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 MSN Encarta - Baroque Art and Architecture
Infinite space is often suggested in baroque paintings or sculptures; throughout the Renaissance and into the baroque period, painters sought a grander sense of space and truer depiction of perspective in their works.
This style appealed to such artists as Guido Reni, Domenico Zampieri, called Domenichino, and Francesco Albani, who were trained by the Carracci at their workshop in Bologna.
However, by the end of the 18th century baroque had entered the terminology of art criticism as an epithet leveled against 17th-century art, which many later critics regularly dismissed as too bizarre or strange to merit serious study.
http://encarta.msn.com/encyclopedia_761572212/Baroque_Art_and_Architecture.html

  
 WebMuseum: Baroque
Primarily, it designates the dominant style of European art between Mannerism and Rococo.
It is by no means exclusively associated with religious art, however, and aspects of the Baroque can be seen even in works that have nothing to do with emotional display--for example in the dynamic lines of certain Dutch still-life paintings.
In doing so they looked back to some extent to the dignified and harmonious art of the High Renaissance, but Annibale's work has an exuberance that is completely his own, and Caravaggio created figures with an unprecedented sense of sheer physical presence.
http://www.ibiblio.org/wm/paint/glo/baroque

  
 Encyclopedia4U - Baroque music - Encyclopedia Article
Monteverdi himself used both styles; he wrote his Mass In illo tempore in the older, Palestrinan style, and his 1610 Vespers in the new style.
These included a series of works by the mature Bach that are widely considered to be the intellectual culmination of the Baroque era: the Well-Tempered Clavier, the Goldberg Variations, and The Art of Fugue.
Modulation (changing of keys) became a structural and dramatic element, so that a work could be heard as a kind of dramatic journey through a sequence of musical keys, outward and back from the tonic.
http://www.encyclopedia4u.com/b/baroque-music-1.html

  
 baroque, in art and architecture. The Columbia Encyclopedia, Sixth Edition. 2001
The baroque style is characterized by an emphasis on unity among the arts.
Baroque sculptors felt free to combine different materials within a single work and often used one material to simulate another.
With technical brilliance, the baroque artist achieved a remarkable harmony wherein painting, sculpture, and architecture were brought together in new spatial relationships, both real and illusionary, often with spectacular visual effects.
http://www.bartleby.com/65/ba/baroque-art.html

  
 Mark Harden's Artchive: "Baroque Art"
Baroque Painting: Two Centuries of Masterpieces from the Era Preceding the Dawn of Modern Art, by Stefano Zuffi.
The Council of Trent (1545-63) had strongly advocated pictorial clarity and narrative relevance in religious art and to a degree Italian artists such as Santi di Tito (1536-1603) had responded with a more simplified style which has been called 'Anti-Mannerism'.
From Taschen's "Epochs & Styles" series, great reproductions and erudite text make this the perfect introduction to Baroque Art.
http://www.artchive.com/artchive/baroque.html

  
 Glossary
The painter Salvator Rosa was particularly savage in his comments about the later followers of the style, whom he criticized for painting "baggy pants, beggars in rags, and abject filthy things." The Bamboccianti (painters of Bambocciati) influenced such Dutch genre painters as Adriaen Brouwer and Adriaen van Ostade.
In painting and sculpture there were three main forms of Baroque: (1) sumptuous display, a style associated with the Catholic Counter Reformation and the absolutist courts of Europe (Bernini, Rubens); (2) dramatic realism (Caravaggio); and (3) everyday realism, a development seen in particular in Holland (Rembrandt, Uermeer).
The period in art history from about 1600 to about 1750.
http://www.kfki.hu/~arthp/database/glossary/glossary.html

  
 The Baroque Era: Artists and their Works
One of the great periods of art history, Baroque Art was developed by Caravaggio, Annibale Carracci, and Gianlorenzo Bernini, among others.
In the 18th century, Baroque Art was replaced by the more elegant and elaborate Rococo style.
Baroque Art emerged in Europe around 1600, as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance.
http://www.artcyclopedia.com/history/baroque.html

  
 Jakob Prandtauer & Gotthard Linz - Great Buildings Online
By 1680 Prandtauer had made contact with the Carlones, an Italian family of masons and sculptors who influenced his architecture with their use of frescoes and stuccoed vaults.
Although his mastery of traditional craftsmanship initially made Prandtauer skeptical of the baroque style, he eventually created a synthesis between local, traditional design and the evolving baroque style.
Although he worked with a spectrum of styles, he successfully melded local tradition with the influences of Roman Italian, northern Italian, and German to create a new baroque style.
http://www.greatbuildings.com/architects/Jakob_Prandtauer_and_Gottha.html

  
 High Baroque Style
France was the leading country in the development of high baroque gardens and they became associated with autocratic government.
The characteristic features of baroque gardens were: a centrally positioned building, elaborate parterres, fountains, basins and canals.
A unified discipline infused the residential architecture, garden architecture, sculpture, fountains, cascades, planting and other features.
http://www.gardenvisit.com/s/estyle2/high-bar.htm

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