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| | Central Europe Review - Modernism: Beyond Fission |
 | | The Blaue Reiter was a formation of artists that first exhibited their work together in 1911 and also produced Der Blaue Reiter Almanach in 1912, one of the ground-breaking manifestos of the modernist movement in art, music and painting that sprang up in the years before the First World War. | | | While the Blaue Reiter is usually only associated with the development of German Expressionism, the present exhibition affirms the aesthetic and cultural pluralism of the original Blaue Reiter exhibitions, organised by Kandinsky and Marc. | | | The inclusion of many important paintings by Russian artists who were associated with Kandinsky and the Blaue Reiter is the result of a co-operation between the Schoenberg Centre and the Russian Museum in St Petersberg. |
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http://www.ce-review.org/00/16/bagust16.html
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| | Der Blaue Reiter - Wikipedia, the free encyclopedia |
| | An extensive collection of paintings by the Der Blaue Reiter group is exhibited in the Städtische Galerie im Lenbachhaus in Munich, Germany. | | | Kandinsky had also done an artwork of the same name (Der Blaue Reiter) in 1903. | | | They also published an almanac featuring contemporary, primitive and folk art, along with children's paintings. |
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http://en.wikipedia.org/wiki/Blaue_Reiter
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| | Der Blaue Reiter |
| | Der Blaue Reiter 1068654341 1068678000 Ludwigshafen Germania Sigrid Karck http://www.wilhelm-hack-museum.de Sigrid.Karck@ludwigshafen.de 1068654341.jpg 1078095599 o Wilhelm Hack Museum Der Blaue Reiter Rediscovering the ''Blaue Reiter'': A Unique exhibition in Ludwigshafen displaying approximately 200 major artworks - Early Jawlensky painting will be exhibited for the first time. | | | Additionally to the works of the initial inner circle of artists of the ''Blaue Reiter'', the works of Schönberg and Kubin also make a reference to music and literature. | | | Among them the Museum owns 35 works by artists of the ''Blaue Reiter''. |
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http://www.undo.net/artinpress/1068678000.1068654341.html
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| | 2001 Lecture 4 - Franz Marc |
| | Der Blaue Reiter painters were variously influenced by the Jugendstil group, Cubist and Futurist painting styles, and naïve folk art. | | | The final exhibition of Der Blaue Reiter took place at the famous Galerie Der Sturm (see Sturm, Der) in Berlin, where they were included in an exhibition called the “First German Autumn Salon,” held in 1913; at this time the German-American artist Lyonel Feininger also became affiliated with the group. | | | Neither a movement nor a school and having no definite program, Der Blaue Reiter was a loosely knit organization of numerous artists who exhibited their works together between 1911 and 1914. |
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http://www.adfasshoalhaven.123go.com.au/year/2001/lecture4.htm
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| | Der Blaue Reiter |
| | Instead the aim of Der Blaue Reiter was to call attention to new ideas and new theories about the arts, including painting, music and theatre. | | | Much of Kandinsky’s inspiration for the collaboration of music and painting was derived from the classical music of Arnold Schoenberg. | | | This was an Expressionist movement also, but Die Brucke can be classified as a group in which the main objective was to feature a group of painters, as was certainly not the case for Wassily Kandinsky and Der Blaue Reiter. |
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http://myweb.dal.ca/agirling/derblauereiter.html
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| | Nonstarving Artists - Der Blaue Reiter in Cologne and Picasso in Munich |
| | In exchange, the Museum Ludwig will be presenting the masterworks of the "Blauer Reiter" ("The Blue Rider") to art lovers in the Rhineland and the bordering Benelux countries. | | | The primary focus of the "Blauer Reiter" presentation will be on painting. |
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http://www.nonstarvingartists.com/News/BlaueReiterPicasso
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| | Der Blaue Reiter |
| | The second exhibition of “Der Blaue Reiter” (Drawings and Watercolors) opened in March 1912 at the Galerie Goltz. | | | Of the four pictures by Schönberg hung in the "Der Blaue Reiter" exhibition, a Selbstportrait (Self-Portrait) and the Gehende Selbstportrait (Self-Portrait, walking) were reproduced, both close to texts from Kandinsky. | | | [...] We will try to become the center of the modern movement." (Franz Marc to his brother, 3 Decemberg 1911) The first exhibition of the editors of “Der Blaue Reiter” was opened on 18 December 1911 in the Galerie Thannhauser in Munich. |
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http://www.schoenberg.at/4_exhibits/asc/Kandinsky/Reiter_e.htm
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| | Connaught Brown |
| | In 1911 another group emerged in Munich, Der Blaue Reiter (the name is derived from one of Vassily Kandinsky& early paintings). | | | In addition to this, the publishing house and art gallery owned by Herwarth Walden, both named Der Sturm (The Storm), played a major part in exhibiting paintings and publishing theoretical writings by artists who are considered to be expressionist. | | | However, in 1914 the term became associated with the new generation of German artists who responded most eagerly to the vision born in France by Vincent Van Gogh, Paul Gauguin and Paul Cézanne. |
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http://www.connaughtbrown.co.uk/pages/art_m_expres.shtml
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| | der blaue reiter |
| | Although these artists left the academic rules of art completely, their work was theoretical very well grounded. | | | The artists of Der Blaue Reiter, August Macke, Franz Marc, believed that every person has an inner and an outer world. | | | This step meant a major change for art with its unknown possibilities. |
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http://www.the-artfile.com/uk/styles/expressionism/blauereiter.htm
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| | Mattis-Teutsch and Der Blaue Reiter - Haus der Kunst - Absolutearts.com |
| | The exhibition Mattis-Teutsch and Der Blaue Reiter is the first retrospective of the Transsilvanian artist Hans Mattis-Teutsch (1884—1960). | | | The central concurrence between Mattis-Teutsch and the painters of Der Blaue Reiter lay in this spiritual interpretation of colour and symbolic forms, as well as in his confidence in their generally understood power of expression. | | | Hans Mattis-Teutsch was a painter, graphic artist and sculptor, but also an art teacher, theorist and literate. |
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http://www.absolutearts.com/artsnews/2001/07/05/28809.html
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| | Discoveritalia - Notebook of events - The Blue Knight, der Blaue Reiter Milano (MI) |
| | The short history of the Blaue Reiter, which was definitely interrupted when the war broke out in 1914 and already jeopardized by diverging opinions, undoubtedly did not make its members create strict style programmes, leaving them free of developing independently their own artistic career. | | | The name Blaue Reiter could only refer to some exhibitions and publications, made in a short period of time, three years, revolving around two central figures, the editors of the Blaue Reiter Almanac, Wassily Kandinsky and Franz Marc. | | | Many scholars think that the Blaue Reiter is not a real artistic community, with its own manifesto searching for its original creativity, like the Brücke in Dresda. |
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http://www.discoveritalia.com/agenda/schedaEvento.asp?IDevento=4621&lingua=en
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| | Die zweite Ausstellung der Redaktion Der Blaue Reiter, 1912 |
| | The second exhibition of "Der Blaue Reiter" (Drawings and Watercolors) opened in March 1912 at the Galerie Goltz. | | | Der Blaue Reiter (D.B.R.): "nom trouvé par Franz Marc et Vassily Kandinsky pour servir de titre à un recueil de textes sur l'art moderne. | | | Der Blaue Reiter désigne également l'exposition-manifeste, organisée par eux à partir du 8 décembre 1911 à la galerie Thannhauser, à l'issue de leur démission de la "Neue Künstlervereinigung", et ralliant d'autres dissidents dont Macke, Münter, Campendonk et David Burljuk. |
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http://www.michaelgoltz.de/reiter1912.html
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| | Art History 497b Syllabus |
| | Special attention will be given to the Blaue Reiterexhibitions of 1911 and 1912 and the loose confederation of artists who comprised the exhibition society of the same name, to the concurrent Blaue Reiteralmanac, and to Kandinsky's writings of the period, in particular, his major treatise, Über das Geistige in der Kunst. | | | Project must display an understanding of artist's technique and must be accompanied by a detailed and credible written description of how the work came to be rediscovered and why it should be considered to be a genuine work of art by the artist in question. | | | Time permitting, consideration will also be given to Kandinsky's Russian and Bauhaus period (1915-1932), and his final years in Paris (1933-1944). |
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http://www.courses.psu.edu/arth/arth497c_pjm19/syllabus.htm
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| | Guggenheim Collection - Artist - Kandinsky - Biography |
| | In 1923, he was given his first solo show in New York by the Société Anonyme, of which he became vice-president. | | | Kandinsky& On the Spiritual in Art was published in December 1911. | | | Kandinsky& first solo show was held at Der Sturm gallery in Berlin in 1912. |
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http://www.guggenheimcollection.org/site/artist_bio_71.html
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| | Marc |
| | He often painted animals, (he painstakingly studied their anatomy) specifically blue horses, for which his group was named. | | | He had enrolled at Munich University to study languages before he went to art school to follow in the footsteps of his father, who painted landscapes. | | | Formed in Munich in 1911 by Vassily Kandinsky and Franz Marc, they hoped to propel artists to use bright colors and expressive art to invoke a reaction in the viewer. |
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http://www.mtholyoke.edu/~jmisenbe/classweb/marc.html
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| | artnet.com: Resource Library: Blue Four |
| | The idea for founding the Blue Four came from Galka Scheyer, a former pupil of Jawlensky, who sought to make the work and ideas of these artists better known in the USA through exhibitions, lectures and sales. | | | Name applied to a group of German painters, founded at the Bauhaus in Weimar, Germany, on 31 March 1924. | | | In May 1924 Scheyer travelled to New York, where the first Blue Four exhibition took place at the Charles Daniel Gallery (Feb–March 1925). |
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http://www.artnet.com/library/00/0093/T009361.ASP
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| | Franz Marc |
| | Marc was born in Munich in 1880 and studied at the Munich Art Academy before forming the Blaue Reiter artist circle with Wassily Kandinsky in 1911. | | | I am drawn by his use of color, the nearly cubist elements of some of his paintings, and the simplicity of much of his work. | | | Initially, my favorite work of his was Blaues Pferd, but now I think my favorite is Tiger, although it truly is his entire body of work that makes him my favorite. |
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http://hs.riverdale.k12.or.us/~dthompso/art/marc
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| | artrepublic.com - Art Terms - Blau Reiter |
| | Although only two exhibitions took place under the Blaue Reiter name, Kandinsky, Marc, Macke and Klee went on to exhibit together at the influential 'First German Salon d'Automne' in Berlin at the Sturm Gallery in 1913. | | | The name derived from a drawing by Wassily Kandinsky that appeared on the cover of the Almanac featuring a blue horseman; blue happened also to be Franz Marc's favourite colour and, along with Kandinsky, the horse was a particularly favoured subject. | | | Although short-lived, the Blaue Reiter represented the pinnacle of German Expressionist painting. |
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http://www.artrepublic.com/Posters/content/artterms/blaureiter.asp
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| | Expressionism Art - Artists, Artworks and Biographies |
| | Der Blaue Reiter took its name from a painting by Kandinsky title "Le cavalier bleu." The group was united more by their common goal of portraying spirituality rather than stylistic similarities. | | | Die Bruecke, meaning "the Bridge" was centered in Dresden and included artists Ernst Ludwig Kirchner, Erich Heckel, Emil Nolde, Max Pechstein, Otto Mueller, and Karl Schmidt-Rottluff. | | | Expressionism found its roots in two groups of German painters, Die Bruecke and Der Blaue Reiter. |
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http://www.wwar.com/masters/movements/expressionism.html
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| | Gabriele Münter, 1877 - 1962 |
| | She was interested in Kandinsky's development towards abstract art, but her own works continued to be figurative. | | | In 1909 the artist began painting glass, a medium which would later also be adopted by Kandinsky, Marc, Macke and Campendonk. | | | Münter was a member of the 'Neue Künstlervereinigung München' for two years and in 1911 she joined the 'Blaue Reiter', the artist group founded by Kandinsky and Marc. |
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http://www.kettererkunst.com/bio/GabrieleMunter-1877-1962.shtml
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| | Buy Der Blaue Reiter Poster (high-quality art print) |
| | If you have any questions or comments about this Der Blaue Reiter Poster (high-quality art print) or any of my other posters, please contact me. | | | Buy Der Blaue Reiter Poster (high-quality art print) | | | The best selection of posters and art prints on the web. |
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http://brandy.weblogs.us/poster/der-blaue-reiter-856080.html
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| | Blaue Reiter Poster (Art Print) |
| | Sitemap: Print categories, Print artists,Blaue Reiter Art Prints for sale. | | | You can order just the Poster (high-quality Art Print), or you can choose to have your order framed, mounted, or Quick Framed if applicable. | | | See frames for this Poster (high-quality Art Print) |
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http://www.jdhodges.com/posters/blaue-reiter-poster-264940.html
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| | Der Blaue Reiter: ARTSetc |
| | The links on this page are to pages and sites that give an introduction to Der Blaue Reiter or to its individual members, plus art museums, on-line image galleries and art sales sites. | | | Hermus Fine Arts: Der Blaue Reiter — notes and images | | | Die Brücke — (a group of German Expressionist artists based in Dresden and Berlin between 1905 and 1913): Artlex |
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http://www.riverman.fsbusiness.co.uk/blauex.html
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| | Blaue Reiter, der |
| | A book explaining Blaue Reiter objectives, the Almanach, was published 1912, and there were two exhibitions, 1911 and 1912. | | | Other members of the group were Gabriele Münter, August Macke, Alfred Kubin, Alexei von Jawlensky, Heinrich Campendonck, and Paul Klee. |
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http://www.tiscali.co.uk/reference/encyclopaedia/hutchinson/m0003160.html
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| | Discounted Art - Paul Klee posters, prints and serigraphs. |
| | His friendship with the painters Wassily Kandinsky and August Macke prompted him to join Der Blaue Reiter (The Blue Rider), an expressionist group that contributed much to the development of abstract art. | | | The late works, characterized by heavy black lines, are often reflections on death and war, but his last painting, Still Life (1940; Felix Klee collection, Bern), is a serene summation of his life's concerns as a creator. | | | A turning point in Klee's career was his visit to Tunisia with Macke and Louis Molliet in 1914. |
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http://www.discountedart.com/paulkleeart.html
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| | Blue Rider Pictures - Der Blaue Reiter |
| | These artists, who early in their careers broke from the mainstream, were later to become the driving force behind modern art as we know it today. | | | WebMuseum: Towards Abstraction Another summary on the origins of the Blaue Reiter movement. |
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http://www.blueriderpictures.com/blaue.htm
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| | Der Blaue Reiter und das Neue Bild |
| | Neben einer Chronologie und Künstlerkurzbiographien enthält der Band alle rekonstruierten NKVM-Ausstellungen von 1909, 1910 und 1911 sowie die erste Präsentation des Blauen Reiters von 1911/12. | | | Von Werefkin, Jawlensky, Bechtejeff, Kogan und Mogilewski verliessen im Dezember 1912 aus Protest gegen Das Neue Bild die NKVM. | | | Zum Bruch der Blauen Reiter mit der NKVM trug zudem ein Streit um Kandinskys Einladung des aus Böhmen stammenden amerikanischen Malers Albert Bloch zur dritten Ausstellung bei. |
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http://www.cosmopolis.ch/cosmo6/Reiter.htm
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| | Gabriele Munter |
| | 1911- Formation of Der Blaue Reiter (the Blue Rider), an association of artists which produces an almanac and has its first exhibition in Munich in December, 1911. | | | Kandinsky makes frequent trips to Russia to visit family and to visit artist colleagues in Germany and other countries. | | | Kandinsky's divorce finalized, but no plans for marriage to Münter are announced. |
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http://www.vmfa.state.va.us/munterc.html
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| | Blaue Reiter - definition of Blaue Reiter in Encyclopedia |
| | An extensive collection of paintings by the Blaue Reiter group is exhibited in the Städtische Galerie im Lenbachhaus in Munich. | | | Der Blaue Reiter (The Blue Rider) was a group of expressionist artists that was established in Munich in 1911. | | | Embed a dictionary search in your own web page |
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http://encyclopedia.laborlawtalk.com/Blaue_Reiter
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| | Info Kandinsky - eng |
| | He was a very popular teacher at the Phalanx art school, Gabriele Münter became his pupil and they had a relationship. | | | Most Swedish artists chose to study in Paris, but the odd one found his way also to the Phalanx, for instance Carl Palme. | | | Kandinsky had been a member of the Der Blaue Rose group in Moscow and in Munich he took the initiative to Der Blaue Reiter. |
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http://www.auktionsverket.se/kandinskye.htm
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| | WebMuseum: Towards Abstraction |
| | It is Wassily Kandinsky, the most influential member of the group, who is most often credited with the distinction of painting the first ``abstract'' picture, in 1910. | | | Der Blaue Reiter (The Blue Rider) was formed in 1911 and succeeded the first Expressionist movement, Die Brücke, which dissolved in 1913. |
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http://www.ibiblio.org/wm/paint/tl/20th/abstract.html
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| | halcyon realms |
| | In one of the ending sequences from Iwai Shunji's Hana and Alice, Alice, one half of the film's 2 main protaganists, turns up for a teenage magazine covergirl audition. | | | This lady, seeing me grieving in pain outside the souvenir shop, came up and asked : " Say, you don't like taking pictures ? | | | When they opened Saladin's treasury after his death they found there was not enough money to pay for his funeral; he had given his money away to those in need. |
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http://memento.blogspot.com
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| | Leslie Sacks Fine Art - Marc Biography |
| | While a member of Der Blaue Reiter, the artist came into contact with many other artists who shared enthusiasm for an art that moved beyond concrete observation and into symbolism and the Futurist and Cubist investigation of the motif. | | | A strong defender of the Neue Kunstlervereinigung Munchen, he joined the group in 1911 and later founded with Wassily Kandinsky Der Blaue Reiter, a group whose main interest was to regard art as being in the service of the transcendent as opposed to the material world. | | | In 1910 he had his first solo show at Kunsthandlung Brackl in Munich, during which he met August Macke and Bernhard Koeler. |
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http://www.lesliesacks.com/gallery/artistPages/marc/marcbio.htm
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| | Museum Of Fine Art - DER BLAUE REITER |
| | Museum Of Fine Art - DER BLAUE REITER | | | A partner community of All The World's A Stage |
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http://museum-of-fine-art.com/cgi-bin/ikonboard/topic.cgi?forum=20&topic=3
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| | Tate Glossary Der Blaue Reiter |
| | Blue is a colour which has often seemed of special importance to artists and for Kandinsky and Marc, whose favourite colour it was, it seems to have had a mystical significance. | | | This was an informal association rather than a coherent group like Brücke. | | | Der Blaue Reiter was brought to an end by the First World War in which both Macke and Marc were killed. |
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http://www.tate.org.uk/collections/glossary/definition.jsp?entryId=86
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| | Fine Art Presentations |
| | He studied at the Munich Art Academy and traveled to Paris several times where he saw the work of Gauguin, Van Gogh, Impressionists. | | | With Kandinsky, he founded the almanac Reiter" in 1911 and organized exhibitions with this name. | | | Franz Marc was a pioneer in the birth of abstract art at the beginning of the twentieth-century The Blaue Reiter group put forth a new program for art based on exuberant color and on profoundly felt emotional and spiritual states. |
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http://fineart.elib.com/fineart.php?dir=Movement/Der_Blaue_Reiter/Marc_Franz
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| | ArtLex's D-De page |
| | Owing too much to one or more other artists' work(s). | | | Bloch was the only American born member of Der Blaue Reiter. |
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http://www.artlex.com/ArtLex/D.html
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| | Klee |
| | In 1906 he married the pianist Lili Stumpf and settled in Munich, then an important center for avant-garde art. | | | He join Der Blaue Reiter (The Blue Rider), an expressionist group that contributed much to the development of abstract art. | | | After World War I he taught at the Bauhaus school. |
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http://www.mcs.csuhayward.edu/~malek/Klee.html
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| | MSN Encarta - Search Results - Blaue Reiter Der |
| | See all search results in Photos and more (12) | | | Blaue Reiter, Der (German for “The Blue Rider”), informal association of expressionist artists founded in Munich, Germany, in 1911. | | | Search for Magazine Articles on "Blaue Reiter Der" |
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http://encarta.msn.com/Blaue_Reiter_Der.html
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| | Franz Marc |
| | In 1911 he found himself ready to embark on the series of paintings of animals which have since been the cornerstone of his reputation. | | | And in December, after a split in the Neue Kuenstlervereinigung, organized the first Blaue Reiter (Blue Rider) exhibition. | | | In 1913 he took an important role in selecting and hanging Der Sturm's First Autumn Salon in Berlin, and noted how many of the exhibitors were veering towards abstraction. |
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http://www.artchive.com/artchive/M/marc.html
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| | Willkommen im Lenbachhaus, München Homepage |
| | Wassily Kandinsky, Franz Marc, Gabriele Münter und Alfred Kubin traten aus der "Neuen Künstlervereinigung München" aus und organisierten eine eigene Ausstellung, die als "Erste Ausstellung der Redaktion ´Der Blaue Reiter´" in die Kunstgeschichte eingegangen ist. | | | Diese für die Kunst der Moderne bedeutendste Schrift im deutschsprachigen Raum stand vollständig unter der redaktionellen und konzeptuellen Verantwortung von Kandinsky und Marc. | | | Januar 1912 in den Räumen der Galerie Thannhauser stattfand, wurde zu einer Manifestation von epochaler Bedeutung und mit Sicherheit das wichtigste Kunstereignis in diesem Jahrhundert in München. |
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http://www.lenbachhaus.de/4_sammlu/sites/geb_d_b.htm
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| | Wassily Kandinsky / "Komposition No. 4" from the book Der Blaue Reiter (The Blue Rider) (Munich: R. Piper Co., 1912) / ... |
| | This image is one of over 118,000 from The Art Museum Image Consortium Library (The AMICO Library™), a growing online collection of high-quality, digital art images from 39 museums around the world. | | | Visit www.davidrumsey.com/amico for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amico@luna-img.com. | | | Wassily Kandinsky / "Komposition No. 4" from the book Der Blaue Reiter (The Blue Rider) (Munich: R. Piper Co., 1912) / 1912 |
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http://www.davidrumsey.com/amico/amico61956-49722.html
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| | NOTEZ: http://www.medito.com |
| | Munich a été le berceau du "Blaue Reiter". | | | VACANCES : MUNICH du Blaue Reiter aux V2 de Dora | | | VACANCES : MUNICH du Blaue Reiter aux V2 de Dora : |
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http://www.medito.com/va0506k.htm
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| | Der Blaue Reiter |
| | Die Vereinigung spaltete sich und mit Kandinsky gingen auch Gabriele Münter, Franz Marc und Alfred Kubin. | | | Die Bezeichnung Blauer Reiter leitete sich von einem gleichnamigen Bild Kandinskys her. | | | Die zweite und zugleich bereits letzte Ausstellung unter dem Namen des Blauen Reiter wurde 1912 in München veranstaltet. |
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http://www.g26.ch/kunst_glossar_12.html
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| | Fotografien |
| | Im Dezember tritt Kubin, wiederum auf Aufforderung Kandinskys und Gabriele Münters, aus der ‘Neuen Künstlervereinigung München’ aus und der neugegründeten Gruppe des “Blaue Reiter” bei. | | | Feiningers stilistische Anregungen lassen sich mindestens ebenso wie die Paul Klees in Kubins Werk bis 1915 beobachten. | | | Im September beteiligen sich die Künstlerkollegen, zusammen mit anderen Mitgliedern des “Blauen Reiter”, an der Ausstellung des “Ersten Deutschen Herbstsalon” in Herwarth Waldens “Sturm”-Galerie in Berlin, der wichtigsten Galeristen-Ausstellung der internationalen Avantgarde vor dem Ersten Weltkrieg. |
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http://www.alfred-kubin.com/Kubin-Lebenslauf-lang.html
(2877 words)
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Topic: Blaue Reiter