-1643 |
| | His job there was, of course, to compose and play spiritual music for the masses, but he never stopped composing operas which he had started to do at the court of Mantova. | | | Although his style is clearly influenced by Renaissance polyphony - after all, he did learn his craft in the era -, it is a style of its own. | | | Apart from that, there are some sacred works (most notably the Vespro della Beata Vergine) and the complete set of his eight books of madrigals. |
|
http://www.manteau.de/claudio.html
(477 words)
|
|
| |
| | Claudio Monteverdi |
| | The excited, speaking style heard in this example (stile concitato) is one of Monteverdi's many contributions to the development of Baroque style. | | | This madrigal is from his sixth book (1614). | | | This is from Monteverdi's eighth book (the so-called Madrigals of Love and War, 1638). |
|
http://www.wwnorton.com/classical/covers/60707.htm
(186 words)
|
|
| |
| | Academic Directory on Monteverdi, Claudio |
| | This page from the Discover Classical Music project of the Fine Arts Society of Indianapolis provides a very good general introduction to the composer and his music, along with a glossary of terms, source citations, and links to other websites. | | | This page from Lewis Morton provides a list of Monteverdi's works. | | | From Matt Boynick's Classical Music Pages, this site provides a brief biography of the composer, taken from the Grove Concise Dictionary of Music. |
|
http://www.alllearn.org/er/tree.jsp?c=42608
(115 words)
|
|
| |
| | Claudio Monteverdi News |
| | After a meteoric decade long-career that has won him acclaim and some notoriety in opera houses from Chicago to Saint Petersburg, McVicar has got his chance to direct the Mozart classic at the Rhine Opera in... | | | An unforgettable premire of Monteverdi's Vespers, reviewed by LAWRENCE BUDMEN Claudio Monteverdi was one of music's creative giants. | | | Boston Baroque, one of the premier original instrumentation ensembles in the country, performed Claudio Monteverdi's L Orfeo at New England Conservatory's Jordan Hall in Boston on Nov. |
|
http://www.topix.net/who/claudio-monteverdi
(166 words)
|
|
| |
| | Claudio Monteverdi - L'Orfeo - Compare Prices & Reviews at Smarter |
| | Free music downloads during 14 day trial, $9.99 per month to continue. | | | Get Claudio Monteverdi sheet music at Sheet Music Plus. | | | Audition for top industry professionals in a national showcase of undiscovered vocal artists of all ages and genres of music. |
|
http://www.smarter.com/movies-4/product/claudio_monteverdi_-_l'orfeo-227224
(262 words)
|
|
| |
| | Claudio Monteverdi - Classical Composers Database |
| | Eamon Dougan, Tomaso Albinoni, Johann Sebastian Bach, Georges Bizet, Johannes Brahms, Anton Bruckner, William Byrd, Gabriel Faure, Antonio Lotti, Frank Martin, Claudio Monteverdi, Henry Purcell | | | Monteverdi: Creator of Modern Music (Da Capo Press Music Reprint Series) | | | Find more books about Claudio Monteverdi at Amazon.com |
|
http://www.classical-composers.org/cgi-bin/ccd.cgi?comp=montever
(580 words)
|
|
| |
| | Sheet Music Plus Results |
| | Over 10,000 Christmas titles for every instrument and ability! | | | Madrigals (32) in 3 volumes Volume 1 By Claudio Monteverdi... | | | Wolfgang Amadeus Mozart: Coronation Mass, K. For satb choir and piano accompaniment... |
|
http://www.sheetmusicplus.com/a/phrase.html?id=77965&phrase=Monteverdi
(303 words)
|
|
| |
| | Monteverdi, Claudio Giovanni Antonio |
| | This picture of the Italian composer Claudio Monteverdi is found in the 17th-century Gravenbrock manuscript. |
|
http://www.tiscali.co.uk/reference/encyclopaedia/hutchinson/m0004917.html
(173 words)
|
|
| |
| | ..:: Polyphonic Group CLAUDIO MONTEVERDI di Ruda ::.. History |
| | The Polyphonic Group “Claudio Monteverdi” was founded in 1976. | | | The repertoire includes 1500’s pieces, as well as Baroque ones by: Palestrina, Da Victoria, Gallus, Viadana, Hassler, Monteverdi; of Romantic authors such as: Schubert, Schumann, Mendelssohn, Sibelius, Rossini, Rheinberger, Tomadini and of modern executioners like Poulenc, Kodaly, Bardos, Pizzetti, Orff and Dipiazza. | | | Traditional Folk singing is also included, always mould on the Choir’s musical needs. |
|
http://www.coromonteverdi.it/eng/storia/storia.htm
(324 words)
|
|
| |
| | Claudio Monteverdi - anagrams |
| | "Italian composer Claudio Monteverdi" -> "Cremona, music and opera. | | | Find anagram aliases of claudio monteverdi (or any other text)! | | | Find gold service anagrams of claudio monteverdi (or any other text)! |
|
http://www.anagramgenius.com/archive/claudi.html
(46 words)
|
|
| |
| | Monteverdi - Wikipedia, the free encyclopedia |
| | This is a disambiguation page — a list of articles associated with the same title. | | | See our fundraising page for details, as well as daily reports. | | | For the Swiss automobile brand created by Peter Monteverdi, see Monteverdi (car) |
|
http://en.wikipedia.org/wiki/Monteverdi
(96 words)
|
|
| |
| | Shelter.nu : Claudio Monteverdi |
| | These pages will soon be up and running with information on Claudio Monteverdi, his life, contemporaries and general background. | | | Blog archive Work and technology Ego ergo sum CV My family Norwegians in Canberra Interests Favourite authors Favourite composers Claudio Monteverdi What I'm listening to these days My favourite recomendations About this site |
|
http://www.shelter.nu/monteverdi.html
(76 words)
|
|
| |
| | JPJ Home Page |
| | and Sestina by Monteverdi, 2 arrangements by Coppini, and works by Knud Jeppesen | | | The texts for Jeppesen's and Mathiassen's works in Danish can be seen here: | | | I am educated obo player and until about 1980 I assisted |
|
http://www.jpj.dk
(198 words)
|
|
| |
| | List of Works: Monteverdi |
| | Musica tolta da i madrigali di Claudio Monteverde... | | | Il secondo libro della musica di Claudio Monteverde, e d'altri autori à 5.. | | | Il terzo libro della musica di Claudio Monteverde..., fatta spirituale da Aquilino Coppini, (p1609) |
|
http://www.geocities.com/Vienna/1790/m_works.htm
(2126 words)
|
|
|
Topic: Claudio Monteverdi