A search engine inspired by the Muses

About us  |  Why use us?  |  Press  |  Contact us

Topic: British Poetry Revival

Ads by Google Related Topics meter poetry British Poetry Revival Modernist poetry Chinese poetry English poetry Performance poetry Limerick poetry concrete poetry      British Poetry Revival - Wikipedia, the free encyclopedia The British Poetry Revival is the general name given to a loose poetic movement in Britain that took place in the 1960s and 1970s. Pickard and MacSweeney shared Bunting's interest in reviving Northumbrian vowel patterns and verbal music in poetry and all of these poets were influenced by the older poet's insistence on poetry as sounded speech rather than purely written text. Although these poets had effectively been written out of official histories of 20th century British poetry, by the beginning of the 1960s a number of younger poets were starting to explore poetic possibilities that the older writers had opened up. http://en.wikipedia.org/wiki/British_Poetry_Revival      Biographical Sketches. Untermeyer, Louis, ed. 1920. Modern British Poetry Edith Sitwell was born at Scarborough, in Yorkshire, and is the sister of the poets, Osbert and Sacheverell Sitwell. Her poetry is largely actuated by religious themes, and much of her verse is devotional and yet distinctive. His quarterly Poetry and Drama (discontinued during the war and revived in 1919 as The Monthly Chapbook), was in a sense the organ of the younger men; and his shop, in which he has lived for the last seven years except while he was in the army, became a genuine literary center. http://www.bartleby.com/103/2000.html      Bad Subjects: Abandoning Purity This new poetry is very self-consciously an alternative to the quotidian poetic of the Movement, and allies this with a political critique based on linguistic structures. The British Poetry Revival of the 1960's, documented extensively by Eric Mottram, was so oppositional it involved what amounted to a bloodless coup at the Poetry Society, involving poets such as Barry MacSweeney and Ken Smith. The poets collected in the experimental sections of The New British Poetry were, with the sole exception of Roy Fisher (who published with Oxford University Press), published by small independent presses. http://bad.eserver.org/issues/1999/46/robinson.html      wikien.info: Main_Page Modernist poetry in English is generally considered to have emerged in the early years of the 20th century with the first appearance of the Imagist poets. In many respects, their criticism of contemporary poetry echoes what William Wordsworth wrote in the Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier. The dislocation of the authorial presence is achieved through the application of such techniques as collage, found poetry, visual poetry, the juxtaposition of apparently unconnected materials, and combinations of these. http://www.hostingciamca.com/index.php?title=Modernist_poetry_in_English      Jeff Nuttall - OpenWiki Nuttall served as Chairman of the National Poetry Society from 1975 to 1976, a period when the Society briefly served as a home for the British Poetry Revival. He was poetry critic for a number of national newspapers and was the Poetry Society nominee for Poet Laureate but was overlooked in favour of Ted Hughes. He studied painting in the years after the Second World War and began publishing poetry in the early 1960s. http://www.infoshop.org/wiki/index.php/Jeff_Nuttall      Christopher Logue - Wikipedia, the free encyclopedia Christopher Logue (born Portsmouth, 1926) is an English poet associated with the British Poetry Revival. (The volume entitled Homer: War Music was shortlisted for the 2002 International Griffin Poetry Prize.) He has also published an autobiography called Prince Charming (1999). His lines tend to be short, pithy and frequently political, as in his Song of Autobiography: http://en.wikipedia.org/wiki/Christopher_Logue      English 251: Art Notes John Duncan was born in Dundee, the son of a cattle dealer, and was studying at the Dundee School of Art by the age of eleven. His subject-matter remained rooted in the Celtic Revival and the Pre-Raphaelite tradition, but he also painted 'straight' landscapes in Iona and elsewhere, and took a keen interest in the development of modern art. He was also deeply involved in theatre, music, teaching and journalism; he wrote some twenty books, including poetry, accounts of foreign travel, and such textbooks as the much-acclaimed Manual of Tempera Painting (dedicated to Southall, 1930). http://social.chass.ncsu.edu/wyrick/debclass/hitart.htm      Articles - David Gascoyne His poetry of this period was published in Poems 1937-1942 (1943) with illustrations by the artist Graham Sutherland. Although Poems 1937-1942 received some critical acclaim at the time, it was only with the renewed interest in experimental writing associated with the British Poetry Revival that their work began to be rediscovered and discussed. http://www.lastring.com/articles/David_Gascoyne      Edwards--UK Small Press Publishing Eric Mottram, 'A Treacherous Assault on British Poetry', introduction to his section of The New British Poetry (Paladin, London 1988). Eric Mottram, 'A prosthetics of poetry: the art of Bob Cobbing' in Second Aeon 16/17, 1973. Whether this was connected with the events at the Poetry Society or not, the fact is that the funding situation for small, avant-garde presses throughout the 1970s and 80s was dire. http://wings.buffalo.edu/epc/authors/edwards/edwards_press.html      Andrew Duncan on Twentieth-Century Poetry Davie's cultural concept was basically similar to a completely opposite project, Eric Mottram's idea of the British Poetry Revival: the rise from 1960 of a revolutionary new generation, capable of reforming all the weaknesses of the old one. The choice of poetry which is brilliant as well as artistic It is really very difficult writing poetry in which every line is original. http://www.poetrysociety.org.uk/review/pr92-2/duncan.htm      Jacket 26 - David Kennedy - British Poetry Never Was; or, Some Observations of Andrew Duncan's "The Failure of ... This is a great disappointment because the other really valuable aspect of the book is a passionate argument that surfaces intermittently about the need to view British poetry in terms of what is variously called ‘collective change’, ‘style history’, ‘collective practices’, and ‘the style which answered to the era’.    Second, the demand for belated recognition for ‘The British Poetry Revival’ and for work derived from it means that British poetry remains a matter of ‘ought to be’ because its past was a matter of ‘should have been’, ‘could have been’ and ‘never was’. Chapter Six, ‘The Gothic Strain in Seventies Poetry’, is an object lesson in how to write this sort of criticism but many of the other ‘decade’ chapters are less successful. http://jacketmagazine.com/26/kennedy.html      Pages: July 2005 The choice of date is decisive; it marks the Arts Council's takeover of the Poetry Society and the atomizing of the community of British Poetry Revival writers. Adair, possibly looking at it with a London bias and from the perspective of one who had not been a member of the British Poetry Revival, declared that there had been a ‘public invisibility of the poetry’ and ‘ditto of a theorizing discourse’. While Mottram, as a former editor of the Poetry Review, was an obvious choice to edit a section of British Poetry Revival work, Edwards was selected because he was by the mid 1980s editing what was the most important magazine publishing Linguistically Innovative Poetry, Reality Studios. http://robertsheppard.blogspot.com/2005_07_01_robertsheppard_archive.html      1960s American Poetry The poetry of the United States began as a literary art during the colonial era. Diversity of American Poetry Many poets who had begun writing formal poetry in the 1950s and 1960s underwent changes... By the 1960s, the young poets of the British Poetry Revival looked to their American contemporaries and... http://www.stateofexpression.com/2/1960s-american-poetry.html      M/C Journal: "Iain Sinclair's Excremental Narratives" An affiliation with the avant-garde British Poetry Revival indicates Sinclair’s dedication to alternative publishing, as does the existence of his own imprints: the punningly named horz commerz, and the Albion Village Press. Acquiring Sinclair’s recondite code—which those who are cognisant with his style are well aware—is not a task for the uncommitted. His mimeographed chapbooks and limited edition hardcovers have for the major part of his career been conceived, produced, and disseminated outside the parameters of mainstream culture. http://journal.media-culture.org.au/0502/03-seale.php      A few links to start with This page is a quick list of key sites for anyone who is interested in exploring the more experimental sides of contemporary poetry and music. UbuWeb - "visual, concrete and sound poetry." A vital source of contemporary and historical work, including an ethnopoetics section, curated by Jerome Rothenberg, and an mp3 archive. The Wire - many useful articles, interviews and artist links on the website of the UK print-based music magazine. http://www.manson88.freeserve.co.uk/Linksquick.htm      The British Folk Revival - Bibliography Jeremy books the folk performers into Telford’s and has more grounding in the workings of the revival than his brother. Together with Ben Broughton she founded the Youthquake movement to bring younger people into the folk revival. Jenny Shotliff is a young fiddle payer from Lancashire. http://www.mustrad.u-net.com/biblio.htm      wikien.info: Main_Page His work was featured in the groundbreaking Revival anthology [[Children of Albion: Poetry of the Underground in Britain]] (1969). In 1957, Turnbull started Migrant Press, one of the first British-run presses to focus on poets in the modernist tradition. His own books include A Gathering of Poems 1950-1980 (1983) and Rattle of Scree: Poems (1997). http://www.alanaditescili.net/index.php?title=Gael_Turnbull      Beat poet Pickard reads Nov. 18 - MIT News Office As a poet, Pickard is known for his poetic range, from erotic to political, from lyrically delicate to poignantly sad to bluntly expletive-driven. Tom Pickard, a Newcastle-born writer who left school at 14 and fell swiftly under the spell of American Beat poetry and poets, was not only present at the birth of the British Poetry Revival in 1965 but also is credited with leading the charge. He has directed and produced a number of documentary films for British television and is currently writing a libretto for composer John Harle. http://web.mit.edu/newsoffice/2004/arts-pickard-1117.html      CV for Brian Reed on contemporary poetry for Seattle-area secondary school teachers. "Twentieth-century Poetry and the New York Art World." A Concise Problem of Bad Political Poetry." Texas Studies in Language and http://faculty.washington.edu/bmreed/CV.html      Life In Legacy - Week of 04/12/2003 Richard Caddel - British poet, promoter, publisher and editor, who was part of the British Poetry Revival of the early 70’s, and who later established Pig Press which published both little and well-known poets, died April 1 in Dunham, England of leukemia at age 53. Cécile de Brunhoff - French woman who originated the tale of Babar the Elephant as a story told to her children, which was made popular by her husband Jean de Brunhoff, an artist and book illustrator, who with his son Laurent created nearly 50 books about Babar, died April 7 in Paris at age 99. Dr. Frederic L. Holmes - Yale University professor and leading authority on the history of medicine and science who wrote detailed accounts of the creative processes behind landmark scientific discoveries, including the book “Hans Krebs: the Formation of a Scientific Life, 1900-1933”, died March 27 of cancer in New Haven, CT at age 70. http://www.lifeinlegacy.com/2003/WIR20030412.html      Oak Knoll Books & Oak Knoll Press The Vale Pressis the story of typographer, publisher and wood engraver Charles Ricketts (1866-1931) and his famous press. Watry, Maureen M. New Castle and London : Oak Knoll Press and The British Library 2004 THE VALE PRESS, CHARLES RICKETTS, A PUBLISHER IN EARNEST. http://www.oakknoll.com/detail.php?d_booknr=76292

	About us   |  Why use us?   |  Press   |  Contact us Copyright © 2005 ArtRetriever.com Usage implies agreement with terms.